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Atwood Magazine's 114th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 14, 2025<March 18, 2025

Editor’s Picks 114: Attention Bird Utopia, Your Smith, Bo Staloch, Matilda Mann, Courting, & ESKA!

by Mitch Mosk
Mali Hâf © 2025
Essays, Music, Women's History MonthMarch 14, 2025<March 14, 2025

“H.W.F.M – A Song for Women in Wales & Everywhere”: An Essay by Mali Hâf for Women’s History Month

by Guest Writer
Soda Blonde © 2025
Columns, Interviews, Music, Today's SongMarch 14, 2025<March 25, 2025

“I Just Wanted to Be Wanted”: Soda Blonde’s “People Pleaser” Is a Bold Reckoning with Love, Validation & Self-Worth

by Mitch Mosk
tryin to be born - Emile Mosseri
Features, Interviews, Music, Track-by-TrackMarch 13, 2025<March 13, 2025

“We hit this magical frequency”: Emile Mosseri Breaks Down His Sophomore Album ‘tryin to be born’

by Mitch Mosk
The Veils © Katya Brook
Features, Interviews, Music, Track-by-TrackMarch 13, 2025<March 13, 2025

Track-by-Track: The Veils Take Us on a Poetic Journey Through Love & Death in ‘Asphodels’

by Joe Beer
Jessica Vaughn © Sterling Taylor
Essays, Music, Women's History MonthMarch 13, 2025<March 13, 2025

“MASA: Make America Shameful Again – Why the Music Industry Needs Its Own Reckoning”: An Essay by Jessica Vaughn for Women’s History Month

by Guest Writer
Horsegirl © Ruby Faye
Music, ReviewsMarch 13, 2025<March 13, 2025

Review: Horsegirl Sing for You on “Phonetics On and On”

by Juls Patterson
Arcy Drive © 2025
Columns, Music, Today's SongMarch 13, 2025<March 13, 2025

“What a day for a daydream”: Arcy Drive’s Sun-Soaked Folk Rock Reverie, “Oak Tree (Daydream)”

by Mitch Mosk
emmersonHALL © Cole Yearwood
Columns, Music, Today's SongMarch 12, 2025<March 12, 2025

“I bleed so you’re winning”: emmersonHALL’s “Air” Is a Heavy, Cathartic, and Aching Exhale

by Mitch Mosk
Taylor Bickett © Libby Danforth
Essays, Music, Women's History MonthMarch 12, 2025<March 12, 2025

“The Crime of Being a Woman”: An Essay by Taylor Bickett for Women’s History Month

by Guest Writer
Clara Mann © Ella Margolin
Debut, Features, Interviews, MusicMarch 12, 2025<March 12, 2025

Interview: Clara Mann Finds Hope in the Spaces Between on Shimmering Debut Album ‘Rift’

by Rachel Leong
Masayoshi Takanaka © Noah Moyer
Concerts, Music, ReviewsMarch 12, 2025<March 12, 2025

“I’ve been waiting for this day for a long time”: Masayoshi Takanaka Plays First U.S. Show in 40 Years

by Max Kalnitz
Post Sex Nachos © Annaliese Baker
Concerts, Interviews, MusicMarch 12, 2025<March 12, 2025

Interview: Post Sex Nachos Are Having More Fun Than You

by Annaliese Baker
Atwood Magazine's Weekly Roundup | March 11, 2025
Columns, Features, Music, Weekly RoundupMarch 11, 2025<March 12, 2025

Atwood Magazine’s Weekly Roundup: March 11, 2025

by Atwood Magazine Staff
Madame Reaper © Shawn Ruddy
Essays, Music, Women's History MonthMarch 11, 2025<March 11, 2025

“Not Your Mother’s Women’s History Month”: An Essay by Madame Reaper

by Guest Writer
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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