• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
why hasn't everything already disappeared - deerhunter
Music, Our Take, ReviewsJanuary 28, 2019<January 28, 2019

Our Take: Deerhunter Dissolve the Formula in ‘Why Hasn’t Everything Already Disappeared?’ but the Elements Are Still There

by Ben Niesen
Everything by Yellow Shoots
Music, Music Videos, PremieresJanuary 28, 2019<January 28, 2019

Video Premiere: Yellow Shoots’ “Everything” Is a Bold, Trippy Homecoming

by Mitch Mosk
Gnash © Jimmy Fontaine
Debut, Features, Interviews, MusicJanuary 28, 2019<February 1, 2019

Music for Feeling Better: An Interview with gnash

by Mitch Mosk
Sam Fender © Jack Whitefield
Columns, Music, Today's SongJanuary 28, 2019<January 25, 2019

Today’s Song: Sam Fender Hits a Lyrically Poignant Sweet Spot in “Poundshop Kardashians”

by Hermione Kellow
Sunflower Bean © Andy De Luca
Music, Reviews, This Just InJanuary 25, 2019<January 28, 2019

Review: ‘King of the Dudes’ Will Make Sunflower Bean Live Forever

by Nicole Almeida
Trigger Warning - Killer Mike
Reviews, VideoJanuary 25, 2019<January 26, 2019

Review: ‘Trigger Warning’ with Killer Mike Has a Big Heart Underneath its Pugilistic Attitude

by Danny Vagnoni
Atwood Magazine's Weekly Roundup 1-25-2019
Columns, Features, Music, Weekly RoundupJanuary 25, 2019<January 30, 2019

Atwood Magazine’s Weekly Roundup: January 25, 2019

by Atwood Magazine Staff
Harmony Hall - Vampire Weekend still 1
Features, Music, Reviews, This Just InJanuary 25, 2019<December 18, 2019

Vampire Weekend’s Radiant “Harmony Hall” Shines with Energizing Conviction

by Mitch Mosk
Assume Form - James Blake
Features, Music, Reviews, RoundtableJanuary 25, 2019<June 29, 2024

Roundtable Discussion: A Review of James Blake’s ‘Assume Form’

by Atwood Magazine Staff
Craig Stickland © 2019
Music, PremieresJanuary 25, 2019<January 25, 2019

Premiere: Get High on Craig Stickland’s Fiery Celebration “Burn It Down”

by Mitch Mosk
Birch music 2019
Columns, Music, Today's SongJanuary 25, 2019<February 1, 2019

Today’s Song: Birch’s Hopeful, Empowered Protest “Spelling Lessons”

by Carolyn Fasone
Lowland Hum © Serena Jae
Music, Music Videos, PremieresJanuary 25, 2019<January 26, 2019

Premiere: Lowland Hum Address Existential Ennui in “Slow” Video

by James Crowley
Somebody’s Child
Music, Music Videos, PremieresJanuary 25, 2019<January 24, 2019

Premiere: Seclusion, Struggle, and Sanguineness in Somebody’s Child’s “Toes” Video

by Luke Pettican
D'Angelo
Columns, Music, Today's SongJanuary 24, 2019<May 14, 2024

Today’s Song: D’Angelo’s “Unshaken” is the Guarded Knock on a Hidden Door

by Ilana Kalish
Ta-ku 2019
Columns, Music, Music You Should KnowJanuary 24, 2019<January 24, 2019

Music You Should Know: Ta-ku’s ‘25 Nights for Nujabes’ Is an Emotive, Harmonious Ode to a Lost Talent

by Adrian Vargas
Posts pagination
1 … 535 536 537 538 539 … 727

Brand New

  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”

:: discover something new ::

Recent Posts

  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services