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CLOVER © Jennie Hankins
Editorials, Music, Women's History MonthMarch 25, 2025<March 25, 2025

“How the Menstrual Cycle Influences My Songwriting and Artistry”: An Essay by CLOVER for Women’s History Month

by Guest Writer
KTJ & Carly © Lauren Nieves
Columns, Music, Today's SongMarch 25, 2025<March 25, 2025

Today’s Song: KTJ & CARLY Turn Heartbreak into Sweet Revenge on “Good Day”

by Chloe Robinson
Puma Blue © Liv Hamilton
Features, Interviews, MusicMarch 24, 2025<March 24, 2025

“I Wanted to Make Something That Was Kind of Lulling You to Sleep”: Puma Blue Talks Honesty, Spirituality, & Stepping Out of the Box With ‘antichamber’

by Desire' Jackson-Crosby
Buick Audra © Anna Haas
Editorials, Music, Women's History MonthMarch 24, 2025<March 24, 2025

“On Learning to Be Proud of My Music as a Firstborn Adult Child Daughter”: An Essay by Buick Audra for Women’s History Month

by Guest Writer
Paula Cole © 2025
Editorials, Music, Women's History MonthMarch 24, 2025<March 24, 2025

“Paula Cole, a Masterclass in Artistic Authenticity”: An Essay by Katherine DePaul for Women’s History Month

by Guest Writer
SXSW Paramount Marquee for 2026!
Concerts, Music, ReviewsMarch 24, 2025<March 24, 2025

The Best Sounds from SXSW 2025

by Marissa DeLeon
Bon Iver's Justin Vernon © Graham Tolbert
Columns, Music, Today's SongMarch 24, 2025<March 24, 2025

Today’s Song: Bon Iver & Danielle Haim’s Heartfelt Duet on Love’s Fragile Edge in “If Only I Could Wait”

by Danielle Holian
Atwood Magazine's 115th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 21, 2025<March 24, 2025

Editor’s Picks 115: Chappell Roan, Jo Hill, Joy Oladokun, Trousdale, MARIS, & The Ophelias!

by Mitch Mosk
Dog Eared - Billie Marten
Columns, Music, Today's SongMarch 21, 2025<March 21, 2025

Today’s Song: Billie Marten Gently Lifts Us Up to Heights Unknown in “Feeling”

by Noa Jamir
Sister Rosetta Tharpe
Editorials, Features, Music, Women's History MonthMarch 21, 2025<March 21, 2025

Amplified: Women Who Shaped Rock and Metal Music

by Kendall Graham
Anna Shoemaker 'Someone Should Stop Her' © Shervin Lainez
Features, Interviews, MusicMarch 20, 2025<March 20, 2025

“Breakup & Run”: Anna Shoemaker on Heartache, Healing, and Choosing Herself on ‘Someone Should Stop Her’

by Mitch Mosk
Oakland Rain and Judy Collins © 2025
Editorials, Music, Women's History MonthMarch 20, 2025<March 20, 2025

“Community, Sisterhood, and Lessons Learned from Judy Collins”: An Essay by Oakland Rain for Women’s History Month

by Guest Writer
Abe the Kid, Blkchrist, & drinkabir "We Need You Karen" © 2025
Columns, Music, Today's SongMarch 20, 2025<March 20, 2025

“We Need You Karen”: Abe the Kid, Blkchrist, and drinkabir Balance Humor & Intensity on Their Collaborative Single

by Ciaran Short
Eva James © 2025
Editorials, Music, Women's History MonthMarch 19, 2025<March 19, 2025

“From Darkness to the Spotlight: How Chronic Illness Transformed My Music & My Life”: An Essay by Eva James for Women’s History Month

by Guest Writer
Jessica Audiffred © 2025
Interviews, MusicMarch 19, 2025<April 15, 2025

A Conversation with Jessica Audiffred: Making EDM-Pumped Waves on Both Sides of the Border

by Josh Weiner
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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