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Almost - The Ophelias
Music, ReviewsJanuary 2, 2019<August 16, 2024

Album Review: The Ophelias Find Their Voice on ‘Almost’

by Ben Niesen
Beach Tiger © 2019
Music, PremieresJanuary 2, 2019<January 19, 2019

Premiere: Beach Tiger’s “Numb” Is an Impassioned Ode to Renewal

by Mitch Mosk
Brillboard 2018-12-25
Brillboard, Music, PlaylistsDecember 31, 2018<January 2, 2019

The Brillboard: Holidays, 12/25/2018

by Jason Brillon
Concerts, Music, ReviewsDecember 27, 2018<January 2, 2019

The Japanese House Returns, and Stuns, at Music Hall of Williamsburg

by Nicole Almeida
year in loud 2018
Music, NewsDecember 27, 2018<January 8, 2019

Atwood Magazine’s Year in Loud: 2018

by James Crowley
Till You're Mine - Pony Creek
Music, Music Videos, PremieresDecember 26, 2018<December 26, 2018

Premiere: Pony Creek’s Tender, Loving Classic “Till You’re Mine”

by Mitch Mosk
Atwood Magazine Mistletones 2018
Features, Interviews, Mistletones, Music, PlaylistsDecember 25, 2018<January 16, 2019

Atwood Magazine Presents: Mistletones Interviews

by Atwood Magazine Staff
Blue Christmas - Megan Davies
Covers, Mistletones, Music, ReviewsDecember 24, 2018<December 21, 2018

Mistletones: Megan Davies Captures “Blue Christmas” with Sweet, Effortless Grace

by Mitch Mosk
Hudson Taylor © 2018
Music, ReviewsDecember 24, 2018<December 21, 2018

Hudson Taylor’s ‘From Bear Creek to Dame Street’: The Magic of the Encore

by Christine Costello
Teskey Brothers © Al Parkinson
Columns, Music, Today's SongDecember 24, 2018<December 20, 2018

The Teskey Brothers Explore Heartache’s Destructive Depths with “Pain and Misery”

by Luke Pettican
Kate Bollinger
Features, Interviews, Music, ReviewsDecember 21, 2018<December 21, 2018

Artist to Watch: Kate Bollinger Ascends with Her Sensational, Dreamy “Tests”

by Mitch Mosk
Atwood Magazine's Weekly Roundup 12-21-2018
Columns, Features, Music, Weekly RoundupDecember 21, 2018<December 21, 2018

Atwood Magazine’s Weekly Roundup: December 21, 2018

by Atwood Magazine Staff
Well, This Is Christmas - Mountains in the Sea
Mistletones, Music, ReviewsDecember 21, 2018<December 20, 2018

Mistletones: Mountains in the Sea Write a Tuneful Love Letter with “Well, This Is Christmas”

by Frankie Rose
Feel Like You Do - Highland Park Collective
Music, Music Videos, PremieresDecember 21, 2018<December 21, 2018

Premiere: Highland Park Collective’s Super Duper Love Song “Feel Like You Do” (Lyric Video)

by Mitch Mosk
Atwood Magazine’s Best Music Videos of 2018
Features, Music, Music Videos, NewsDecember 21, 2018<January 16, 2019

Atwood Magazine’s Best Music Videos of 2018

by Atwood Magazine Staff
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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