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Ben Morrison music
Music, PremieresApril 17, 2019<April 18, 2019

Premiere: Lamenting Lost Love with Ben Morrison’s “I Hope You’re Not Sorry”

by Monica Mellon
Martian Subculture
Music, PremieresApril 17, 2019<April 16, 2019

Premiere: Martian Subculture Longs for Nostalgia in “I’ll Be Gold”

by Caitlin Ison
Ellen Starski © Amelia Booth
Music, Music Videos, PremieresApril 16, 2019<October 14, 2024

Premiere: Ellen Starski’s Beautiful Alzheimer’s Awareness Video “Ode to Nanny & Cookie”

by Mitch Mosk
Damon Mitchell © 2019
Debut, Music, ReviewsApril 16, 2019<April 16, 2019

EP Review: Love Is in the Air, and Damon Mitchell’s ‘Elise’ Catches Every Whiff

by Carolyn Fasone
Bishat © Julius Hayes
Music, Music Videos, PremieresApril 16, 2019<April 16, 2019

Premiere: Embracing Surrender & Control in Bishat’s Cinematic “ctrl+m”

by Mitch Mosk
American Football © Atiba Jefferson
Features, Interviews, MusicApril 16, 2019<April 30, 2019

Muscle Memory: An Interview with American Football

by James Crowley
Mia Schuster "Land" © 2019
Debut, Music, PremieresApril 15, 2019<April 15, 2019

Premiere: Mia Schuster Takes Flight in Debut “Land”

by Mitch Mosk
Nick Cianci © CJ Moy
Music, PremieresApril 15, 2019<April 15, 2019

Premiere: Moving On with Nick Cianci’s Driving “The Night We Crashed Your Dad’s Car”

by Mitch Mosk
Fieh © Jonathan Vivaas Kise
Columns, Debut, Music, Today's SongApril 15, 2019<April 12, 2019

Today’s Song: Fieh Bewitch with the Ingeniously Inventive “25”

by Luke Pettican
Atwood Magazine's Weekly Roundup 2019-04-12
Columns, Features, Music, Weekly RoundupApril 12, 2019<April 30, 2019

Atwood Magazine’s Weekly Roundup: April 12, 2019

by Atwood Magazine Staff
Modest Mouse © James Joiner
Music, ReviewsApril 12, 2019<April 12, 2019

Modest Mouse’s “Poison the Well” Is Laser-Focused Venom at the Powerful and Cruel

by Danny Vagnoni
when we all fall asleep where do we go
Debut, Features, Music, Reviews, RoundtableApril 12, 2019<March 2, 2025

Roundtable Discussion: A Review of Billie Eilish’s ‘When We All Fall Asleep, Where Do We Go?’

by Atwood Magazine Staff
Clock Work - Bedouin Soundclash
Music, Music Videos, PremieresApril 12, 2019<April 12, 2019

Premiere: Basking in Bedouin Soundclash’s Infectious, Sunny “Clock Work”

by Mitch Mosk
The "Don't Hate Me" video finds Corey Harper set against a blank canvas, leaning on his music as the primary driver of self-expression.
Music, Music Videos, PremieresApril 12, 2019<April 30, 2019

Premiere: Corey Harper’s Catchy “Don’t Hate Me” Radiates Heartache & Passion

by Mitch Mosk
Elliah Heifetz © Marcus Maddox
Music, PremieresApril 11, 2019<April 11, 2019

Premiere: Welcoming Change with Elliah Heifetz’s Majestic “I’m Over Now”

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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