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Post Animal © Kristina Pedersen
Music, Reviews, This Just InFebruary 23, 2018<February 23, 2018

This Just In: Post Animal’s Infectious & Driving “Ralphie” ft. Stranger Things’ Joe Keery

by Mariel Fechik
Drama - NoMBe cover
Music, Reviews, This Just InFebruary 23, 2018<March 30, 2018

This Just In: Relax with NoMBe’s Vibing and Carefree “Drama”

by Mitch Mosk
The Ready Set © Shawn Dorman
Features, Interviews, MusicFebruary 23, 2018<February 23, 2018

On Being Genuine and Just Figuring It Out: A Conversation with The Ready Set

by Maggie McHale
Ladysse - Eleven video still
Music, PremieresFebruary 23, 2018<February 23, 2018

Video Premiere: Ladysse’s Dreamy “Eleven” Embraces the Monster Under the Bed

by Mitch Mosk
Eddie Berman © 2018
Music, Music Videos, PremieresFebruary 23, 2018<February 23, 2018

Video Premiere: Eddie Berman Packs Up His Life in “My Will Be Done”

by Mitch Mosk
Watts' Weekend Picks 2018-02-23
Columns, Music, Playlists, Watts' Weekend PicksFebruary 23, 2018<February 23, 2018

Watts’ Weekend Picks: Bazzi, O.A.R. & More for Your Lifestyle

by Watts
Hayley Sabella © Sasha Pedro
Music, Premieres, ReviewsFebruary 22, 2018<February 22, 2018

Premiere: Exposing Raw Vulnerability in Hayley Sabella’s “Love Is a Chisel”

by Mitch Mosk
High Up © Andy Lachance
Debut, Features, Music, Our Take, Premieres, ReviewsFebruary 22, 2018<March 6, 2018

Album Premiere: High Up Radiate with Energy & Power on Debut ‘You Are Here’

by Mitch Mosk
Nightshifts © Jack Fowler
Music, PremieresFebruary 22, 2018<February 22, 2018

Premiere: Wash Away with Nightshifts’ Lovelorn “Next to Me”

by Mitch Mosk
The Fontaines © 2018
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: “Between Us,” The Fontaines Have Mastered the Art of Loveless Storytelling

by Maggie McHale
COIN © Hunter Airheart
Features, Interviews, MusicFebruary 21, 2018<March 6, 2018

Special, Unique, and Dynamic: A Conversation with COIN

by Mitch Mosk
TØMA © Félix De Portu
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: TØMA Embrace the Moment in Bubbly “Book of Yesterday”

by Mitch Mosk
Our Girl © Phil Smithies
Features, Music, Reviews, This Just InFebruary 21, 2018<February 21, 2018

This Just In: Witness the Start of Something Great on Our Girl’s “Our Girl”

by Nicole Almeida
Of Good Nature © 2018
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: Passion & Longing Fill Of Good Nature’s “Take Me Anywhere” with Warmth

by Mitch Mosk
BROCKHAMPTON © 2017
Columns, Music, Music You Should KnowFebruary 21, 2018<February 20, 2018

Reflecting on BROCKHAMPTON’s 2017 Saturation and the Influential “GUMMY”

by Danny Dyer
Posts pagination
1 … 601 602 603 604 605 … 727

Brand New

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’

:: discover something new ::

Recent Posts

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
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