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bedbugs © Samantha Prasopthum
Music, PremieresApril 24, 2017<April 24, 2017

Premiere: Joy & Wonder Make bedbugs’ “Not Complaining” a Perfect Testament to Modern Love

by Lindsay Call
Electric Guest © Nick Walker
Music, Our Take, ReviewsApril 24, 2017<April 24, 2017

Our Take: The Many Faces of “Plural” by Electric Guest

by Maggie McHale
The New Pornographers © Jennifer Jimenez
Concerts, Music, ReviewsApril 21, 2017<April 21, 2017

LIVE: The New Pornographers Dazzle in Return to Chicago

by Erika Kooda
Hoyle © Herb Gonzalez
Music, Music Videos, PremieresApril 21, 2017<April 21, 2017

Video Premiere: The Pain & Passionate Plea of Hoyle’s Anthemic “Revival”

by Mitch Mosk
TENTS © Josh Brine
Music, PremieresApril 21, 2017<April 21, 2017

Premiere: TENTS Make Art of Dichotomies in “Back Yards”

by Nicole Almeida
Joywave © David O'Donohue
Music, Reviews, This Just InApril 21, 2017<April 21, 2017

This Just In: Joywave’s “Content” is a Creepy, Double-Edged Sword

by Sydney Sweeney
Everything Turned to Color © Taylor Ballantyne
Debut, Music, PremieresApril 20, 2017<April 20, 2017

Premiere: Everything Turned to Color’s Heartfelt “Once Upon a Lifetime”

by Mitch Mosk
Maggie Rogers © Brooke Svitak @bsvis
Concert Conversations, Concerts, Music, ReviewsApril 20, 2017<April 20, 2017

LIVE: Maggie Rogers Lights Up the Music Hall of Williamsburg

by Carmen Chan
Vylet © 2017
Debut, Music, PremieresApril 20, 2017<April 20, 2017

Premiere: The Dreamy Intimacy of Vylet’s Lovestruck “Lightning”

by Mitch Mosk
broken - lovely.the.band single art
Columns, Debut, Music, Today's SongApril 20, 2017<August 12, 2019

True Connection & Perfect Imperfection in lovely.the.band’s Debut “broken”

by Mitch Mosk
Nevermind - Nirvana
Music, Time MachineApril 20, 2017<November 3, 2022

Time Machine: Smells Like Revolution – Nirvana in the ’90s

by Erika Kooda
Stay Inside © 2017
Debut, Music, PremieresApril 19, 2017<April 19, 2017

Premiere: Stay Inside’s “Blockbussa” Evokes the Isolation of Culture Clash

by Mitch Mosk
MAZES - bookstore
Music, PremieresApril 18, 2017<April 18, 2017

Premiere: Mazes Set Off on Adventure in “West Coast Revolution”

by Mitch Mosk
Annabel Allum © Rob Blackham
Interviews, MusicApril 18, 2017<April 18, 2017

Creating, Rebelling, & Just ‘Doing Everything’: A Conversation with Annabel Allum

by Lindsay Call
Tyler Sjöström © Megan Cody
Music, PremieresApril 18, 2017<April 18, 2017

Premiere: Tyler Sjöström Unleashes His Emotion Through “Holding On”

by Renae Weaver
Posts pagination
1 … 659 660 661 662 663 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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