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The Kooks' Luke Pritchard (R) and Hugh Harris (L) © 2025
Features, Interviews, MusicMay 7, 2025<May 9, 2025

Interview: The Kooks’ Luke Pritchard on Music, Nostalgia, and Reinvention with Seventh Album ‘Never/Know’

by Guest Writer
Cristóvam © Diogo Rola
Columns, Interviews, Music, Today's SongMay 7, 2025<May 15, 2025

Interview: Cristóvam Balances Between Life and Music in New Single “Fever”

by Joe Beer
Lucy Dacus © Shervin Lainez
Features, Music, Reviews, RoundtableMay 6, 2025<May 6, 2025

Roundtable Discussion: A Review of Lucy Dacus’ ‘Forever Is a Feeling’

by Atwood Magazine Staff
Jaco Jaco © Silken Weinberg
Features, Interviews, MusicMay 6, 2025<May 6, 2025

“Life Comes in Waves”: Jaco Jaco Shares Reflections and Life Lessons From His Funk-Infused Sophomore Solo Record, ‘Gremlin’

by Noa Jamir
LØLØ © Christina Bryson
Columns, Interviews, Music, Today's SongMay 6, 2025<May 6, 2025

Interview with LØLØ: “Possibility” Remains Plenty For This Talented Torontonian

by Josh Weiner
Tennis © Darren Vargas
Features, Interviews, MusicMay 5, 2025<May 5, 2025

“It’s a shared endeavor with my life partner”: Tennis on Love, The Sea, & Their Final Record, ‘Face Down in the Garden’

by Marc Maleri
The Altons © Jessica Magaña
Interviews, MusicMay 5, 2025<May 5, 2025

Interview: Meet The Altons, an East L.A.-Based Chicano Crew Off on a Hot Debut National Tour

by Josh Weiner
The World's Fair EP - Swervedriver
Music, ReviewsMay 5, 2025<May 5, 2025

EP Review: Swervedriver Make a Beautiful and Moody Return with ‘The World’s Fair’

by Adam Davidson
Ed Sheeran © Petros Studio
Columns, Music, Today's SongMay 5, 2025<May 5, 2025

Today’s Song: Ed Sheeran’s “Old Phone” Is a Quiet Gut-Punch of Nostalgia

by Danielle Holian
Khamari © 2025
Columns, Music, Today's SongMay 2, 2025<May 2, 2025

Today’s Song: Khamari’s “Head in a Jar” Is a Collection of Inner Thoughts on Longing & Love

by Miranda Urbanczyk
Stevie Matthew © 2025
Debut, Interviews, MusicMay 1, 2025<May 1, 2025

Interview: Stevie Matthew Knows Exactly Who He Is, and You Should Too

by Annaliese Baker
Matt O’Connor & Jenny Ruenes of Worry Bead Records
Essays, MusicMay 1, 2025<June 18, 2025

“Sharing Your True Name”: An Essay by Matt O’Connor of Worry Bead Records

by Guest Writer
The Ophelias 'Spring Grove' © Mikko Castaño
Features, Interviews, MusicMay 1, 2025<May 1, 2025

Interview: The Ophelias on Their Cinematic 4th LP ‘Spring Grove,’ Making “Movie Music,” & Collaborating with Julien Baker

by Mitch Mosk
Atwood Magazine's 119th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 30, 2025<April 30, 2025

Editor’s Picks 119: Matt Maltese, sombr, Hannah Cohen, OSLO SLOW, Wafia, & Fontaines D.C.!

by Mitch Mosk
Ginger Winn © Brooklyn Zeh
Music, Music Videos, PremieresApril 30, 2025<April 30, 2025

“There’s Nothing to Fear Except Me”: Ginger Winn Reckons with Grief & Anxiety in “Escape,” an Intimate Alt-Folk Fever Dream

by Mitch Mosk
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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