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Fejká © Helena Majeswka
Interviews, MusicJuly 28, 2025<July 28, 2025

Interview with Fejká: Chasing EDM Inspiration, From the Black Forest to the Canary Islands

by Josh Weiner
FLETCHER © Carissa Gallo
Music, Reviews, Track-by-TrackJuly 28, 2025<July 28, 2025

Naked Truth in Acoustic Haze: A Love Letter to Self in FLETCHER’s ‘Would You Still Love Me If You Really Knew Me?’

by Danielle Holian
Reneé Rapp © Zora Sicher
Columns, Music, Today's SongJuly 28, 2025<July 28, 2025

Reneé Rapp’s “Why Is She Still Here?” Is a Seductive Reckoning with Being Second Best

by Ari White
Jade Bird © 2025
Columns, Music, Today's SongJuly 27, 2025<July 30, 2025

Today’s Song: Jade Bird Reveals What “Dreams” Are Made of by Uplifting Heartbreak into Optimism

by Ashley Littlefield
Dasha © Alex Green
Columns, Music, Today's SongJuly 26, 2025<July 26, 2025

Dasha Strips It Down in the Song for the Girl Who Never Gave Up, “Oh, Anna!”

by Danielle Holian
Atwood Magazine's 129th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 25, 2025<August 7, 2025

Editor’s Picks 129: total tommy, Park National, Zzz., Florentenes, mary in the junkyard, & DR DR!

by Mitch Mosk
Aidan Bissett 'shut up and love me' © 2025
Debut, Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview: Aidan Bissett Welcomes the Complexities of Connection on His Debut Album ‘shut up and love me’

by Annaliese Baker
Atwood Magazine's Weekly Roundup | July 25, 2025
Columns, Features, Music, Weekly RoundupJuly 25, 2025<August 4, 2025

Atwood Magazine’s Weekly Roundup: July 25, 2025

by Atwood Magazine Staff
hard life's Murray Matravers © 2025
Music, ReviewsJuly 25, 2025<July 25, 2025

Album Review: hard life (FKA easy life) Peel Back the Layers on Their Raw, Resurgent, & Unfiltered ‘onion’

by Mitch Mosk
Jazzie Young © Caitlin Indiana
Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview with Jazzie Young: Playing With Changes and Layering Them Atop Indie Pop Beats

by Josh Weiner
Bella Rios 'Right Now' EP © Shervin Lainez
Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview: Bella Rios Finds Her Voice in ‘Right Now,’ a Pop-Rock Diary of Growing Up and Letting Go

by Aileen Goos
Blair Davie "Crashing the Car" © 2025
Columns, Music, Today's SongJuly 25, 2025<July 25, 2025

Today’s Song: “Crashing The Car” and Falling into Love with Blair Davie’s Intimate New Single

by Aileen Goos
Debbii Dawson © Jennifer Juniper Stratford
Artist to Watch, Features, Interviews, MusicJuly 24, 2025<July 24, 2025

“I’m a weird girl who makes weird music for weird people”: Inside Debbii Dawson’s Magical Musical World

by Mitch Mosk
Joe Ramsay © James Grant
Music, PremieresJuly 24, 2025<July 28, 2025

Premiere: Joe Ramsey Reflects on Time, Purpose, & Presence in “Mornings,” a Stirring Indie Folk Reckoning

by Mitch Mosk
Charlotte OC © Stewart Baxter
Features, Interviews, Music, Track-by-TrackJuly 24, 2025<July 24, 2025

“I wanted this record to sound like truth”: Charlotte OC Reclaims Herself on ‘Seriously Love, Go Home,’ a Record of Reckoning, Release, & Hard-Won Clarity

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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