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Wicked Man © Palmer Morse
Music, PremieresOctober 11, 2017<October 11, 2017

Premiere: Wicked Man Explores Life from Above on “When Will I Be Flying?”

by Kaitlyn Zorilla
Eighty Ninety © 2017
Columns, Music, Today's SongOctober 10, 2017<October 10, 2017

Today’s Song: Eighty Ninety Remember “Your Favorite Song”

by Alex Killian
SUAD © 2017
Features, Music, PremieresOctober 10, 2017<October 17, 2017

Premiere: SUAD Answers “The Call” with Fire and Grace

by Mitch Mosk
Listener © Kevin Scullion
Music, PremieresOctober 10, 2017<October 10, 2017

Premiere: Listener Marry Poetry and Post-Hardcore with “Shock and Value”

by James Crowley
Agnes - Glass Animals
Features, Music, ReviewsOctober 9, 2017<December 15, 2020

The Fragile, Overwhelming Power of Glass Animals’ “Agnes”

by Mitch Mosk
The Fluids © Jordan Kuyper
Music, PremieresOctober 9, 2017<October 9, 2017

Premiere: The Fluids’ Timeless Rock and Emotion in “Just Like Me”

by Nicole Almeida
Pain / Ache / Loving - Hunny
Columns, Music, Music You Should KnowOctober 9, 2017<October 9, 2017

Music You Should Know: Two Years Later, ‘Pain / Ache / Loving’ is Still HUNNY’s Best

by Sydney Sweeney
INHEAVEN © 2017
Music, Our Take, ReviewsOctober 5, 2017<October 5, 2017

Our Take: INHEAVEN’s Timely Album is Just What a Debut Should Be

by Lindsay Call
Premiere: A Journey of Unexpected Warmth in Aparde’s “Glass”
Music, PremieresOctober 5, 2017<October 9, 2017

Premiere: A Journey of Unexpected Warmth in Aparde’s “Glass”

by Nicole Almeida
FEATURE: Oshin Dives Deep into Purposeful Experimental Pop
Features, Interviews, MusicOctober 2, 2017<October 2, 2017

FEATURE: Oshin Dives Deep into Purposeful Experimental Pop

by Sydney Sweeney
Music, Reviews, This Just InSeptember 29, 2017<September 29, 2017

The World Is A Beautiful Place & I Am No Longer Afraid To Die Recall the Past and Call for Action in the Future on ‘Always Foreign’

by James Crowley
Music, Our Take, ReviewsSeptember 28, 2017<September 28, 2017

Our Take: Vince Staples Avoids the Sophomore Slump with the Stunning ‘Big Fish Theory’

by Josh Weiner
Interviews, MusicSeptember 28, 2017<September 28, 2017

Dodging Stereotypes and American Dreaming: A Conversation with Canshaker Pi

by Alexandra Graber
Music, Music You Should KnowSeptember 27, 2017<March 10, 2021

Messages Without eXception: Introducing Allie X

by Kelly Wynne
Music, Today's SongSeptember 27, 2017<September 27, 2017

Today’s Song: NAO’s “Nostalgia” is a Long-Awaited Comeback

by Sydney Sweeney
Posts pagination
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Brand New

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

:: discover something new ::

Recent Posts

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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