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Lapel © Shervin Lainez
Debut, Music, PremieresJuly 18, 2018<July 17, 2018

Premiere: Love and Denial in Lapel’s Raw “Lead Me Back to You”

by Mitch Mosk
Darren Jessee © 2018
Debut, Music, PremieresJuly 17, 2018<July 17, 2018

Premiere: Darren Jessee Bares His Soul in “Letting You Go”

by Mitch Mosk
Joe McKee © Ami Sioux
Music, PremieresJuly 17, 2018<July 17, 2018

Premiere: Gender Roles & Psychedelic Soirées in Joe McKee’s “I Want to Be Your Wife”

by Mitch Mosk
Threads - Micah McCaw
Features, Music, PremieresJuly 16, 2018<July 16, 2018

Premiere: Micah McCaw Pulls at Faith’s Tangled Strings in ‘Threads’ EP

by Mitch Mosk
Lil Aaron © 2018
Features, Interviews, MusicJuly 16, 2018<July 16, 2018

The New Rock$tar$: A Conversation with Lil Aaron

by James Crowley
Delafaye © Julia Popp
Music, PremieresJuly 16, 2018<July 16, 2018

Premiere: Delafaye’s “These Days” Finds Peace in the Storm

by Mitch Mosk
Delta Will © Kira May
Music, PremieresJuly 16, 2018<July 16, 2018

Premiere: Delta Will Explore the Concept of “Nothing Is Enough” with Depth Through Whimsy

by Ilana Kalish
Royal Oak © Mackenzie Cholowski
Features, Music, PremieresJuly 16, 2018<July 16, 2018

EP Premiere: Craft and Making Believe Go Hand-In-Hand in Royal Oak’s ‘Pretend’

by Lindsay Call
RIVVRS © David Cano
Music, PremieresJuly 16, 2018<July 16, 2018

Premiere: An Open, Restorative Anthem with RIVVRS’ “Out of Focus”

by Adrian Vargas
Dreamers Launch EP
Music, ReviewsJuly 13, 2018<July 13, 2018

Review: Genre-Bending DREAMERS Take Off with ‘LAUNCH’ EP

by Kelly Wynne
Unknown Mortal Orchestra © Neil Krug
Columns, Music, Today's SongJuly 13, 2018<July 16, 2018

Today’s Song: The Honey-Glazed Ode of Unknown Mortal Orchestra’s “Hunnybee”

by James Meadows
Caroline Kole © 2018
Music, PremieresJuly 13, 2018<July 13, 2018

Premiere: Caroline Kole Asks “What If” with Electro-Pop Brilliance and Bravado

by Mitch Mosk
The Belle Sounds © Barbara Frigiere
Music, Music Videos, PremieresJuly 13, 2018<July 13, 2018

Premiere: The Belle Sounds’ Provocative “Like a Villain” Gets Intimate with Anxiety

by Mitch Mosk
HANNIE © 2018
Debut, Features, Interviews, MusicJuly 13, 2018<July 13, 2018

Feature: Get Hyped on HANNIE’s Euphoric “Low Key”

by Atwood Magazine Staff
Parrot Dream © 2018
Music, PremieresJuly 12, 2018<July 12, 2018

Premiere: Lush Wonder in Parrot Dream’s “Light Goes (In Mines)”

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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