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The 1 Class © 2018
Music, PremieresJanuary 19, 2018<January 19, 2018

Premiere: The 1 Class Dare You to Think in “How Real Men Look”

by Mitch Mosk
Watts' Weekend Picks 2018-01-19
Columns, Music, Playlists, Watts' Weekend PicksJanuary 19, 2018<January 19, 2018

Watts’ Weekend Picks: Noah Kahan, Kali Uchis & More for Your Lifestyle

by Watts
Grace Basement © Corey Woodruff
Music, PremieresJanuary 18, 2018<January 18, 2018

Premiere: Grace Basement’s “Summertime Is Coming” Shines Warmth Through Sorrow

by Mitch Mosk
Kayobe © 2018
Debut, Features, Music, PremieresJanuary 18, 2018<January 18, 2018

EP Premiere: Kayobe Unveils Debut ‘Hidden’ with Nuance & Grace

by Mitch Mosk
HARDCASTLE © Caleigh Wells
Music, PremieresJanuary 18, 2018<January 18, 2018

Premiere: The Pulsing, Heavy Warmth of HARDCASTLE’s “What You Want”

by Mitch Mosk
Drew Barrymore - SZA still
Columns, Music, Today's SongJanuary 18, 2018<January 17, 2018

Today’s Song: SZA’s “Drew Barrymore” Tackles Vulnerability with Feminine Confidence

by Kelly Wynne
Hurt Somebody - Noah Kahan
Debut, Music, ReviewsJanuary 17, 2018<January 17, 2018

EP Review: Noah Kahan’s ‘Hurt Somebody’ Triumphs with Heartache & Doubt

by Mitch Mosk
JJ Adrian © Leviosa Minds Photography
Music, PremieresJanuary 17, 2018<January 17, 2018

Premiere: JJ Adrian Redefines Himself with R&B Sensibilities of “Tell Me”

by Brandon Payano
Camila Cabello © 2018
Debut, Features, Music, Our Take, ReviewsJanuary 17, 2018<January 17, 2018

Camila Cabello’s Raw, Vulnerable & Provocative Debut ‘Camila’: A Track-by-Track Review

by Kevin Young
War Stories - Unwoman
Features, Music, PremieresJanuary 17, 2018<January 17, 2018

Album Premiere: Unwoman Wages ‘War Stories’ with Feminine Fury

by Mitch Mosk
Stuck with Me - The Neighbourhood
Columns, Music, Today's SongJanuary 17, 2018<January 17, 2018

Today’s Song: The Neighbourhood Stay Solemn with “Stuck with Me”

by Natalie Harmsen
The Fleeting Ends © 2018
Debut, Music, PremieresJanuary 16, 2018<January 17, 2018

Premiere: The Fleeting Ends Unleash “20 Something” with Youthful Passion & Nostalgic Fury

by Mitch Mosk
Damen Easton © 2018
Music, PremieresJanuary 16, 2018<January 16, 2018

Premiere: Damen Easton Debuts “Other Side of the Glass” with Love & Isolation

by Mitch Mosk
SLØTFACE © Jonathan Vivaas Kise
Columns, Concert Conversations, Concerts, Music, ReviewsJanuary 16, 2018<January 16, 2018

LIVE: “Scandinavian Enthusiasm” & More — Sløtface at The Echo, LA

by Lindsay Call
POST- Jeff Rosenstock art
Features, Music, ReviewsJanuary 16, 2018<January 16, 2018

Review: Jeff Rosenstock Returns to Straightforward Punk Roots on POST-

by James Crowley
Posts pagination
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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