• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
free cake for every creature © 2018
Columns, Music, Today's SongJanuary 30, 2018<March 2, 2025

Today’s Song: Free Cake for Every Creature’s “All You Gotta Be When You’re 23 Is Yourself” Reminds Us to Slow Down

by Carolyn Fasone
Panteon © 2018
Music, Music Videos, PremieresJanuary 29, 2018<March 27, 2018

Video Premiere: Surreal, Real Connection in Panteon’s “January Keeper”

by Mitch Mosk
Welcome Center © 2017
Debut, Music, PremieresJanuary 29, 2018<May 29, 2018

Premiere: Welcome Center Blur Drugs & Pain in “Altoids”

by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 29, 2018<January 29, 2018

A Lot of Debauchery: A Conversation with Rad Horror

by Maggie McHale
Ought © Laura Harvey
Columns, Music, Today's SongJanuary 29, 2018<January 29, 2018

Today’s Song: Ought Import International Confusion with “Disgraced in America”

by James Crowley
Mike Shinoda - Over Again
Music, ReviewsJanuary 26, 2018<January 26, 2018

EP Review: Linkin Park’s Mike Shinoda Offers a Window into Grieving Loss of Chester Bennington

by James Crowley
Atwood Magazine's Weekly Roundup 1-26-2018
Columns, Features, Music, Weekly RoundupJanuary 26, 2018<January 26, 2018

Atwood Magazine’s Weekly Roundup: January 26, 2018

by Atwood Magazine Staff
Low Swans © 2018
Music, PremieresJanuary 26, 2018<January 26, 2018

Premiere: Vibing Out to Low Swans’ Kind & Dangerous “Ostfront”

by Mitch Mosk
Watts' Weekend Picks 2018-01-26
Columns, Music, Playlists, Watts' Weekend PicksJanuary 26, 2018<January 26, 2018

Watts’ Weekend Picks: George Ezra, Rudimental & More for Your Lifestyle

by Watts
The Velvoids © 2018
Music, PremieresJanuary 26, 2018<January 26, 2018

Premiere: A Mystic Intimacy in The Velvoids’ “Absolutely Nothing”

by Mitch Mosk
Dream Wife © Nicole Almeida
Debut, Features, Interviews, MusicJanuary 26, 2018<February 10, 2018

On Change, Female Empowerment, and Rock Music: A Conversation with Dream Wife

by Nicole Almeida
Tiffany Jade © Tyler Roi
Music, PremieresJanuary 26, 2018<January 26, 2018

Premiere: The Enticing Nature of Tiffany Jade’s “It’s Fine”

by Shayna Chabrow
War with Shadows - The Naked Sun
Features, Music, PremieresJanuary 26, 2018<January 26, 2018

Album Premiere: The Naked Sun Debut ‘War with Shadows’ with Raw, Heartfelt Rock

by Mitch Mosk
EDEN © Jimmy Fontaine
Debut, Features, Interviews, MusicJanuary 25, 2018<January 26, 2018

Cinematic Nuance & Pop Deconstruction: Exploring ‘vertigo’ with EDEN

by Mitch Mosk
Chris Leamy © Will Wu
Music, PremieresJanuary 25, 2018<January 25, 2018

Premiere: Chris Leamy Shines in Soulful Anthem “Great Mistakes”

by Mitch Mosk
Posts pagination
1 … 618 619 620 621 622 … 737

Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services