Columns, Music, Weekly RoundupNovember 10, 2017<December 11, 2017 Atwood Magazine’s Weekly Roundup: November 10, 2017 by Atwood Magazine Staff
Debut, Features, Music, PremieresNovember 9, 2017<November 10, 2017 EP Premiere: The Avalon Hi-Fi’s Ultimate Revelry on ‘There in the Dark’ by Ethan Armbrust
9.1 Columns, Debut, Features, Music, Music You Should Know, Our Take, ReviewsNovember 9, 2017<November 25, 2025 Feature: Alyeska Debut with Crushing Weight and a Raw Energy by Mitch Mosk
Debut, Music, PremieresNovember 9, 2017<November 9, 2017 Premiere: Both Sides of red steppes’ Debut “Bixby” by Kaitlyn Zorilla
Columns, Music, Nostalgia TracksNovember 9, 2017<November 9, 2017 Nostalgia Tracks: Girls’ Cheeky Quest for Their “Honey Bunny” by Nicole Almeida
Columns, Music, Today's SongNovember 9, 2017<November 8, 2017 Today’s Song: MisterWives’ Soul-Pumping & Heartwarming “Never Give Up on Me” by Kelly McCafferty Dorogy
Debut, Music, PremieresNovember 9, 2017<November 9, 2017 Premiere: Irrevery’s In-Your-Face, Cartoonish Debut “Desert Song” by James Crowley
Debut, Features, Interviews, MusicNovember 9, 2017<November 9, 2017 Karaoke Bar to Spotify Star: An Interview with Lewis Capaldi by Christine Costello
Features, Interviews, Music, ReviewsNovember 9, 2017<December 11, 2017 Feature: Embracing Raw Intimacy Through Sondre Lerche’s Solo “Siamese Twin” by Mitch Mosk
Music, PremieresNovember 8, 2017<November 8, 2017 Premiere: Kit & The Chardonnay Boys’ Chaotic, Reckless & Romantic “If You Got ‘Em” by Christine Costello
Columns, Music, Reviews, Today's SongNovember 8, 2017<November 8, 2017 Today’s Song: Howard’s Hypnotic “Mother’s Wedding” Pushes the Envelope by Mitch Mosk
Features, Interviews, MusicNovember 8, 2017<November 8, 2017 Carving Her Place in the World: An Interview with SUMif by Alex Killian
Music, PremieresNovember 8, 2017<November 8, 2017 Premiere: Owen Ross’ “Steps of Your Home” Draws Unique Inspiration and Confident Vulnerability by Kelly Wynne
Music, Music Videos, PremieresNovember 7, 2017<November 8, 2017 Premiere: The Dynamic Euphoria of STAL’s Anthemic “Fresh Blood” by Mitch Mosk
Music, PremieresNovember 7, 2017<November 7, 2017 Premiere: Colors Bleed in Paul Cherry’s Achingly Bittersweet “Like Yesterday” by Mitch Mosk
For the Love of Music
For the Love of Music
