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Beach Weather © TK TK
Features, Interviews, MusicMarch 28, 2025<March 28, 2025

Interview: Beach Weather’s Sean Silverman Talks Sound, Band Identity, & Their Latest Album, ‘Melt’

by Mariam Bagdady
Atwood Magazine's Weekly Roundup | March 28, 2025
Columns, Features, Music, Weekly RoundupMarch 28, 2025<April 2, 2025

Atwood Magazine’s Weekly Roundup: April 1, 2025

by Atwood Magazine Staff
Jo Hill "ZOOM OUT" © Phoebe Fox
Columns, Interviews, Music, Today's SongMarch 28, 2025<March 28, 2025

“You Got This, Babe!”: Jo Hill Breaks Down “ZOOM OUT,” Her Feel-Good Anthem of Empowerment, Girlhood, & Resilience

by Mitch Mosk
Salin © Lucas Zafiris
Essays, Music, Women's History MonthMarch 28, 2025<March 28, 2025

“We’ve All Become Too Masculine”: An Essay by Salin for Women’s History Month

by Guest Writer
Lauren Mia © 2025
Essays, Music, Women's History MonthMarch 28, 2025<March 28, 2025

“Feminine Frequencies”: A Playlist by Lauren Mia for Women’s History Month

by Guest Writer
Friend of a Friend © 2025
Essays, Music, Women's History MonthMarch 28, 2025<March 28, 2025

“Five Women Artists Who Shaped Me”: An Essay by Friend of a Friend for Women’s History Month

by Guest Writer
Forever Is a Feeling - Lucy Dacus
Music, ReviewsMarch 28, 2025<March 28, 2025

Review: Lucy Dacus Is Learning ‘Forever Is a Feeling’ and Writing a Beautiful Tale As She Goes

by Brianna Corrine
girlpuppy © Tonje Thilesen
Features, Interviews, MusicMarch 28, 2025<March 28, 2025

Interview: How girlpuppy Transformed Heartbreak into Catharsis on Sophomore LP ‘Sweetness’

by Noa Jamir
Maria Solena © 2025
Essays, Music, Women's History MonthMarch 28, 2025<March 28, 2025

“The Power of Music: A Story of Dreams, Dedication, & Discovery”: An Essay by Maria Solena for Women’s History Month

by Guest Writer
St. Catherine's Child © 2025
Music, PremieresMarch 27, 2025<March 27, 2025

Premiere: St. Catherine’s Child Transforms Grief into Gold on Soul-Baring “Negative Space”

by Mitch Mosk
Pillowprince © Alexia Abarca
Music, PremieresMarch 27, 2025<March 27, 2025

Premiere: Pillowprince Channel Grief, Rage, & Resistance in Their Devastating Anthem “Care About”

by Mitch Mosk
Medium Build © Silken Weinberg
Features, Interviews, Music, Track-by-TrackMarch 27, 2025<March 27, 2025

“Therapy Trauma Tunes”: Medium Build’s Nick Carpenter Talks Returning Home, Unpacking His Past, & Turning Scars into Songs with ‘Marietta’

by Mitch Mosk
Maya Elizabeth © Kent Edwards
Essays, Music, Women's History MonthMarch 27, 2025<March 27, 2025

“A Woman’s History with Worthiness”: An Essay by Maya Elizabeth for Women’s History Month

by Guest Writer
ANDIE © Emiko Coffey
Essays, Music, Women's History MonthMarch 27, 2025<March 27, 2025

“A Step-by-Step Guide to Being a Girl’s Girl in the Music Industry (No Matter Your Gender!)”: An Essay by ANDIE for Women’s History Month

by Guest Writer
Tunnel's Natasha Janfaza © Frank Mojica
Interviews, MusicMarch 27, 2025<March 28, 2025

Interview: Navigating Tunnel’s Indie Rock Noise

by Marissa DeLeon
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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