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Paula Cole © 2025
Essays, Music, Women's History MonthMarch 24, 2025<March 24, 2025

“Paula Cole, a Masterclass in Artistic Authenticity”: An Essay by Katherine DePaul for Women’s History Month

by Guest Writer
SXSW Paramount Marquee for 2026!
Concerts, Music, ReviewsMarch 24, 2025<March 24, 2025

The Best Sounds from SXSW 2025

by Marissa DeLeon
Bon Iver's Justin Vernon © Graham Tolbert
Columns, Music, Today's SongMarch 24, 2025<March 24, 2025

Today’s Song: Bon Iver & Danielle Haim’s Heartfelt Duet on Love’s Fragile Edge in “If Only I Could Wait”

by Danielle Holian
Atwood Magazine's 115th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 21, 2025<March 24, 2025

Editor’s Picks 115: Chappell Roan, Jo Hill, Joy Oladokun, Trousdale, MARIS, & The Ophelias!

by Mitch Mosk
Dog Eared - Billie Marten
Columns, Music, Today's SongMarch 21, 2025<March 21, 2025

Today’s Song: Billie Marten Gently Lifts Us Up to Heights Unknown in “Feeling”

by Noa Jamir
Sister Rosetta Tharpe
Essays, Features, Music, Women's History MonthMarch 21, 2025<March 21, 2025

Amplified: Women Who Shaped Rock and Metal Music

by Kendall Graham
Anna Shoemaker 'Someone Should Stop Her' © Shervin Lainez
Features, Interviews, MusicMarch 20, 2025<March 20, 2025

“Breakup & Run”: Anna Shoemaker on Heartache, Healing, and Choosing Herself on ‘Someone Should Stop Her’

by Mitch Mosk
Oakland Rain and Judy Collins © 2025
Essays, Music, Women's History MonthMarch 20, 2025<March 20, 2025

“Community, Sisterhood, and Lessons Learned from Judy Collins”: An Essay by Oakland Rain for Women’s History Month

by Guest Writer
Abe the Kid, Blkchrist, & drinkabir "We Need You Karen" © 2025
Columns, Music, Today's SongMarch 20, 2025<March 20, 2025

“We Need You Karen”: Abe the Kid, Blkchrist, and drinkabir Balance Humor & Intensity on Their Collaborative Single

by Ciaran Short
Eva James © 2025
Essays, Music, Women's History MonthMarch 19, 2025<March 19, 2025

“From Darkness to the Spotlight: How Chronic Illness Transformed My Music & My Life”: An Essay by Eva James for Women’s History Month

by Guest Writer
Jessica Audiffred © 2025
Interviews, MusicMarch 19, 2025<April 15, 2025

A Conversation with Jessica Audiffred: Making EDM-Pumped Waves on Both Sides of the Border

by Josh Weiner
Savanna Leigh © Brooke Jennings
Columns, Music, Today's SongMarch 19, 2025<March 19, 2025

Today’s Song: Savanna Leigh Turns Heartache into Hope in “you don’t exist yet,” an Anthem for Anxious Romantics

by Miranda Urbanczyk
Lady Gaga 'MAYHEM' album art
Features, Music, Reviews, RoundtableMarch 18, 2025<March 18, 2025

Roundtable Discussion: A Review of Lady Gaga’s ‘MAYHEM’

by Atwood Magazine Staff
Chappell Roan "The Giver" © Ryan Lee Clemens
Columns, Music, Today's SongMarch 18, 2025<March 18, 2025

Today’s Song: Chappell Roan’s Sapphic Country Anthem “The Giver” Blends Her Wit, Charm, and Flirty Flair

by Bárbara Martínez Campuzano
HAIM © Lea Garn
Columns, Music, Today's SongMarch 17, 2025<March 17, 2025

Today’s Song: HAIM’s “Relationships” Is a Breezy, Bold Return to Introspection and Groove

by Danielle Holian
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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