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Spring Term © Claire Hensley
Features, Interviews, Music, Track-by-TrackMay 29, 2025<May 29, 2025

EP Premiere: Spring Term Shines Bright on ‘Kiddo, Vol. 2,’ a Playful & Profound Coming-of-Age Dreamscape

by Mitch Mosk
Julia Wolf 'PRESSURE' © Angelo Kritikos
Features, Interviews, MusicMay 29, 2025<May 29, 2025

Interview: Julia Wolf on Defying Expectations and Turning ‘PRESSURE’ into Motivation

by Noa Jamir
Peter Doran © Darren Sweeney 7.9
Features, Our Take, ReviewsMay 29, 2025<May 29, 2025

Our Take: Peter Doran Invites Us into the Sacred Unknown on ‘All the World Is Running on a Mystic Code’

by Danielle Holian
Nat & Alex Wolff © Jordan Kirk
Columns, Music, Today's SongMay 29, 2025<May 29, 2025

Today’s Song: Nat & Alex Wolff Trade Noise for Nostalgia on “Soft Kissing Hour”

by Danielle Holian
Wolf Alice "Bloom Baby Bloom" © Rachel Fleminger Hudson
Columns, Music, Today's SongMay 28, 2025<May 28, 2025

Wolf Alice Triumphantly Return with the Superbly Defiant “Bloom Baby Bloom”

by Adam Davidson
MARIS © 2025
Features, Interviews, MusicMay 27, 2025<May 27, 2025

Yearning, Euphoria, & Queer Joy: A Conversation with MARIS

by Anthony Kozlowski
GRAE '7 Minutes ’Til Heaven' 7.4
Music, Our Take, ReviewsMay 27, 2025<May 27, 2025

Our Take: GRAE’s ‘7 Minutes ‘Til Heaven’ Is a Fearless Pop Odyssey of Power, Pain, & Reinvention

by Danielle Holian
Glass Tiger © 2025
Columns, Music, Today's SongMay 27, 2025<May 27, 2025

Glass Tiger’s “Canada’s Song” Is a Declaration of True Patriot Love

by Aileen Goos
Myles O'Neal © 2025
Interviews, MusicMay 23, 2025<May 23, 2025

A Conversation with Myles O’Neal: A Young Talent Looking to Achieve a Slam Dunk Success as a DJ

by Josh Weiner
Noah Cyrus © Jason Renaud
Columns, Music, Today's SongMay 23, 2025<May 23, 2025

Today’s Song: Noah Cyrus’ “I Saw the Mountains” Is a Whisper to the Wild

by Danielle Holian
Atwood Magazine's 122nd Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 23, 2025<May 23, 2025

Editor’s Picks 122: Medium Build, The Head and the Heart, Hudson Thames, Lola Young, DE’WAYNE, & Jack Garratt!

by Mitch Mosk
Mariel Buckley © Maggie Geis
Interviews, MusicMay 22, 2025<May 22, 2025

Interview: Mariel Buckley on “Vending Machines,” Restlessness, and Writing Through the Uncertainty

by Joe Beer
Labit © Erica Hernandez
Columns, Music, Today's SongMay 22, 2025<May 22, 2025

Today’s Song: Labit’s “MANGOES AND RICE” Is a Heartfelt Love Letter to His Filipino-American Identity

by Rachel Leong
Lucie Glang © Eike Higgen
Music, Music Videos, PremieresMay 22, 2025<May 22, 2025

Premiere: Lucie Glang Finds Peace Beneath the Surface in Her Intimate & Enchanting “Underwater Skies”

by Mitch Mosk
Emmanuelle June © Christopher Kazolides
Essays, Mental Health Awareness Month, MusicMay 21, 2025<May 21, 2025

“Not Everyone Deserves Your Story”: A Manifesto for Emotional Sovereignty by Emmanuelle June

by Guest Writer
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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