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Oh Wonder © 2016
Atwood On Tour, Columns, Features, Interviews, MusicOctober 14, 2016<December 9, 2016

Humble, Honest, and Human: Catching Up with Oh Wonder

by Mitch Mosk
DD Allen © 2016
Debut, Features, Music, PremieresOctober 14, 2016<October 14, 2016

Exclusive Premiere: “Just Like The Old Days,” DD Allen’s Timeless Pursuit of Happiness

by Mitch Mosk
Santah perform "Here Are My Shells"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoOctober 14, 2016<November 13, 2024

Atwood Magazine and LiveSyphon Present: Santah Share Their Shells

by Nicole Almeida
Fog © Cameron Wittig
Columns, Music, Today's SongOctober 14, 2016<October 14, 2016

Today’s Song: Finding Purpose in Fog’s “Made to Follow”

by Kaitlyn Zorilla
BANKS © 2016
Features, Music, Our Take, ReviewsOctober 13, 2016<May 9, 2017

Arriving at ‘The Altar’ with BANKS: A Track-by-Track Review

by Regan Wojick
Is the Is Are - DIIV
Columns, Music, Music You Should Know, Our Take, ReviewsOctober 13, 2016<October 13, 2016

Music You Should Know: DIIV-ing into DIIV’s ‘Is The Is Are’

by Tracy Smith
The Japanese House © 2016
Columns, Music, Today's SongOctober 13, 2016<October 17, 2016

Today’s Song: Honesty and Redemption in The Japanese House’s “Face Like Thunder”

by Nicole Almeida
Rocket Quaffle - Couch Jackets
Features, Music, Music Videos, PremieresOctober 12, 2016<October 12, 2016

Exclusive Premiere: Couch Jackets’ “Rocket Quaffle” Is a Fun, Colorful Chaos

by Mitch Mosk
Black Honey © Charlotte Patmore
Columns, Music, Music Videos, Today's SongOctober 12, 2016<October 12, 2016

Today’s Song: Black Honey Ditch the Past in “Hello Today”

by Lindsay Call
Zach Ashton
Features, Music, PremieresOctober 11, 2016<October 11, 2016

Exclusive Premiere: The Painstaking Patience of Zach Ashton’s “Borderline”

by Mitch Mosk
Dessa
Columns, Music, Today's SongOctober 11, 2016<October 11, 2016

Today’s Song: Dessa’s “Quinine” Is More Than Meets the Eye

by Erika Kooda
FRENSHIP © Columbia Records
Debut, Features, Interviews, MusicOctober 10, 2016<October 10, 2016

Swimming with the Current: A Conversation with FRENSHIP

by Lindsay Call
Izzy Bizu © Epic Records
Debut, Music, Our Take, ReviewsOctober 10, 2016<October 10, 2016

Our Take: Izzy Bizu Finds Clarity on Debut “A Moment of Madness”

by Natalie Harmsen
BRÅVES "Me The Thief" still
Columns, Music, Music Videos, Today's SongOctober 7, 2016<October 7, 2016

Today’s Song: Love is Love on BRÅVES’ Powerfully Passionate “Me The Thief”

by Mitch Mosk
Annabelle's Curse perform "Regret"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoOctober 7, 2016<October 7, 2016

Atwood Magazine and LiveSyphon Present: The Blessed Duality of Annabelle’s Curse

by Kaitlyn Zorilla
Posts pagination
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Brand New

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit

:: discover something new ::

Recent Posts

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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