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Music, Our Take, ReviewsJuly 8, 2014<July 8, 2014

Our Take: A Review of Alt J’s New Single “Left Hand Free”

by Liza
Features, Interviews, Photography, VideoJuly 3, 2014<August 20, 2024

A Conversation with Natalie Deryn Johnson (NatalieInMotion)

by Cynthia Liu
Features, From The Zine, Interviews, MusicJuly 3, 2014<July 3, 2014

A conversation with Julianna Barwick

by Nitesh
Music, Our Take, ReviewsJune 30, 2014<July 1, 2014

Our Take: A Review of Bon Iver’s New Single “Heavenly Father”

by Liza
Art, Weekly DiscoveriesJune 30, 2014<June 30, 2014

This Week’s Discoveries: Pt. 1

by Liza
Features, Interviews, PhotographyJune 27, 2014<June 30, 2014

A Conversation with Vivienne Mok

by Alexis
Features, Music, ReviewsJune 25, 2014<June 30, 2014

The Boy You Knew: A Review of Alex G’s New Album DSU

by Stephen
Music, Our Take, ReviewsJune 24, 2014<June 30, 2014

Our take: A Review of The Shin’s New Single “So Now What”

by Nitesh
Features, MusicJune 23, 2014<June 24, 2014

A conversation with Wafia

by Cristina
ArtJune 22, 2014<June 22, 2014

Kara Walker, ‘A Subtlety’

by Morgan
Editorials, PhotographyJune 21, 2014<June 19, 2014

Veronika Gilková Editorial

by Liza
Wolf Alice
MusicJune 20, 2014<June 18, 2014

Heavenly Howls: Listen To Wolf Alice’s New EP

by Abigail
UncategorizedJune 19, 2014<April 16, 2020

Letter from the Editor

by Liza
Music, ReviewsJune 18, 2014<June 18, 2014

Our take: A Review of Alt-J’s New Single “Hunger of the Pine”

by Liza
ArtJune 17, 2014<June 19, 2014

the gallerist: a look at Tara Donovan

by Liza
Posts pagination
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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