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Vox Eagle © 2017
Music, PremieresApril 27, 2017<April 27, 2017

Premiere: Feel the Summertime in Vox Eagle’s “Come Over”

by Kelly Wynne
"Feelings" - Dana still
Debut, Music, Music Videos, PremieresApril 27, 2017<April 27, 2017

Premiere: The Honesty and Intimacy of Dana’s Debut “Feelings”

by Mitch Mosk
Vök © Sigga Ella
Debut, Features, Interviews, MusicApril 27, 2017<April 28, 2017

Figuring It Out: Vök Discuss Music, Growth and Learning in Iceland

by Erin Brown
Left Lane Cruiser © Joel Faurote
Music, PremieresApril 27, 2017<April 27, 2017

Premiere: Left Lane Cruiser’s “Still Rollin'” Is One for the Road

by Mitch Mosk
Blood on the Tracks - Bob Dylan
Music, Time MachineApril 27, 2017<April 27, 2017

Time Machine: On Bob Dylan’s “Shelter from the Storm”

by Erika Kooda
PHANGS teeth
Music, Reviews, This Just InApril 27, 2017<January 27, 2023

Review: It’s “Always Been U,” PHANGS, and We Know It, Too

by Maggie McHale
Things I've Never Said - Frances
Debut, Features, Interviews, Music, ReviewsApril 26, 2017<April 26, 2017

The Soul of a Songwriter: A Conversation with Frances

by Mitch Mosk
Nick Moran © Elli Lauren
Music, PremieresApril 26, 2017<April 26, 2017

Premiere: Chaos & Comfort Color Nick Moran’s Soulful “Easier Time”

by Mitch Mosk
Blaenavon © Scott Witt
Debut, Features, Music, ReviewsApril 26, 2017<June 29, 2017

Review: Blaenavon Play with Light & Darkness on Debut Album ‘That’s Your Lot’

by Nicole Almeida
Tableaux - Light Entertainment
Debut, Music, PremieresApril 25, 2017<April 28, 2017

Premiere: The Intoxicating Allure of Light Entertainment’s Debut “Tableaux”

by Mitch Mosk
Fallow Land © Heather Nash
Debut, Music, PremieresApril 25, 2017<April 25, 2017

Premiere: The Authentic Struggle of Fallow Land’s “Faux”

by Mitch Mosk
Madnap © 2017
Debut, Interviews, MusicApril 25, 2017<April 25, 2017

Changing with the “SEASONS”: A Conversation with Madnap

by Alex Killian
Novo Amor © Rhodri Brooks
Columns, Features, Music, Music Videos, Reviews, Today's SongApril 25, 2017<April 27, 2017

Review: The Heartache & Beauty of Novo Amor’s Intimate “Carry You”

by Mitch Mosk
Edmondson © Catlin Miller
Debut, Music, PremieresApril 24, 2017<April 24, 2017

Premiere: The Movement and Memory of Edmondson’s “Turnings”

by Kaitlyn Zorilla
bedbugs © Samantha Prasopthum
Music, PremieresApril 24, 2017<April 24, 2017

Premiere: Joy & Wonder Make bedbugs’ “Not Complaining” a Perfect Testament to Modern Love

by Lindsay Call
Posts pagination
1 … 669 670 671 672 673 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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