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The Fray "My Heart's a Crowded Room" © Robby Klein
Features, Interviews, MusicJuly 31, 2025<July 31, 2025

Feature: The Fray Reminisce on 20 Years of ‘How to Save a Life’ While Entering a New Era of Music

by Lauren Turner
Charlotte OC © Stewart Baxter
Columns, Music, Today's SongJuly 31, 2025<July 31, 2025

Today’s Song: Charlotte OC Lights Up the Ashes on “Cider and Black”

by Marvin Twiggs
CLOVER "My Kind of Woman" © Caley Senters
Music, Music Videos, PremieresJuly 30, 2025<July 30, 2025

“I’m not afraid to be my kind of woman”: CLOVER Premieres Her Bold, Beautiful, and Unapologetic Celebration of Feminine Power & Truth

by Mitch Mosk
Winnetka Bowling League © Heather Saitz
Features, Interviews, MusicJuly 30, 2025<July 30, 2025

“Wait ‘Til You See My Next Trick”: Winnetka Bowling League’s Matthew Koma Is Ready to Rock Lollapalooza – and Make More Songs

by Mitch Mosk
Pretoria © Brady Olson
Interviews, Music, Track-by-TrackJuly 30, 2025<July 30, 2025

Track-by-Track: Pretoria Are Living Out Loud on ‘If We’re Pretending,’ an EP of Change, Authenticity, & the Art of Letting Go

by Miranda Urbanczyk
mary in the junkyard "drains" © Vittoria Pagliaro
Artist to Watch, Interviews, MusicJuly 30, 2025<July 30, 2025

Slipping Down the “Drains” with mary in the junkyard: British Band-to-Watch on Chaos, Connection, & Catharsis

by Mitch Mosk
Chet Faker © CaptureCharles
Columns, Music, Today's SongJuly 30, 2025<July 29, 2025

Today’s Song: Chet Faker Transports Listeners to the “Far Side of the Moon” on His Latest Single

by Ashley Littlefield
'Bono: Stories of Surrender' promotional poster
Film, Music, ReviewsJuly 29, 2025<July 29, 2025

Film Review: ‘Bono: Stories of Surrender’ & Becoming in the World

by David Buyze
Joan Baez and Bob Dylan performing during the Civil Rights March on Washington, D.C., 1963. With permission from the National Archives.
Essays, MusicJuly 29, 2025<July 29, 2025

Bob Dylan’s “I Shall Be Released”: It Was Never About Prison

by Guest Writer
Liam Bauman © Rachel Weber
Artist to Watch, Interviews, Music, Music Videos, PremieresJuly 29, 2025<July 29, 2025

Artist to Watch: Liam Bauman’s “Old Friends” Is a Raw, Unfiltered Reckoning with Grief, Guilt, & Emotional Fallout

by Mitch Mosk
Daphne Gale © 2025
Music, ReviewsJuly 29, 2025<July 29, 2025

Lionhearted: ‘NIL SATIS’ and Daphne Gale’s Evolution

by Hannah Burns
Ryan Cassata © Molly Louise Hudelson
Features, Interviews, MusicJuly 29, 2025<July 29, 2025

Feature: Ryan Cassata’s Healing Is a Beautiful Balm to Us on ‘Greetings from Echo Park’

by Oliver Crook
Gigi Perez © Caity Krone
Columns, Music, Today's SongJuly 29, 2025<July 29, 2025

Today’s Song: Gigi Perez’s “Twister” Is a Swirling Mystical Ballad Confronting New Worlds and Auto-Tune

by Andrew Lamson
Soft Loft © Flavio Leone
Features, Interviews, Music, Track-by-TrackJuly 28, 2025<November 6, 2025

Track-by-Track: Soft Loft Illuminate Longing, Intimacy, & Emotional Release on Their Lush ‘Modern Roses’ EP

by Mitch Mosk
Folk Bitch Trio © Copper Taylor-Bogaars
Debut, Features, Interviews, MusicJuly 28, 2025<July 29, 2025

Interview: Folk Bitch Trio’s Debut Delivers Gutsy Lyrics and Gorgeous Harmonies

by Aileen Goos
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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