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Sam DeRosa © Matthew Berinato
Debut, Interviews, Music, PremieresAugust 19, 2019<August 19, 2019

Premiere: Sam DeRosa Spreads Her Wings with Intimate “Baby I Know”

by Mitch Mosk
ThebandIvory © Bob Sweeney
Music, PremieresAugust 19, 2019<August 19, 2019

Premiere: ThebandIvory’s “After It’s Said and Done” Is a Sagely Indie Rock Aria

by Ilana Kalish
Vansire
Columns, Music, Today's SongAugust 19, 2019<August 19, 2019

Today’s Song: Vansire Muse About Modern Life with “Metamodernity”

by Madison Vettorino
Roundup-160819
Features, Music, Weekly RoundupAugust 16, 2019<August 16, 2019

Atwood Magazine’s Weekly Roundup: August 16, 2019

by Atwood Magazine Staff
Wes Reeve © Leo Deveney
Music, PremieresAugust 16, 2019<April 16, 2020

Premiere: The Tenderness, Turmoil, and Lilting Beauty of Wes Reeve’s Debut “Honey, I”

by Mitch Mosk
Shura © Hollie Fernando
Features, Interviews, MusicAugust 16, 2019<August 16, 2019

Feature: Shura’s Love Lives Forever

by Nicole Almeida
Kyle Donovan © Daniel Herman
Music, PremieresAugust 16, 2019<August 16, 2019

Premiere: Kyle Donovan Savors Youth with “Be a Boy”

by Kelly McCafferty Dorogy
Black Match © Richard Fusillo
Columns, Music, Today's SongAugust 16, 2019<August 15, 2019

Today’s Song: The Guiding Light of Black Match’s Intimate “Cover Your Eyes”

by Mitch Mosk
PARACHUTER 2019
Debut, Music, PremieresAugust 15, 2019<August 15, 2019

Premiere: PARACHUTER’s “Trouble Talking” Is an Upbeat Portal into Another World

by Frankie Rose
9
Debut, Music, Our Take, PremieresAugust 15, 2019<December 15, 2020

Album Premiere: The Hazy Warm Wash of Shikoswe’s Debut ‘Back in the Tall Grass’

by Mitch Mosk
Social House © Parsa Ara
Features, Interviews, MusicAugust 15, 2019<August 15, 2019

Feature: Everything is Changing for Social House

by Nicole Almeida
Music, PremieresAugust 15, 2019<August 15, 2019

Premiere: De La Noche’s “Blue” is a Funk and Synth-Laced Anthem of Heartbreak

by Adrian Vargas
Mallrat © Tash Bredhauer
Columns, Music, Today's SongAugust 15, 2019<August 15, 2019

Today’s Song: Mallrat’s Perfect Recipe for Love in “Charlie”

by Nicole Almeida
James Gillespie © 2019
Features, Interviews, MusicAugust 15, 2019<August 16, 2019

Diehard Devotion Reaping Rewards: A Conversation with James Gillespie

by Luke Pettican
Fields&. © Matthew Boyd
Music, PremieresAugust 14, 2019<August 14, 2019

Premiere: Stepping Out of the Shadows with Fields&.’s “White Holes in the Blue”

by Mitch Mosk
Posts pagination
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Brand New

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit

:: discover something new ::

Recent Posts

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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