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Cover for Transience & A Word from the Editor
UncategorizedJuly 17, 2014<April 16, 2020

Cover for Transience & A Word from the Editor

by Liza
7
Concerts, Music, ReviewsJuly 13, 2014<May 18, 2025

Bridge City Hustle Brings Refreshing Funk-Rock to the Knitting Factory Brooklyn

by Mitch Mosk
Columns, Hidden Gems, MusicJuly 12, 2014<July 12, 2014

Hidden Gems: Metric – Strange Weather

by Nitesh
Features, Interviews, MusicJuly 11, 2014<July 10, 2014

Starbucks, Sunlight, and the Hierarchies of Cool: A Conversation with Teen Daze

by Luke
ArtJuly 10, 2014<July 10, 2014

Looking Back: Supports/Surfaces, An Art Movement

by Morgan
Music, Nostalgia TracksJuly 10, 2014<July 10, 2014

Nostalgia Tracks: Thao & The Get Down Stay Down’s “The Feeling Kind”

by Alexis
Features, Interviews, Music, ReviewsJuly 8, 2014<July 8, 2014

Craft Spells: Sincerity from Seattle // a conversation with Justin Vallesteros

by Conrad
Essays, PhotographyJuly 8, 2014<July 10, 2014

Evie McShane Editorial

by Liza
Music, Our Take, ReviewsJuly 8, 2014<July 8, 2014

Our Take: A Review of Alt J’s New Single “Left Hand Free”

by Liza
Features, Interviews, Photography, VideoJuly 3, 2014<August 20, 2024

A Conversation with Natalie Deryn Johnson (NatalieInMotion)

by Cynthia Liu
Features, From The Zine, Interviews, MusicJuly 3, 2014<July 3, 2014

A conversation with Julianna Barwick

by Nitesh
Music, Our Take, ReviewsJune 30, 2014<July 1, 2014

Our Take: A Review of Bon Iver’s New Single “Heavenly Father”

by Liza
Art, Weekly DiscoveriesJune 30, 2014<June 30, 2014

This Week’s Discoveries: Pt. 1

by Liza
Features, Interviews, PhotographyJune 27, 2014<June 30, 2014

A Conversation with Vivienne Mok

by Alexis
Features, Music, ReviewsJune 25, 2014<June 30, 2014

The Boy You Knew: A Review of Alex G’s New Album DSU

by Stephen
Posts pagination
1 … 722 723 724 725 726

Brand New

  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva”

:: discover something new ::

Recent Posts

  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
  • Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” March 28, 2026
  • Atwood Magazine’s Weekly Roundup: March 27, 2026 March 27, 2026
  • “Homegrown American Adventure”: HAPPY LANDING Turn Toward the Light on ‘Big Sun,’ a Bold and Expansive Folk Rock Triumph March 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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