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We the Band © Chad Brady
Artist to Watch, Columns, Debut, InterviewsJuly 16, 2025<July 16, 2025

Artist to Watch: We the Band – Justin Bieber’s Longtime Touring Powerhouse Step into the Spotlight with Cosmic Grooves & Seductive Soul

by Mitch Mosk
Aïda Mekonnen Caby © Justin Buschardt
Debut, Interviews, Music, PremieresJuly 16, 2025<July 16, 2025

Premiere: Aïda Mekonnen Caby Debuts with Dreamy Intimacy & Icelandic Reverie in “The Glow,” a Breathtaking Indie Folk Introduction

by Mitch Mosk
Pretty Jane © Annaliese Baker
Interviews, MusicJuly 16, 2025<July 16, 2025

Interview: To Eat, Sleep, and Breathe Pretty Jane

by Annaliese Baker
Of Monsters and Men © Eva Schram
Columns, Music, Today's SongJuly 16, 2025<July 16, 2025

“Television Love”: Of Monsters and Men Return With a Breath of Icelandic Stillness

by Nicolle Knapová
Selve © James Caswell
Artist to Watch, Columns, Music, ReviewsJuly 15, 2025<July 15, 2025

Artist to Watch: Australia’s Selve Embrace Camp, Absurdity, & Liberation in the Dazzling “Loki Horror Picture Show”

by Mitch Mosk
Cautious Clay © Travys Owen
Features, Interviews, MusicJuly 15, 2025<July 15, 2025

No Rush: Cautious Clay Slows Down on ‘The Hours’

by Aileen Goos
Mose Wilson © Justin Hughes
Interviews, Music, PremieresJuly 15, 2025<July 15, 2025

“That’s Love”: Mose Wilson’s Unvarnished Take on Love and Life

by Aileen Goos
Natalie Bergman "Lonely Road" © Leslie Kirchhoff
Columns, Music, Today's SongJuly 15, 2025<July 14, 2025

Today’s Song: Natalie Bergman Paves Hope on a “Lonely Road”

by Ashley Littlefield
Atwood Magazine's Weekly Roundup | July 14, 2025!
Columns, Features, Music, Weekly RoundupJuly 14, 2025<July 14, 2025

Atwood Magazine’s Weekly Roundup: July 14, 2025

by Atwood Magazine Staff
Bebe Stockwell 'Driving Backwards' © Spruce Bohen
Artist to Watch, Debut, Features, Interviews, MusicJuly 14, 2025<July 14, 2025

“It Started With a Bad Hangover and a Week of Listening to Bob Dylan”: Bebe Stockwell Debuts with ‘Driving Backwards,’ an EP Built on Humor, Heart, & Honesty

by Emily Frances Algar
Justin Bieber 'SWAG' © Renell Medrano
Music, ReviewsJuly 14, 2025<July 14, 2025

Justin Bieber’s Surprise Record ‘SWAG’ Is a Wonderfully Fragmented Reflection on Life of Late

by Rachel Leong
Animal Collective © Dave Portner
Columns, Music, Today's SongJuly 14, 2025<July 14, 2025

Today’s Song: “Love on the Big Screen” Ensures Animal Collective’s Longevity

by Annaliese Baker
Andy Tongren © Tyler Hansen, Eric Chase
Columns, Music, Today's SongJuly 13, 2025<July 13, 2025

Today’s Song: Andy Tongren Can’t Seem to Forget “Franconia,” and Neither Can We

by Miranda Urbanczyk
Towa Bird © courtesy of Interscope Records
Columns, Music, Today's SongJuly 12, 2025<July 12, 2025

Today’s Song: Towa Bird’s “FML” Is a Queer Anthem That Laughs, Loves, & Bleeds in Color

by Ari White
Sharp Pins © 2025
Columns, Music, Today's SongJuly 11, 2025<July 11, 2025

Today’s Song: Sharp Pins Revolutionize Youth Through Their Jangly Anthem “I Can’t Stop”

by Ashley Escobar
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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