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Dog Eared - Billie Marten
Columns, Music, Today's SongMarch 21, 2025<March 21, 2025

Today’s Song: Billie Marten Gently Lifts Us Up to Heights Unknown in “Feeling”

by Noa Jamir
Sister Rosetta Tharpe
Essays, Features, Music, Women's History MonthMarch 21, 2025<March 21, 2025

Amplified: Women Who Shaped Rock and Metal Music

by Kendall Graham
Anna Shoemaker 'Someone Should Stop Her' © Shervin Lainez
Features, Interviews, MusicMarch 20, 2025<March 20, 2025

“Breakup & Run”: Anna Shoemaker on Heartache, Healing, and Choosing Herself on ‘Someone Should Stop Her’

by Mitch Mosk
Oakland Rain and Judy Collins © 2025
Essays, Music, Women's History MonthMarch 20, 2025<March 20, 2025

“Community, Sisterhood, and Lessons Learned from Judy Collins”: An Essay by Oakland Rain for Women’s History Month

by Guest Writer
Abe the Kid, Blkchrist, & drinkabir "We Need You Karen" © 2025
Columns, Music, Today's SongMarch 20, 2025<March 20, 2025

“We Need You Karen”: Abe the Kid, Blkchrist, and drinkabir Balance Humor & Intensity on Their Collaborative Single

by Ciaran Short
Eva James © 2025
Essays, Music, Women's History MonthMarch 19, 2025<March 19, 2025

“From Darkness to the Spotlight: How Chronic Illness Transformed My Music & My Life”: An Essay by Eva James for Women’s History Month

by Guest Writer
Jessica Audiffred © 2025
Interviews, MusicMarch 19, 2025<April 15, 2025

A Conversation with Jessica Audiffred: Making EDM-Pumped Waves on Both Sides of the Border

by Josh Weiner
Savanna Leigh © Brooke Jennings
Columns, Music, Today's SongMarch 19, 2025<March 19, 2025

Today’s Song: Savanna Leigh Turns Heartache into Hope in “you don’t exist yet,” an Anthem for Anxious Romantics

by Miranda Urbanczyk
Lady Gaga 'MAYHEM' album art
Features, Music, Reviews, RoundtableMarch 18, 2025<March 18, 2025

Roundtable Discussion: A Review of Lady Gaga’s ‘MAYHEM’

by Atwood Magazine Staff
Chappell Roan "The Giver" © Ryan Lee Clemens
Columns, Music, Today's SongMarch 18, 2025<March 18, 2025

Today’s Song: Chappell Roan’s Sapphic Country Anthem “The Giver” Blends Her Wit, Charm, and Flirty Flair

by Bárbara Martínez Campuzano
HAIM © Lea Garn
Columns, Music, Today's SongMarch 17, 2025<March 17, 2025

Today’s Song: HAIM’s “Relationships” Is a Breezy, Bold Return to Introspection and Groove

by Danielle Holian
Atwood Magazine's 114th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 14, 2025<March 18, 2025

Editor’s Picks 114: Attention Bird Utopia, Your Smith, Bo Staloch, Matilda Mann, Courting, & ESKA!

by Mitch Mosk
Mali Hâf © 2025
Essays, Music, Women's History MonthMarch 14, 2025<March 14, 2025

“H.W.F.M – A Song for Women in Wales & Everywhere”: An Essay by Mali Hâf for Women’s History Month

by Guest Writer
Soda Blonde © 2025
Columns, Interviews, Music, Today's SongMarch 14, 2025<March 25, 2025

“I Just Wanted to Be Wanted”: Soda Blonde’s “People Pleaser” Is a Bold Reckoning with Love, Validation & Self-Worth

by Mitch Mosk
tryin to be born - Emile Mosseri
Features, Interviews, Music, Track-by-TrackMarch 13, 2025<March 13, 2025

“We hit this magical frequency”: Emile Mosseri Breaks Down His Sophomore Album ‘tryin to be born’

by Mitch Mosk
Posts pagination
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Brand New

  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight

:: discover something new ::

Recent Posts

  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
  • Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” March 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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