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Mergui "Risk It All" © 2025
Interviews, MusicJune 9, 2025<June 9, 2025

Interview: Mergui Is Willing to “Risk It All” for Some Quality Tunes

by Josh Weiner
MARINA 'PRINCESS OF POWER' © Bethany Vargas 8.4
Music, Our Take, ReviewsJune 9, 2025<June 9, 2025

Our Take: MARINA’s ‘Princess of Power’ Is a Disco Ball of Emotion, Strength, & Self-Discovery

by Danielle Holian
Sabrina Carpenter's "Manchild" music video © Vania Heymann & Gal Muggia
Columns, Music, Today's SongJune 9, 2025<June 9, 2025

Today’s Song: Sabrina Carpenter’s “Manchild” Is a Scathing, Sparkly Summer Anthem with Bite

by Danielle Holian
The Friendship Book of Anne Wagner (1795-1834)
Essays, MusicJune 6, 2025<June 7, 2025

Notes on the Confessional: Diaries, Dissonance, and Becoming in Modern Indie & Pop

by Guest Writer
Governors Ball Music Festival 2024 © Charles Reagan
Festival, Music, PreviewsJune 6, 2025<June 6, 2025

2025 Governors Ball Music Festival Preview: Modern & Long Beloved Voices at One of the East Coast’s Most Iconic Music Festivals

by Marc Maleri
Waylon Wyatt 'Out of the Blue' © Cole Silberman
Interviews, MusicJune 6, 2025<June 6, 2025

Interview: From Small Town to Spotlight, Waylon Wyatt’s Unlikely Rise to Country Music Fame

by Aileen Goos
Laci Kaye Booth "George F****** Strait" © Natalie Sakstrup
Columns, Music, Today's SongJune 6, 2025<June 6, 2025

Today’s Song: Laci Kaye Booth Embraces Outlaw Country on “George F****** Strait”

by Emily Frances Algar
Sarah Klang © Fredrika Eriksson
Features, Interviews, MusicJune 5, 2025<June 5, 2025

“Coming into Myself”: Sweden’s Sarah Klang on Girlhood, Gratitude, Self-Love, and the Stories Behind ‘Beautiful Woman’

by Mitch Mosk
Atwood Magazine's 123rd Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 5, 2025<June 5, 2025

Editor’s Picks 123: Armlock, S.G. Goodman, Nii, Night Tapes, House of Harm, & snuggle!

by Mitch Mosk
Cian Ducrot © 2025
Columns, Music, Today's SongJune 5, 2025<June 5, 2025

Today’s Song: Cian Ducrot Spreads Light and Unity on Euphoric Anthem “Shalalala”

by Danielle Holian
Sy Ari da Kid 'The Last Shadow in the Shade' © Chase Gozy
Features, Interviews, Music, Track-by-TrackJune 4, 2025<June 5, 2025

“I’m Going to Be the Last One Standing”: Sy Ari Da Kid on Storytelling, Truth, Independence, & the Legacy of ‘The Last Shadow in the Shade’

by Mitch Mosk
Noelle Rene © Ryan Clemens
Interviews, MusicJune 4, 2025<June 4, 2025

Interview: If You’re Going to Bet on Anyone, It Should Be Noelle Rene

by Annaliese Baker
The Dare © Kellie Chen
Concerts, Music, ReviewsJune 4, 2025<June 4, 2025

Live Review: The Dare Handily Kicks Off the Weekend at NYC’s Baby’s All Right

by Noah Wade
AGE of the BEAR © Nicole Liantonio
Columns, Music, Today's SongJune 4, 2025<June 4, 2025

Today’s Song: AGE of the BEAR’s “Point of View” Is a Search for Understanding Between Doubt & Purpose

by Aileen Goos
Cosmos Ray © 2025
Music, Reviews, Track-by-TrackJune 3, 2025<June 3, 2025

Album Review: Cosmos Ray’s ‘The More We Live’ Is a Sonic Ritual of Healing

by Danielle Holian
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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