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Horsetown Threshold - Milk
Features, Music, PremieresMay 31, 2017<June 7, 2017

Album Premiere: Milk’s ‘Horsetown Threshold’ Channels ’90s Grunge & Coffeehouse Acoustic

by Kelly Wynne
Elliot Moss © Drew Reynolds
Columns, Music, Today's SongMay 31, 2017<May 31, 2017

Today’s Song: Floating in a Closed Loop of Elliot Moss’ “Boomerang” / “My Statue Sinking”

by Mariel Fechik
Fritz Montana © 2017
Music, PremieresMay 30, 2017<May 30, 2017

Premiere: Fritz Montana’s Raw “Blood on My Lip” Captures Human Imperfection

by Mitch Mosk
Bedroom EP - Mabel
Debut, Music, Our Take, ReviewsMay 30, 2017<May 30, 2017

Our Take: Mabel’s ‘Bedroom’ EP is an Even-Paced Introduction to R&B’s Brightest Newcomer

by Sydney Sweeney
Neighbourhoods Pt.2 - FAIRCHILD still
Music, Music Videos, PremieresMay 30, 2017<May 30, 2017

Premiere: The Dark Vibes & Chilling Lies of FAIRCHILD’s “Neighbourhoods Pt.2”

by Mitch Mosk
Russ © Columbia Records
Columns, Music, Today's SongMay 30, 2017<May 30, 2017

Today’s Song: In an Age of Oversaturated Hip-Hop, Russ Finds his Own Lane on “Ride Slow”

by Watts
James Vincent McMorrow © AllPoints
Music, Our Take, ReviewsMay 26, 2017<May 26, 2017

James Vincent McMorrow’s True Care: A Track-by-Track Review

by Atwood Magazine Staff
Boston Calling 2017
Features, Festival, Music, News, PreviewsMay 26, 2017<June 1, 2017

(Y)Our Guide to Boston Calling Music Festival, May 2017

by Mitch Mosk
Adaline © 2017
Music, Music Videos, PremieresMay 26, 2017<May 26, 2017

Video Premiere: Adaline’s Achingly Raw “How Could We Know”

by Mitch Mosk
Frozen Falls
Debut, Music, PremieresMay 26, 2017<May 25, 2017

Premiere: Frozen Falls Debut with Dark Passion on “Frozen Arrows”

by Mitch Mosk
Bones, Hold Me Up - Tyler Sjöström
Music, PremieresMay 26, 2017<August 19, 2019

EP Premiere: The Spirit & Passion of Tyler Sjöström’s ‘Bones, Hold Me Up’

by Mitch Mosk
Find Yourself - Great Good Fine Ok & Before You Exit
Features, Music, Reviews, This Just InMay 26, 2017<May 26, 2017

This Just In: The Passionate Plea of “Find Yourself” by Great Good Fine Ok & Before You Exit

by Mitch Mosk
vivienne chi © 2017
Debut, Features, Music, PremieresMay 26, 2017<May 24, 2017

Premiere: Vivienne Chi Debuts “Vivienne” with Pain, Passion, and Fury

by Mitch Mosk
Mallrat © 2017
Music, PodcastMay 25, 2017<May 25, 2017

Sugar High Podcast: An Hour with Australian Prodigy Mallrat

by Danny Carissimi
13 Reasons Why © Netflix
Essays, MusicMay 25, 2017<June 1, 2017

Editorial: Songs That Should Have Made the ’13 Reasons Why’ Soundtrack

by Kevin Young
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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