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Rachel Ana Dobken © Michael Kravetsky
Columns, Music, PremieresJuly 22, 2019<July 22, 2019

Premiere: Rachel Ana Dobken’s “Always” is a Strut for Love

by James Crowley
Columns, Music, Today's SongJuly 22, 2019<July 22, 2019

Charlotte Lawrence Returns with the Refreshing & Resonant “Why Do You Love Me”

by Luke Pettican
Atwood's Weekly Roundup 2019 July 19
Columns, Features, Music, Weekly RoundupJuly 19, 2019<July 23, 2019

Atwood Magazine’s Weekly Roundup: July 19, 2019

by Atwood Magazine Staff
Lemon Trees - Mary Bryce
Music, PremieresJuly 19, 2019<July 19, 2019

Premiere: The Depth & Discomfort of Mary Bryce’s Elegant “Lemon Trees”

by Mitch Mosk
Riah © Daniel Prakopcyk
Debut, Features, Interviews, Music, PremieresJuly 19, 2019<July 19, 2019

Feature: Riah’s Enchanting Dreams of Loss, Love, and ‘Heartbreak Magic’

by Mitch Mosk
BTS © 2018
Columns, Music, Tunes & TumblersJuly 19, 2019<April 30, 2023

Tunes & Tumblers: Drinking in the K-Pop Sensation with BTS

by Anthony Kozlowski
Miley Cyrus
Columns, Music, Today's SongJuly 19, 2019<July 19, 2019

Today’s Song: Miley Cyrus’ “The Most” Is a Powerful Musical Story of Love and Vulnerability

by Melanie Lustig
Joseph © Louis Browne
Features, Interviews, MusicJuly 18, 2019<August 22, 2019

Interview with Joseph: Peace and Love Like a “Fighter”

by Ilana Kalish
Mali-Koa
Music, Music Videos, PremieresJuly 18, 2019<July 18, 2019

Premiere: Mali-Koa Says “Sorry” in Heartbreaking New Single

by Kelly McCafferty Dorogy
Freja Frances © 2019
Music, PremieresJuly 18, 2019<July 18, 2019

Premiere: The Fierce Delicacy of Freja Frances’ “The Wolf”

by Luke Pettican
Columns, Music, Today's SongJuly 18, 2019<July 18, 2019

Today’s Song: Justin Townes Earle Explores His Dark Side On “The Saint of Lost Causes”

by Oliver Crook
Free Zuma
Music, PremieresJuly 17, 2019<July 17, 2019

Premiere: “Dance Dance Dance” with Free Zuma’s Smokey Summer Disco Groove

by Mitch Mosk
Mother Pearl © Zoe Chait
Debut, Music, PremieresJuly 17, 2019<July 17, 2019

Premiere: Mother Pearl’s Epic, Vulnerable, and Therapeutic Debut “Father Figures”

by Mitch Mosk
Columns, Music, Music Videos, Today's SongJuly 17, 2019<July 17, 2019

Today’s Song: Lola Marsh’s “Echoes” is a Library Fantasy, Almost

by Ilana Kalish
Grizfolk © Andrew Ha
Features, Music, Premieres, ReviewsJuly 17, 2019<July 17, 2019

Album Premiere: In ‘Rarest of Birds’, Grizfolk Fight Personal Struggles with Visions of the Sun

by Frankie Rose
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Brand New

  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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