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Niki & The Dove consists of Malin Dahlström and Gustaf Karlöf
Columns, Music, Today's SongJune 7, 2016<June 6, 2016

Today’s Song: Niki & The Dove’s “So Much It Hurts” Brings Back the Good Times We Never Had

by Julia Naman
Ethos - Levitation Room
Columns, Music, Today's SongJune 6, 2016<June 6, 2016

Today’s Song: Levitation Room Addresses Societal Pitfalls with “Strangers of Our Time”

by Erin Brown
Mimes of Wine
Features, Music, Music Videos, PremieresJune 3, 2016<June 3, 2016

Exclusive Premiere: Mimes of Wine’s Beautifully Mysterious “Birds of a Feather” and its Out-of-Focus Focus

by Mitch Mosk
These Wild Plains © Lisa Czech
Features, Festival, Interviews, MusicJune 3, 2016<June 3, 2016

Rugged and Plainsy or Wildly Plain? A Conversation with These Wild Plains

by Mitch Mosk
"Heartbreak Hi" - Avec Sans
Columns, Music, Today's SongJune 2, 2016<June 2, 2016

Today’s Song: Avec Sans Connects in “Heartbreak Hi”

by Lindsay Call
"Delilah" (The Odyssey – Chapter 8) - Florence and the Machine
Features, Music, Music Videos, ReviewsJune 2, 2016<June 2, 2016

Florence + The Machine Captivates with the Frailty and Beauty of Human Existence in “The Odyssey”

by Erin Brown
Scuzz Ortegé
Columns, Debut, Music, Today's SongJune 1, 2016<June 1, 2016

Today’s Song: Scuzz Ortegé Steps Up to Fight on Debut “Bodies”

by Mitch Mosk
Car Seat Headrest
Music, Our Take, ReviewsJune 1, 2016<June 1, 2016

Our Take: Car Seat Headrest’s ‘Teens of Denial’ is Anthemic Indie Rock at Its Best

by Ross Finney
Ariana Grande Dangerous Woman review 8.3
Music, Our Take, ReviewsMay 31, 2016<September 5, 2023

Our Take: Ariana Grande Pulls Off a Hat Trick with ‘Dangerous Woman’

by Josh Weiner
Earthquake Weather - Onsen
Debut, Features, Music, PremieresMay 31, 2016<May 12, 2020

Exclusive Premiere: Onsen’s “What Fortunes” at the Crossroads of Breakup

by Mitch Mosk
Boston Calling May 2016
Features, Festival, Music, News, PreviewsMay 27, 2016<December 10, 2024

(Y)Our Guide to Boston Calling Music Festival, May 2016

by Mitch Mosk
Sam Wills
Columns, Music, Today's SongMay 27, 2016<May 27, 2016

Today’s Song: Sam Wills’ Soulfully Cathartic Slow-Burn, “Light On Me”

by Brandon Payano
TUSKANY, a band from Belfast
Columns, Music, Today's SongMay 26, 2016<May 27, 2016

Today’s Song: Tuskany’s “Shapes” Shakes Up Indie Pop

by Lindsay Call
Dreamland - Wild Belle
Features, Music, Our Take, ReviewsMay 25, 2016<May 25, 2016

Our Take: Wild Belle’s “Dreamland” Shows the Importance of Good Genes

by Julia Naman
Dustin Tebbutt © Cybele Malinowski
Columns, Music, Today's SongMay 25, 2016<May 25, 2016

Today’s Song: Dustin Tebbutt Falls in Love at “First Light”

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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