• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Smile - The Royal Concept
Features, Interviews, MusicSeptember 17, 2015<September 17, 2015

Dirty and Sunny: A Conversation with The Royal Concept

by Mitch Mosk
Dresses
Columns, Music, Today's SongSeptember 16, 2015<August 24, 2018

Today’s Song: The Empathetic Beauty of Dresses’ “Catch”

by Mitch Mosk
Halsey 6.9
Debut, Features, Music, Our Take, ReviewsSeptember 15, 2015<January 16, 2023

Our Take: How Halsey and BADLANDS are Becoming the Voice of the New Generation

by Liz Wood
Chrisopher Paul Stelling © Jenn Sweeney
Columns, Music, Today's SongSeptember 14, 2015<September 14, 2015

Today’s Song: Christopher Paul Stelling’s “Dear Beast” is a Haunting Lullaby

by Ali
Atwood in Focus: New Music, 9/11/2015
NewsSeptember 11, 2015<September 12, 2015

Atwood In Focus: September 11th New Music

by Atwood Magazine Staff
truth. - James Scott
Features, Interviews, Music, Today's SongSeptember 11, 2015<September 11, 2015

The Self and The “truth.”: A Conversation with James Scott

by Mitch Mosk
Columns, Music, Music Videos, Today's SongSeptember 10, 2015<April 28, 2017

Today’s Song: Emily Vaughn’s “Better Off” is Better on Repeat

by Maggie McHale
Coming Home - Young Rising Sons
Columns, Music, Music Videos, Today's SongSeptember 9, 2015<September 10, 2015

Today’s Song: The Eerie Homecoming of Young Rising Sons’ “Coming Home”

by Mitch Mosk
Art, From The Zine, News, PreviewSeptember 9, 2015<September 10, 2015

Atwood Issue 9 Artist: Kati Yewell

by Atwood Magazine Staff
Jarryd James (YouTube screenshot from "Do You Remember")
Debut, Features, Music, Our Take, ReviewsSeptember 8, 2015<November 12, 2015

Our Take: Jarryd James Debuts With Love and Restraint

by Mitch Mosk
NewsSeptember 4, 2015<March 23, 2017

Atwood In Focus: September 4th New Music

by Atwood Magazine Staff
9.1
Debut, Features, Interviews, Music, ReviewsSeptember 4, 2015<September 4, 2024

Lyrics, Melody, and Meaning: A Conversation With Oh Wonder

by Mitch Mosk
Melanie Martinez 1 © Stephanie Lopez 7.6
Debut, Music, Our Take, ReviewsSeptember 2, 2015<February 4, 2026

Our Take: Crying Out for “Cry Baby” with Melanie Martinez

by Maggie McHale
Dustin Tebbutt Home
Columns, Music, Today's SongSeptember 1, 2015<September 1, 2015

Today’s Song: The Warm Glow of Dustin Tebbutt’s “Home”

by Mitch Mosk
Art, From The Zine, NewsAugust 31, 2015<October 6, 2015

Accepting Fall Issue Submissions

by Atwood Magazine Staff
Posts pagination
1 … 708 709 710 711 712 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services