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Pretoria © Brady Olson
Columns, Music, Today's SongMarch 27, 2025<March 27, 2025

Today’s Song: Pretoria Ride a Rollercoaster of Emotions in “Don’t Fade”

by Miranda Urbanczyk
80Purppp © Quinn Duranda
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025

“I’m not trying to fit in anymore”: 80purppp Peels Back the Layers on ‘Suite 96 (Side A),’ a Record of Inner Reckoning, Surrealism, and Self-Discovery

by Mitch Mosk
Sarah and the Sundays © Miles Ellisor
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025

“It’s us making songs we needed to make”: Sarah and the Sundays Embrace Raw Emotion & Life’s Beautiful Mess on ‘Like a Damn Dog’

by Mitch Mosk
Empara Mi © courtesy of the artist
Essays, Music, Women's History MonthMarch 26, 2025<March 26, 2025

“My Shift Towards Autonomy and the Power in Starting Again”: An Essay by Empara Mi for Women’s History Month

by Guest Writer
Christine Bauer
Essays, Music, Women's History MonthMarch 26, 2025<March 26, 2025

“The ‘Safe’ Route Almost Broke Me; Music Put Me Back Together”: An Essay by Christine Bauer for Women’s History Month

by Guest Writer
Xanthe Alexis © Dennis Netjek
Essays, Music, Women's History MonthMarch 26, 2025<March 26, 2025

“A Woman’s Place Is on the Road”: An Essay by Xanthe Alexis for Women’s History Month

by Guest Writer
James Bay and Jon Batiste © David O'Donohue
Columns, Interviews, Music, Today's SongMarch 26, 2025<March 26, 2025

“You’re Like Sunshine in the Room”: James Bay & Jon Batiste Celebrate Love with Harmony, Heart, and Soul

by Mitch Mosk
Your Smith © Erica Hernandez
Features, Interviews, MusicMarch 25, 2025<March 25, 2025

“A Little Underdressed and a Teeny Bit Sloppy”: Your Smith Returns with a ‘De-Invention’ on Her Own Terms

by Mitch Mosk
Idiotwin LP - Idiotwin
Essays, MusicMarch 25, 2025<March 25, 2025

An Indie Insight: My Experience Releasing an Album as an Independent Musician

by Frederick Bloy
Jill Andrews © 2025
Features, Interviews, MusicMarch 25, 2025<March 25, 2025

Interview: Jill Andrews Confronts the Darkness Head-On With ‘Big Feelings’

by Emily Frances Algar
Carlie Hanson © 2025
Music, Playlists, Women's History MonthMarch 25, 2025<March 25, 2025

“The Hottest of the Hot”: A Women’s History Month Playlist by Carlie Hanson

by Guest Writer
CLOVER © Jennie Hankins
Essays, Music, Women's History MonthMarch 25, 2025<March 12, 2026

“How the Menstrual Cycle Influences My Songwriting and Artistry”: An Essay by CLOVER for Women’s History Month

by Guest Writer
KTJ & Carly © Lauren Nieves
Columns, Music, Today's SongMarch 25, 2025<March 25, 2025

Today’s Song: KTJ & CARLY Turn Heartbreak into Sweet Revenge on “Good Day”

by Chloe Robinson
Puma Blue © Liv Hamilton
Features, Interviews, MusicMarch 24, 2025<March 24, 2025

“I Wanted to Make Something That Was Kind of Lulling You to Sleep”: Puma Blue Talks Honesty, Spirituality, & Stepping Out of the Box With ‘antichamber’

by Desire' Jackson-Crosby
Buick Audra © Anna Haas
Essays, Music, Women's History MonthMarch 24, 2025<March 24, 2025

“On Learning to Be Proud of My Music as a Firstborn Adult Child Daughter”: An Essay by Buick Audra for Women’s History Month

by Guest Writer
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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