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CAVERNS © 2017
Music, PremieresNovember 24, 2017<November 27, 2017

Premiere: CAVERNS’ “Times Is Hard” Explodes with Raucous Energy

by Mitch Mosk
Columns, Music, Weekly RoundupNovember 24, 2017<December 11, 2017

Atwood Magazine’s Weekly Roundup: November 24, 2017

by Atwood Magazine Staff
Fly By Midnight © 2017
Features, Interviews, Music, PremieresNovember 24, 2017<November 26, 2017

Feature: Fly by Midnight Dive into the Heat of “Malibu”

by Mitch Mosk
Thanksgiving Albums 2017
Essays, Features, Music, NewsNovember 23, 2017<November 26, 2017

Atwood Magazine’s Thanksgiving 2017 Albums

by Atwood Magazine Staff
wyvern lingo © Ruthless Imagery
Music, PremieresNovember 23, 2017<February 26, 2018

Premiere: The Intimate Warmth of Wyvern Lingo’s Haunting & Wintry “Snow II”

by Mitch Mosk
The 1 Class © 2017
Music, PremieresNovember 22, 2017<March 27, 2018

Premiere: The 1 Class “Feel It” for Deeper Connection on Heartfelt New Single

by Mitch Mosk
One More Drink - Conrad the Band
Music, Music Videos, PremieresNovember 22, 2017<November 22, 2017

Premiere: The Dark, Drunken, Bluesy Stupor of Conrad the Band’s “One More Smoke”

by Mitch Mosk
Charlotte Day Wilson © 2017
Columns, Music, Today's SongNovember 22, 2017<November 22, 2017

Today’s Song: Charlotte Day Wilson’s Solo Return Gracefully Booms with “Doubt”

by Sydney Sweeney
No Kind of Rider © 2017
Debut, Music, PremieresNovember 21, 2017<November 21, 2017

Premiere: Love Flows in No Kind of Rider’s Evocative Debut “Distinct”

by Mitch Mosk
Liam Gallagher © RANKIN 8
Music, Our Take, ReviewsNovember 21, 2017<September 5, 2023

Our Take: No More Oasis, No Worries for Liam Gallagher on ‘As You Were’

by Josh Weiner
"Echo Chamber" - Jared Mees
Music, Music Videos, PremieresNovember 21, 2017<November 21, 2017

Video Premiere: Thanksgiving Dinner Goes Rogue in Jared Mees’ “Echo Chamber”

by Mitch Mosk
Corey Kilgannon © 2017
Debut, Features, Music, Our Take, ReviewsNovember 21, 2017<November 21, 2017

Feature: Diving into The Depth & Humanity of Corey Kilgannon’s ‘The Hollow II’

by Mitch Mosk
Jess Nolan © 2017
Music, PremieresNovember 21, 2017<November 21, 2017

Premiere: Jess Nolan Soulfully Embraces Her “Mistakes”

by Mitch Mosk
Vundabar © 2017
Columns, Music, Today's SongNovember 21, 2017<April 26, 2018

Today’s Song: Vundabar’s Burning Catchiness with New Single “Acetone”

by Danny Dyer
Lake Jons © 2017
Features, Music, PremieresNovember 20, 2017<November 20, 2017

Premiere: Lake Jons “Breathe Out the Fumes” with Empowering Passion

by Mitch Mosk
Posts pagination
1 … 618 619 620 621 622 … 727

Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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