• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Atwood Magazine's Weekly Roundup | October 15, 2024
Columns, Features, Music, Weekly RoundupOctober 15, 2024<October 17, 2024

Atwood Magazine’s Weekly Roundup: October 15, 2024

by Atwood Magazine Staff
High. © Aleko Syntelis
Columns, Music, Today's SongOctober 15, 2024<October 15, 2024

Today’s Song: High.’s “In a Hole” Is a Fever Dream of Gauzy, Glistening Grunge

by Mitch Mosk
Caroline Strickland © Aaron Champagne
Music, Music Videos, PremieresOctober 15, 2024<October 15, 2024

Premiere: Our Inner Voice Comes to Life in Caroline Strickland’s “Martha’s Calling,” a Song of Angst & Ache

by Mitch Mosk
The Scarlet Opera © Carianne Older
Features, Interviews, MusicOctober 15, 2024<October 15, 2024

“We can make anything a great moment live”: The Scarlet Opera on “Heaven Is a Place on Earth” and Their Evolving Sound

by Christine Buckley
William Hinson © 2024
Features, Interviews, MusicOctober 15, 2024<October 15, 2024

Interview: William Hinson, an Ascending Beatles Historian & Prolific Musician, Unveils “Give It a Day (It’s Alright)” and Teases Upcoming Full-Length LP

by Noah Wade
L.S. Dunes © Luke Dickey
Columns, Music, Today's SongOctober 14, 2024<October 14, 2024

“You isolate and hibernate”: L.S. Dunes Return With “Fatal Deluxe,” a Tapestry of Supercharged Sonic Turmoil

by Mitch Mosk
Johnny Hunter "Hot Mess" © 2024
Columns, Music, Today's SongOctober 13, 2024<October 13, 2024

Today’s Song: Unleashing Our Inner Demons With Johnny Hunter’s Sleazy & Seductive “HOT MESS”

by Mitch Mosk
Thutmose © Legendary Shots
Features, Interviews, Music, Track-by-TrackOctober 11, 2024<October 11, 2024

Confident, Braggadocious, & Aspirational: Thutmose Finds ‘Heaven on Earth’ in His Seductive Afro House EP

by Mitch Mosk
Elke © Zachary Gray
Columns, Interviews, Music, Today's SongOctober 11, 2024<October 11, 2024

“Heaven aimed gun then a blank shot”: Elke’s Kayla Graninger Unpacks Her Visceral Fever Dream, “Hide in Heaven”

by Mitch Mosk
Pillow Fite © Alma
Debut, Features, Interviews, Music, Premieres, Track-by-TrackOctober 11, 2024<October 11, 2024

“Complex, Honest, & Mercurial”: Pillow Fite Unpack Their Unapologetic Debut Album ‘Hard Feelings, Soft Promises’

by Mitch Mosk
David C Clements © Chris McKay
Features, Interviews, Music, Track-by-TrackOctober 11, 2024<October 11, 2024

“Joy, Death, and the Other Stuff”: David C Clements Answers Life’s Big Questions in ‘The Garden’

by Mitch Mosk
Conan Gray © Emma Wannie
Concerts, Music, ReviewsOctober 11, 2024<October 11, 2024

Live Review: Conan Gray’s Sold-Out MSG Show Was Credibly Progressive & Triumphant

by Noah Wade
Selected imagery from Christopher Reeve’s life and career. From left to right: First row - Reeve circa 1975, 1967, as Superman (1978), in “The Cherry Orchard’(1980), “The Bostonians” (1985), “Somewhere in Time” (1980); Second row - at Juliard(1973), screen testing for Superman (1976), as Clark Kent and Superman (1978) and with wife Dana Reeve (1995). © Aidan Moyer
Art, ReviewsOctober 10, 2024<October 10, 2024

You’ll Believe a Man Can Fly: Christopher & Dana Reeve’s Love Story and Legacy Honored in ‘Super/Man’

by Aidan Moyer
Asha Imuno © Helene Kertanis
Concerts, Music, ReviewsOctober 10, 2024<October 10, 2024

Live Review: Asha Imuno Opens for BLK ODYSSY At LA’s Historic El Rey Theatre

by Minna Abdel-Gawad
Loema © Chaim Eysten
Debut, Music, ReviewsOctober 10, 2024<October 10, 2024

Review: LOEMA’s Debut EP ‘Flowers for No One’ Is an Emotional Journey into Heartbreak’s Deepest Corners

by Guest Writer
Posts pagination
1 … 71 72 73 74 75 … 712

Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services