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Rocket - (Sandy) Alex G
Our Take, ReviewsMay 25, 2017<May 25, 2017

Our Take: (Sandy) Alex G Is Restless and Uninhibited in ‘Rocket’

by Shayna Chabrow
Suffer the Children © Jonathan Dy
Debut, Music, PremieresMay 25, 2017<May 25, 2017

Premiere: The Lonely Cry of Suffer the Children’s “Bear Witness”

by Mitch Mosk
Beach Tiger © Lindsey Harris Photography
Music, PremieresMay 25, 2017<January 2, 2019

Premiere: Beach Tiger’s “When You’re Lying There,” an Anthem of Love to the Little Things

by Mitch Mosk
Weekend Mountain Man - Former Faces still
Music, Music Videos, PremieresMay 25, 2017<May 25, 2017

Video Premiere: Former Faces Return to Nature on “Weekend Mountain Man”

by Josh Weiner
Asgeir © Columbia Records
Features, Interviews, MusicMay 24, 2017<May 24, 2017

Intimacy, Intention, and Afterglow: An Interview with Ásgeir

by Erika Kooda
Mr. Byrd © 2017
Debut, Music, PremieresMay 24, 2017<May 23, 2017

Premiere: Finding Solace in Deathless Devotion with Mr. Byrd’s “I’ll Never Let Go”

by Kelly Wynne
The Solars © 2017
Debut, Music, Music Videos, PremieresMay 23, 2017<May 23, 2017

Video Premiere: Home & Away in The Solars’ Dazzling “Goddess of the Suburbs”

by Mitch Mosk
Cutty Flam © 2017
Music, PremieresMay 23, 2017<May 23, 2017

Premiere: The Restless Dance of Cutty Flam’s “Continental Creep”

by Mitch Mosk
Steady Sun © 2017
Interviews, MusicMay 23, 2017<May 23, 2017

Indifferent World, Psychedelic Dream: A Conversation with Steady Sun

by Josh Weiner
James Vincent McMorrow © 2017
Music, Reviews, This Just InMay 23, 2017<May 23, 2017

This Just In: James Vincent McMorrow Finds “True Care”

by Nicole Almeida
Under The Milkyway... Who Cares? - Seasurfer
Music, Music Videos, PremieresMay 23, 2017<May 23, 2017

Video Premiere: The Dark & Dreamy Power of Seasurfer’s “Too Late for Goodbyes”

by Mitch Mosk
CHNNLL © 2017
Music, PremieresMay 22, 2017<May 22, 2017

Premiere: CHNNLL Flows Through Life, Time, & Memory on “The River”

by Mitch Mosk
Chris Cheveyo © 2017
Music, Music Videos, PremieresMay 22, 2017<May 22, 2017

Video Premiere: Chris Cheveyo Dreamily Opens Up in “A Letter”

by Mitch Mosk
BANKS "The Altar" © 2016
Columns, Music, Today's SongMay 22, 2017<May 22, 2017

BANKS Explores Love vs. Success with Aching & Poetic “Crowded Places”

by Kelly McCafferty Dorogy
Harry Styles - Harry Styles
Debut, Features, Music, Reviews, RoundtableMay 19, 2017<June 29, 2024

Roundtable Discussion: A Review of Harry Styles’ Debut Album

by Atwood Magazine Staff
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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