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Merce Lemon © Eric Stevens
Features, Interviews, MusicOctober 4, 2024<October 4, 2024

Soft Explosions: Merce Lemon on Making Her Restless & Raw Third Album, ‘Watch Me Drive Them Dogs Wild’

by Mitch Mosk
Ethansroom 'BIGGER LOVE' © Noah Tidmore
Features, Interviews, Music, Track-by-TrackOctober 4, 2024<October 4, 2024

“Explosive, Eternal, & Understanding”: Ethansroom Embraces a ‘BIGGER LOVE’ on His Breathtakingly Bold Third Album

by Mitch Mosk
thủy © Edgar Daniel
Features, Interviews, MusicOctober 4, 2024<October 4, 2024

“A bigger voice”: thủy Channels the Power of Intentionality, Redefines Cultural Identity, and Spreads her ‘wings’ on Latest Project

by Isabella Le
Orla Gartland © Nicole Ngai
Features, Interviews, Music, Track-by-TrackOctober 4, 2024<October 4, 2024

Feature: Orla Gartland Is Everybody’s Superhero in Her Sophomore Album ‘Everybody Needs a Hero’

by Minna Abdel-Gawad
RAT BOY © Gavin Watson
Music, ReviewsOctober 4, 2024<October 4, 2024

Suburbia Gets Loud: RAT BOY Serenade Essex in Classic Indie Punk Style on ‘SUBURBIA CALLING’

by Liv Goodbody
Crumb © Haoyan of America
MusicOctober 3, 2024<October 4, 2024

Live Review: Crumb Invited Montreal into Their Perfectly Curated Bubble for a Show That Enchanted & Bewildered

by Oliver Crook
daysormay © Brendan Meadows
Interviews, Music, Track-by-TrackOctober 3, 2024<October 3, 2024

Track-by-Track: daysormay Embrace ‘MODERATION’ in Their Minimalist Masterpiece

by Joe Beer
Mon Rovîa “crooked the road.” © Caity Krone
Columns, Music, Today's SongOctober 3, 2024<October 3, 2024

Mon Rovîa’s “crooked the road.” Is a Dreamy Blanket of Musical & Emotional Warmth

by Mitch Mosk
Christian Lee Hutson © Michael Delaney
Features, Interviews, MusicOctober 3, 2024<October 3, 2024

“A Play Within a Play”: Christian Lee Hutson Brings Fictional Characters to Life on ‘Paradise Pop. 10’

by Aaron Childree
The Cure's Robert Smith © Sam Rockman
Columns, Music, Today's SongOctober 2, 2024<October 2, 2024

“This is this end of every song we sing”: The Cure Dabble in Miracles & Meaning With New Single “Alone”

by Emma Rayder
Atwood Magazine's Weekly Roundup | October 1, 2024
Columns, Features, Music, Weekly RoundupOctober 1, 2024<October 4, 2024

Atwood Magazine’s Weekly Roundup: October 1, 2024

by Atwood Magazine Staff
Nina Nesbitt 'Mountain Music' © Wolf James
Features, Interviews, MusicOctober 1, 2024<October 2, 2024

“There’s something really beautiful about four simple chords and a story”: Nina Nesbitt on Reconnecting With Her Roots & Making ‘Mountain Music’

by Mitch Mosk
Maya Ixta 'Diary Entries' © Devin Dygert
Debut, Music, ReviewsOctober 1, 2024<October 1, 2024

Review: Maya Ixta’s Debut EP ‘Diary Entries’ Takes Us on a Vulnerable Musical Journey

by Mitch Mosk
Conner Youngblood © Julia Mayorova
Features, Interviews, Music, Track-by-TrackOctober 1, 2024<October 1, 2024

“Surrealism, Expressionism, & Tranquility”: Conner Youngblood on His Spellbinding Sophomore LP ‘Cascades, Cascading, Cascadingly’

by Mitch Mosk
Reneé Rapp at All Things Go Music Festival 2024 © RespectiveCollective
Festival, Music, ReviewsOctober 1, 2024<October 1, 2024

Review: Life’s So Fun at Forest Hills Stadium’s First-Ever All Things Go Music Festival

by Julia Dzurillay
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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