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Wildling
Debut, Music, Premieres, ReviewsNovember 9, 2015<November 9, 2015

Exclusive Premiere: Wildling’s Catchy and Clever “Palindrome”

by Mitch Mosk
Hippo Campus © Chris Sikich
Columns, Music, Today's SongNovember 9, 2015<November 10, 2015

Today’s Song: The Sweetness of “South” by Hippo Campus

by Natalie Harmsen
Atwood in Focus: New Music, 11/6/2015
NewsNovember 6, 2015<March 23, 2017

Atwood In Focus: November 6th New Music

by Atwood Magazine Staff
Debut, Music, Our Take, ReviewsNovember 5, 2015<November 11, 2015

Raury Continues to Inspire with “All We Need”

by Ali
Music, ReviewsNovember 5, 2015<November 5, 2015

Blu, M.E.D. and Madlib Make Enjoyably Low-Stakes Indie Rap on “Bad Neighbor”

by Grant Rindner
NoMBe (Noah McBeth)
Columns, Music, Today's SongNovember 4, 2015<March 22, 2018

Today’s Song: Poignant Closure on NoMBe’s “Kemosabe”

by Mitch Mosk
Concerts, Music, Our Take, ReviewsNovember 4, 2015<November 4, 2015

Live: Beach House Preach Authenticity in Amsterdam

by Liza
Music, Music You Should Know, Our Take, ReviewsNovember 3, 2015<November 3, 2015

Our Take: The Evocative Awareness of The Neighbourhood’s “Wiped Out!”

by Maggie McHale
Wicked Man isYonatan Tietz (vocals/guitar), Justin Kohlberg (guitar, bass), Andrew Kunz (keyboards,vocals) and Max Denny (drums)
Music, Premieres, ReviewsNovember 3, 2015<November 3, 2015

Exclusive Premiere: Daydreams and Doubt on Wicked Man’s “Maybe Later”

by Mitch Mosk
Skylar Grey © Tyler Shields
Features, Interviews, MusicNovember 2, 2015<November 3, 2015

Doing It Her Way: How to Succeed in Music ft. Skylar Grey

by Mitch Mosk
Art, Features, InterviewsNovember 2, 2015<November 2, 2015

Conversation with Florentine Pahl: Art as Reality

by Liza
The Slow Show © Percy Dean
Debut, Features, Interviews, Music, Our Take, ReviewsOctober 30, 2015<October 30, 2015

The Raw Humanity of The Slow Show’s “White Water”

by Mitch Mosk
Atwood in Focus: New Music, 10/30/2015
NewsOctober 30, 2015<October 30, 2015

Atwood In Focus: October 30th New Music

by Atwood Magazine Staff
Alex G © Jeff Allen
Music, Our Take, ReviewsOctober 29, 2015<October 29, 2015

Our Take: With Beach Music, Alex G is a DIY Powerhouse

by Ross Finney
Big Grams 7.3
Debut, Music, Our Take, ReviewsOctober 28, 2015<September 5, 2023

Hip-Hop, Electronica Collide in Cool Style on “Big Grams”

by Josh Weiner
Posts pagination
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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