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Hudson Taylor © Brandon Scott Herrell
Features, Interviews, MusicApril 10, 2018<April 10, 2018

Felt It, Feel It, and Feel It Again: A Conversation with Hudson Taylor

by Christine Costello
Avantist © Abbi Chase
Music, Music Videos, PremieresApril 10, 2018<April 10, 2018

Premiere: Avantist Condemn Hypocrisy in “Red Bible” Video

by James Crowley
Lynda © 2018
Debut, Music, PremieresApril 10, 2018<April 10, 2018

Premiere: Lynda Indulge in Heartache on Debut Single “UFO”

by Mitch Mosk
"Apollo" - Seawaves © Joshua Leo Dorfman
Music, Music Videos, PremieresApril 10, 2018<April 10, 2018

Video Premiere: Dancing Above the Welkin in SEAWAVES’ Dulcet “Apollo”

by Adrian Vargas
Megan Lara Mae © Leva Sproge
Music, PremieresApril 10, 2018<April 12, 2018

Premiere: Finding Inspiration in Megan Lara Mae’s Spirited Anthem “Caribou”

by Mitch Mosk
Yoste © 2018
Music, Music Videos, PremieresApril 9, 2018<April 10, 2018

Premiere: Dwell in the Warm Embrace of Yoste’s “Arc” (stripped)

by Mitch Mosk
Running Touch © 2018
Features, Interviews, MusicApril 9, 2018<April 10, 2018

Past Projects & Future Dreams: A Conversation with Running Touch

by Alex Killian
Sister Cities - The Wonder Years
Columns, Music, Today's SongApril 9, 2018<April 9, 2018

Today’s Song: “Flowers Where Your Face Should Be” Is The Wonder Years’ Most Traditional Love Song

by James Crowley
Atwood Magazine's Weekly Roundup 04-06-2018
Columns, Features, Music, Playlists, Weekly RoundupApril 6, 2018<April 12, 2018

Atwood Magazine’s Weekly Roundup: April 06, 2018

by Atwood Magazine Staff
Dana and the Wolf © Bryan Mederos
Music, PremieresApril 6, 2018<April 6, 2018

Premiere: TIME’S UP for Predators in Dana and the Wolf’s “Modern Midas”

by Mitch Mosk
Nation of Two - Vance Joy album art
Music, ReviewsApril 6, 2018<April 6, 2018

Highlighting the Sweetest Moments in Vance Joy’s ‘Nation of Two’

by Mitch Mosk
Jenny March © Collect1ve Mind
Music, PremieresApril 6, 2018<April 6, 2018

Premiere: Jenny March’s Carefree “Talk to Me” Captures Everything Pop with a Twist

by Monica Mellon
Shlomo Franklin © 2018
Columns, Music, Today's SongApril 6, 2018<April 6, 2018

Today’s Song: Shlomo Franklin Enthralls with Endless Devotion on “Don’t Love Anybody”

by Luke Pettican
Black City - Rich Girls
Debut, Music, Premieres, ReviewsApril 5, 2018<April 5, 2018

Album Premiere: Rich Girls’ Debut ‘Black City’ Is an Unforgiving Defiance

by Mitch Mosk
Buzzy Lee © Brantley Gutierrez
Columns, Debut, Music, Today's SongApril 5, 2018<April 5, 2018

Today’s Song: Buzzy Lee Exposes Her Insecurities in “Coolhand”

by Shayna Chabrow
Posts pagination
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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