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DITZ © Pedro Takahashi
Columns, Music, Today's SongJuly 21, 2025<July 22, 2025

Ditz Build, Get Lost in, and Burn to the Ground an Emotion-Packed Atmosphere on “britney”

by Andrew Lamson
Natalie Slade © 2025
Columns, Music, Today's SongJuly 20, 2025<July 19, 2025

Today’s Song: Natalie Slade Wrestles With Desire and Devotion on “Unquenchable Craving”

by Marvin Twiggs
Ajii and Jordan Anthony © Joe DeSantis
Columns, Music, Today's SongJuly 19, 2025<July 19, 2025

Today’s Song: Ajii and Jordan Anthony’s “Cherry” Is a Sweet Slice of Pop That Truly Shines

by Chloe Robinson
Atwood Magazine's 128th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 18, 2025<July 19, 2025

Editor’s Picks 128: The Favors, Hushtones, ROLE MODEL, Adult Mom, Zac Farro, & fanclubwallet!

by Mitch Mosk
Malena Zavala © Hilda Pellerano
Music, Music Videos, PremieresJuly 18, 2025<July 18, 2025

Premiere: Malena Zavala Captures Love’s Dreamlike Magic in “MELT,” a Softly Soul-Stirring Surrender to Intimacy

by Mitch Mosk
Miley Cyrus' 'Something Beautiful' album art © Glen Luchford
Music, Premieres, Reviews, RoundtableJuly 18, 2025<July 18, 2025

Roundtable Discussion: A Review of Miley Cyrus’ ‘Something Beautiful’

by Atwood Magazine Staff
The Spice of Life
Columns, Music, Sounds From the GroundJuly 18, 2025<July 18, 2025

Sounds From the Ground: The Spice of Life and The Lucky Pig, 2025

by Frederick Bloy
Stela Cole "Stereoqueen" © 2025
Interviews, MusicJuly 18, 2025<July 18, 2025

“Tonight I’m Gonna Be the Stereoqueen”: Stela Cole Is Reclaiming Her Power Through Feel-Good Music and Fearless Self-Expression

by Mitch Mosk
Billie Marten 'Dog Eared' © Frances Carter
Features, Interviews, MusicJuly 18, 2025<July 18, 2025

“I Used to Find Lots of Beauty in Sadness. Now I Find Beauty in Joy”: Billie Marten on Change, the Gifts of Human Error, and the Intimate Making of Her Fifth LP, ‘Dog Eared’

by Noa Jamir
The Favors are Finneas O'Connell and Ashe © Alex G Harper
Columns, Music, Today's SongJuly 18, 2025<July 18, 2025

The Favors’ (FINNEAS & Ashe) “The Hudson” Is a Love Letter to the One You Almost Kept

by Danielle Holian
Lila Forde 'Vessel' © 2025
Debut, Features, Interviews, Music, Track-by-TrackJuly 17, 2025<July 17, 2025

“I want to be a vessel for the music”: Lila Forde Arrives with Presence, Power, & Timeless Intention on Her Smoldering, Soul-Drenched Debut Album

by Mitch Mosk
The Felice Brothers © Caitlin Greene
Columns, Hudson Valley Artists, MusicJuly 17, 2025<July 17, 2025

Hudson Valley Artist Spotlight: James Felice of The Felice Brothers

by Mitch Mosk
Felukah © Essam
Features, Interviews, MusicJuly 17, 2025<July 17, 2025

“People don’t memorize political speeches, they memorize songs”: Rapper and Singer Felukah on Poetic Roots, Arabfuturism, & Radical Love

by Kate Millar
Dailla "Some Love" © Native Films
Interviews, MusicJuly 17, 2025<July 17, 2025

Interview: Breathing Through the Silence and The Raw Heart of Dailla’s Music

by Danielle Holian
Wet Leg "davina mccall" © Alice Backham
Columns, Music, Today's SongJuly 17, 2025<July 17, 2025

Today’s Song: Wet Leg Channel Heartfelt Spirit in “davina mccall,” a Dreamy Meditation on Devotion, Growth, & Connection

by Ashley Littlefield
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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