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Billie Marten 'Dog Eared' © Frances Carter
Features, Interviews, MusicJuly 18, 2025<July 18, 2025

“I Used to Find Lots of Beauty in Sadness. Now I Find Beauty in Joy”: Billie Marten on Change, the Gifts of Human Error, and the Intimate Making of Her Fifth LP, ‘Dog Eared’

by Noa Jamir
The Favors are Finneas O'Connell and Ashe © Alex G Harper
Columns, Music, Today's SongJuly 18, 2025<July 18, 2025

The Favors’ (FINNEAS & Ashe) “The Hudson” Is a Love Letter to the One You Almost Kept

by Danielle Holian
Lila Forde 'Vessel' © 2025
Debut, Features, Interviews, Music, Track-by-TrackJuly 17, 2025<July 17, 2025

“I want to be a vessel for the music”: Lila Forde Arrives with Presence, Power, & Timeless Intention on Her Smoldering, Soul-Drenched Debut Album

by Mitch Mosk
The Felice Brothers © Caitlin Greene
Columns, Hudson Valley Artists, MusicJuly 17, 2025<July 17, 2025

Hudson Valley Artist Spotlight: James Felice of The Felice Brothers

by Mitch Mosk
Felukah © Essam
Features, Interviews, MusicJuly 17, 2025<July 17, 2025

“People don’t memorize political speeches, they memorize songs”: Rapper and Singer Felukah on Poetic Roots, Arabfuturism, & Radical Love

by Kate Millar
Dailla "Some Love" © Native Films
Interviews, MusicJuly 17, 2025<July 17, 2025

Interview: Breathing Through the Silence and The Raw Heart of Dailla’s Music

by Danielle Holian
Wet Leg "davina mccall" © Alice Backham
Columns, Music, Today's SongJuly 17, 2025<July 17, 2025

Today’s Song: Wet Leg Channel Heartfelt Spirit in “davina mccall,” a Dreamy Meditation on Devotion, Growth, & Connection

by Ashley Littlefield
We the Band © Chad Brady
Artist to Watch, Columns, Debut, InterviewsJuly 16, 2025<July 16, 2025

Artist to Watch: We the Band – Justin Bieber’s Longtime Touring Powerhouse Step into the Spotlight with Cosmic Grooves & Seductive Soul

by Mitch Mosk
Aïda Mekonnen Caby © Justin Buschardt
Debut, Interviews, Music, PremieresJuly 16, 2025<July 16, 2025

Premiere: Aïda Mekonnen Caby Debuts with Dreamy Intimacy & Icelandic Reverie in “The Glow,” a Breathtaking Indie Folk Introduction

by Mitch Mosk
Pretty Jane © Annaliese Baker
Interviews, MusicJuly 16, 2025<July 16, 2025

Interview: To Eat, Sleep, and Breathe Pretty Jane

by Annaliese Baker
Of Monsters and Men © Eva Schram
Columns, Music, Today's SongJuly 16, 2025<July 16, 2025

“Television Love”: Of Monsters and Men Return With a Breath of Icelandic Stillness

by Nicolle Knapová
Selve © James Caswell
Artist to Watch, Columns, Music, ReviewsJuly 15, 2025<July 15, 2025

Artist to Watch: Australia’s Selve Embrace Camp, Absurdity, & Liberation in the Dazzling “Loki Horror Picture Show”

by Mitch Mosk
Cautious Clay © Travys Owen
Features, Interviews, MusicJuly 15, 2025<July 15, 2025

No Rush: Cautious Clay Slows Down on ‘The Hours’

by Aileen Goos
Mose Wilson © Justin Hughes
Interviews, Music, PremieresJuly 15, 2025<July 15, 2025

“That’s Love”: Mose Wilson’s Unvarnished Take on Love and Life

by Aileen Goos
Natalie Bergman "Lonely Road" © Leslie Kirchhoff
Columns, Music, Today's SongJuly 15, 2025<July 14, 2025

Today’s Song: Natalie Bergman Paves Hope on a “Lonely Road”

by Ashley Littlefield
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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