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Kate Nash © Kate Bellm
Features, Interviews, MusicMarch 30, 2018<March 30, 2018

Interview with Kate Nash: Bunny Rabbits, Mental Health, and Finding Confidence

by Nicole Almeida
Atwood Magazine's Weekly Roundup 03-30-2018
Columns, Features, Music, Weekly RoundupMarch 30, 2018<March 30, 2018

Atwood Magazine’s Weekly Roundup: March 30, 2018

by Atwood Magazine Staff
My Dear Melancholy, - The Weeknd
Features, Music, Our Take, ReviewsMarch 30, 2018<March 30, 2018

Our Take: The Weeknd’s ‘My Dear Melancholy,’ Marks the Beauty in the Breakup

by Kelly Wynne
Sea Girls © Patrick Gunning 2018
Columns, Music, Today's SongMarch 30, 2018<March 29, 2018

Today’s Song: Sea Girls Let Loose on “Eat Me Whole”

by Natalie Harmsen
Civil Twilight © Wind-up Records
Columns, Music, Today's SongMarch 29, 2018<March 29, 2018

Today’s Song: Civil Twilight’s “Holy Dove” is Alt-Rock for the Alt-Righteous

by Ilana Kalish
Angela Josephine © John Mark Hanson
Music, PremieresMarch 29, 2018<March 29, 2018

Premiere: “Got to Believe” in Angela Josephine’s Folk Rock Talent

by Josh Weiner
Ravyn Lenae © Jingyu Lin
Music, Our Take, ReviewsMarch 29, 2018<March 29, 2018

Our Take: Sophistication Meets Carefree Temperaments on Ravyn Lenae’s Crush EP

by Brandon Payano
Deja Vu - Scarlet Pleasure
Music, Music Videos, PremieresMarch 29, 2018<March 29, 2018

Premiere: Scarlet Pleasure Ignite and Indulge in “Deja Vu”

by Mitch Mosk
Charles © Jacob Sztor
Music, PremieresMarch 29, 2018<March 29, 2018

Premiere: Dwell in the Sultry Surrender of Charles’ “Relax My Mind”

by Mitch Mosk
Hold Something album art - Tiger March
Debut, Music, ReviewsMarch 29, 2018<March 29, 2018

Track-by-Track: Tiger March Explore Love on Debut ‘Hold Something’

by Mitch Mosk
Girl Blue © AntiFragile Music
Music, Premieres, ReviewsMarch 29, 2018<March 29, 2018

Premiere: Girl Blue’s Swirling, Memory-Filled “Lolita”

by Mariel Fechik
Call Me By Your Name
Columns, Music, Sound TracksMarch 28, 2018<March 28, 2018

Sound Tracks: ‘Call Me By Your Name’ – When Music Becomes the Narrator

by Carmen Chan
Knox Hamilton © Connor Goad
Music, PremieresMarch 28, 2018<March 29, 2018

Premiere: “Trade My Trips” Is Knox Hamilton’s Ode to the Road

by Maggie McHale
Billie Eilish © Nicole Almeida
Concerts, Music, ReviewsMarch 28, 2018<March 28, 2018

Live: Billie Eilish and her Undeniable Star Quality Wow Philadelphia’s Coda

by Nicole Almeida
Honduras © Jeremy Cohen
Interviews, MusicMarch 28, 2018<March 28, 2018

Sticking to Roots While Constantly Evolving: A Conversation with Honduras

by Alexandra Graber
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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