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Clara Strauch © 2017
Music, PremieresNovember 29, 2017<November 29, 2017

Premiere: The Hopeful Darkness of Clara Strauch’s “Islands”

by Mitch Mosk
Lloyd Llewellyn © 2017
Debut, Music, Music Videos, PremieresNovember 29, 2017<November 29, 2017

Premiere: Lloyd Llewellyn’s “Run” is a Somber & Soulful Goodbye

by Mitch Mosk
The Fear – Georgia Reed © 2017
Columns, Music, Today's SongNovember 29, 2017<December 11, 2017

Today’s Song: Flashback to Fast-Track Forward with Georgia Reed’s “The Fear”

by Hannah Maire
Surf the Pines © Crystal Hoeveler
Debut, Music, PremieresNovember 28, 2017<November 28, 2017

Premiere: Surf the Pines Debut with Experience & Honesty in “The Runaround”

by Christine Costello
Carl Hauck © Dylan Fischer
Music, PremieresNovember 28, 2017<November 28, 2017

Premiere: Carl Hauck’s Glowing “Refraction” Sparks a Warm Light

by Mitch Mosk
The Opener - Camp Cope
Columns, Music, Today's SongNovember 28, 2017<November 28, 2017

Today’s Song: Camp Cope Expose the Closeted Misogyny of the Punk Scene in “The Opener”

by James Crowley
Jordan Mackampa © 2017
Music, Music Videos, PremieresNovember 28, 2017<December 11, 2017

Premiere: Jordan Mackampa’s Inspiring Anthem Is a “Battlecry” to Stand Up

by Mitch Mosk
Caroline Grace © 2017
Debut, Features, Music, PremieresNovember 27, 2017<November 27, 2017

Premiere: Caroline Grace Is Raw & Exposed on Acoustic Pop Anthem “Cheers to the Night”

by Mitch Mosk
Walk on Water - Eminem
Columns, Music, Reviews, Today's SongNovember 27, 2017<November 27, 2017

Today’s Song: Eminem and Beyoncé’s “Walk on Water” Is Not Miraculous, but Still a Heartfelt Effort

by Josh Weiner
Sulene © 2017
Features, Interviews, MusicNovember 27, 2017<November 29, 2017

Composition, Style, and “Something New”: A Conversation with Sulene

by Kelly Wynne
CAVERNS © 2017
Music, PremieresNovember 24, 2017<November 27, 2017

Premiere: CAVERNS’ “Times Is Hard” Explodes with Raucous Energy

by Mitch Mosk
Columns, Music, Weekly RoundupNovember 24, 2017<December 11, 2017

Atwood Magazine’s Weekly Roundup: November 24, 2017

by Atwood Magazine Staff
Fly By Midnight © 2017
Features, Interviews, Music, PremieresNovember 24, 2017<November 26, 2017

Feature: Fly by Midnight Dive into the Heat of “Malibu”

by Mitch Mosk
Thanksgiving Albums 2017
Essays, Features, Music, NewsNovember 23, 2017<November 26, 2017

Atwood Magazine’s Thanksgiving 2017 Albums

by Atwood Magazine Staff
wyvern lingo © Ruthless Imagery
Music, PremieresNovember 23, 2017<February 26, 2018

Premiere: The Intimate Warmth of Wyvern Lingo’s Haunting & Wintry “Snow II”

by Mitch Mosk
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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