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The Harmed Brothers x Mcdougall
Music, PremieresMarch 24, 2017<March 24, 2017

Premiere: McDougall & The Harmed Brothers’ Collaboration is Humble, Heartfelt, and Fun

by Mitch Mosk
Flower © Erika Krupansky
Columns, Music, Today's SongMarch 24, 2017<March 24, 2017

Today’s Song: Flower’s “Hysteria” Mocks the Digital Age

by Connor Bush
The Dead Sailor Girls © Jay Blakesburg
Music, PremieresMarch 23, 2017<March 23, 2017

Premiere: Get Down (with the Deep Blue Sea) in The Dead Sailor Girls’ “Dance of the Broken Heart”

by Lindsay Call
Ben Abraham © WILK
Features, Interviews, MusicMarch 23, 2017<March 23, 2017

Transforming Experience into Sound: A Conversation with Ben Abraham

by Hannah Maire
Out of the Game - Rufus Wainwright
Columns, Music, Time MachineMarch 23, 2017<March 23, 2017

Time Machine: Feeling “Out of the Game” with Rufus Wainwright

by Erika Kooda
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 23, 2017<March 24, 2017

Atwood @ SXSW Day 6 ft. Active Bird Community, Aquilo, Big Jesus, The National Parks, and Lawrence

by Erika Kooda
Radclyffe Hall © 2017
Music, PremieresMarch 22, 2017<March 22, 2017

Premiere: Escape into Radclyffe Hall’s Seductive “Run Run Run”

by Mitch Mosk
Axel Mansoor © 2017
Features, Interviews, MusicMarch 22, 2017<March 22, 2017

No Time Wasted: A Conversation with Axel Mansoor

by Kelly Wynne
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 22, 2017<March 22, 2017

Atwood @ SXSW: Day 5 ft. Lizzo, Chicano Batman, Spoon, Big Phony, Magnolia, and Sara Watkins

by Erika Kooda
Call Me - Imelda May
Columns, Music, Today's SongMarch 21, 2017<March 21, 2017

Today’s Song: Imelda May’s “Call Me” and Heartache’s Heavy Wait

by Mitch Mosk
Faze Wave © 2017
Music, PremieresMarch 21, 2017<March 21, 2017

Premiere: Faze Wave Catch a Spark on “Chemistry”

by Mitch Mosk
Features, Interviews, MusicMarch 21, 2017<March 22, 2017

Here for a Good Time: A Conversation with Knox Hamilton

by Maggie McHale
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 21, 2017<March 22, 2017

Atwood @ SXSW: Day 4 ft. The New Pornographers, Danny Malone, and Quinn XCII

by Erika Kooda
Matt Hires © Jesse Spencer
Features, Music, Music Videos, PremieresMarch 20, 2017<March 20, 2017

Video Premiere: Matt Hires’ “Don’t Let Your Heart Grow Cold,” a Passionate Ode to the Past

by Mitch Mosk
NØMADS © Kiki Conway
Music, PremieresMarch 20, 2017<April 5, 2017

Premiere: Brooklyn’s NØMADS Elevate Our Fear on “Acrophobia”

by Mitch Mosk
Posts pagination
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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