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FERGUS © 2018
Features, Music, ReviewsDecember 7, 2018<December 7, 2018

Review: The Darkness & Beauty of FERGUS’ Debut ‘Purple Road’ EP

by Mitch Mosk
Atwood Magazine's Weekly Roundup 12-07-2018
Columns, Features, Music, Playlists, Weekly RoundupDecember 7, 2018<December 21, 2018

Atwood Magazine’s Weekly Roundup: December 7, 2018

by Atwood Magazine Staff
Good Old War music
Music, Music Videos, Premieres, ReviewsDecember 7, 2018<December 7, 2018

Premiere: Good Old War Conclude Their EP Series with Radiant, Uplifting Beauty

by Mitch Mosk
Raindear © Beata Cervin
Music, PremieresDecember 7, 2018<December 7, 2018

Premiere: Indulge in Raindear’s Vivid Wonderland, “World Below”

by Mitch Mosk
Ed Prosek © Laura Guitana
Music, Music Videos, PremieresDecember 7, 2018<December 7, 2018

Premiere: The Intimate Weight of Ed Prosek’s “I Was Wrong (Acoustic)”

by Mitch Mosk
Fleurie © Austin Lord
Music, PremieresDecember 7, 2018<December 7, 2018

Premiere: Fleurie’s Enchanting “Love Has No Limits” Closes Out 2018 Beautifully

by Adrian Vargas
Gengahr © 2018
Columns, Music, Today's SongDecember 7, 2018<December 7, 2018

Today’s Song: Gengahr Embrace Vulnerability in “Where Wildness Grows”

by Ditta Demeter
Night Lights © Nathan Tecson
Music, PremieresDecember 6, 2018<December 6, 2018

Premiere: Night Lights Dazzle with Intimate “Talk to Me (stripped)”

by Mitch Mosk
Astralingua © Lisa Siciliano
Interviews, Music, PremieresDecember 6, 2018<December 6, 2018

The Celestial Intimacy of Astralingua’s “A Poison Tree”

by Mitch Mosk
The Water Cycle © 2018
Columns, Music, Today's SongDecember 6, 2018<December 6, 2018

The Water Cycle Embody Nostalgia & Infatuation in “(You’re So Square) Baby I Don’t Care”

by Coco Rich
Gabrielle Aplin © Louie Banks
Features, Interviews, Music, ReviewsDecember 6, 2018<December 5, 2018

Feature: Gabrielle Aplin Dives into Her Raw, Breathtaking “My Mistake”

by Mitch Mosk
Header Viewfinder Baauer Bjork
Columns, Music, Music Videos, ViewfinderDecember 5, 2018<February 6, 2024

Viewfinder: “Company” and “All Is Full of Love” Examine the Interplay Between Love & Technology

by Carmen Chan
Gavin Haley by Red Bull Records
Music, PremieresDecember 5, 2018<December 5, 2018

Premiere: Falling for Gavin Haley’s Raw, Heartfelt Confessional “Jet Lag”

by Mitch Mosk
"Love It If We Made It" - The 1975 © Dirty Hit
Features, Music, Reviews, RoundtableDecember 5, 2018<June 29, 2024

Roundtable Discussion: A Review of The 1975’s ‘A Brief Inquiry into Online Relationships’

by Atwood Magazine Staff
Upstate © Jennifer Elrod
Music, PremieresDecember 5, 2018<January 17, 2023

Premiere: The Bold, Impassioned Grace of Upstate’s “Who Knows”

by Mitch Mosk
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Brand New

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit

:: discover something new ::

Recent Posts

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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