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Maggie Szabo © Marcella B
Columns, Music, Today's SongJune 17, 2025<June 17, 2025

Today’s Song: Maggie Szabo Commands Attention with Pop Power & Swagger in “Boom Shaka”

by Chloe Robinson
Twenty One Pilots © Fabien Kruszelnicki
Columns, Music, Today's SongJune 16, 2025<June 16, 2025

Today’s Song: Twenty One Pilots Breach a Bold New Era with Explosive Single “The Contract”

by Danielle Holian
Atwood Magazine's 124th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 13, 2025<June 23, 2025

Editor’s Picks 124: Billie Marten, benches, Gatlin, The Happy Fits, BODHI, & quickly, quickly!

by Mitch Mosk
FLETCHER © Carissa Gallo
Columns, Music, Today's SongJune 13, 2025<June 13, 2025

Today’s Song: FLETCHER Bravely Embraces Vulnerability and Identity on “Boy”

by Danielle Holian
Calum Hood 'ORDER chaos ORDER' © Sarah Eiseman
Debut, Features, Interviews, MusicJune 13, 2025<June 13, 2025

Chaos, Clarity & Coming Home: Calum Hood of 5SOS on Stepping into His Own with Solo Debut ‘ORDER chaos ORDER’

by Rachel Leong
Lil Wayne 'Tha Carter VI' © Cécile Boko 6.6
Music, Our Take, ReviewsJune 12, 2025<June 12, 2025

Our Take: Lil Wayne Embraces Veteran Rapper Status on Long-Anticipated ‘Tha Carter VI’

by Josh Weiner
Isabel LaRosa 'Raven' © Sam Monendo
Debut, Features, Interviews, MusicJune 12, 2025<June 12, 2025

Interview: Isabel LaRosa Sends Dark Pop into the Afterlife on Her Emotional Debut, ‘Raven’

by Brian Denney
Bad Posture Club © Madison Gies-Guy
Music, PremieresJune 12, 2025<June 12, 2025

Premiere: Bad Posture Club Embrace Life’s Quiet Moments on “Handy Girls,” a Song of Love, Home, & Human Connection

by Mitch Mosk
Mollie Elizabeth 'Dirty Blonde' © Sophia Schrank
Debut, Features, Interviews, MusicJune 12, 2025<October 7, 2025

Interview: Mollie Elizabeth Invites Listeners to Experience a Dreamlike World Through her Debut EP, ‘Dirty Blonde’

by Kayleigh Schweiker
Nii by Harvey Pearson
Artist to Watch, Columns, Interviews, Music, Today's SongJune 12, 2025<June 12, 2025

“My music’s for the over-thinkers”: Nii Confronts Social Anxiety with Heart & Heat on “People Talk to People”

by Mitch Mosk
Alexandra Savior © Angela Ricciardi
Features, Interviews, MusicJune 11, 2025<June 11, 2025

Interview: Alexandra Savior Takes Back Her Power on Third LP, ‘Beneath the Lilypad’

by Noa Jamir
Kids That Fly © Annaliese Baker
Interviews, MusicJune 11, 2025<June 11, 2025

Interview: Kids That Fly Are Bringing Back What It Means to Be in a Band

by Annaliese Baker
DAMNAGE © Manu Lagoteta
Debut, Music, Reviews, Track-by-TrackJune 11, 2025<June 11, 2025

Album Review: DAMNAGE’s Self-Titled Debut Is a Scorching Manifesto of Punk Rock Rebirth

by Danielle Holian
Armlock © Phoebe Cockburn
Columns, Interviews, Music, Today's SongJune 11, 2025<June 11, 2025

“And We Do It All Again”: Melbourne’s Armlock Capture the Warmth of Connection in Softly Stirring “Strobe”

by Mitch Mosk
The Favors are: Finneas O'Connell and Ashe © Alex G Harper
Columns, Debut, Music, Today's SongJune 10, 2025<June 9, 2025

Today’s Song: FINNEAS & Ashe Find Their Voice as The Favors on “The Little Mess You Made”

by Danielle Holian
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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