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Tayla Parx 'Many Moons Many Suns' © Justin Ayers
Interviews, MusicOctober 24, 2024<November 2, 2024

“This album, for me, is a moment of fearlessness and boldness”: Tayla Parx Enters a New Phase With ‘Many Moons, Many Suns’

by Desire' Jackson-Crosby
ellipse © 2024
Debut, Interviews, MusicOctober 24, 2024<October 24, 2024

Interview: ellipse Debuts New Alias and Talks Transformation, Rebirth, & Sultry “Poison”

by Rachel Leong
Stavro © Adam Turner
Music, PremieresOctober 23, 2024<October 23, 2024

“You saw it coming, but it came too quick”: Stavro Premieres “Smoke Above the Interstate,” a Soul-Stirring Song for End Times

by Mitch Mosk
Painted Vein © Mila Nowhere
Debut, Music, Music Videos, PremieresOctober 23, 2024<October 23, 2024

Premiere: Seattle’s Painted Vein Dwells in Darkness & Hope on Grungy “My Well”

by Mitch Mosk
My Method Actor - Nilüfer Yanya
Features, Music, Reviews, RoundtableOctober 23, 2024<October 23, 2024

Roundtable Discussion: A Review of Nilüfer Yanya’s ‘My Method Actor’

by Atwood Magazine Staff
Joey Valence & Brae © 2024
Features, Interviews, MusicOctober 23, 2024<October 23, 2024

“We Do Whatever We Want. We Are Independent… And We Just Don’t Care”: Fun, Energetic, & Unashamedly Themselves, Joey Valence & Brae Coast With ‘NO HANDS’

by Jake Fewx
Stevie Bill © Monique Penders
Features, Interviews, Music, Track-by-TrackOctober 22, 2024<October 22, 2024

“Pure, Honest, & Fun”: Stevie Bill Bares All on ‘I was a platinum blonde,’ a Record of Guts, Growth, and Hair

by Mitch Mosk
Bleachers © Alex Lockett
Concerts, Music, ReviewsOctober 22, 2024<October 22, 2024

Live Review: Bleachers Bring a Taste of the Garden State to the Hollywood Hills

by Guest Writer
Spencer Sutherland 'The Drama' © Lexi Alley
Features, Interviews, MusicOctober 22, 2024<October 22, 2024

Rock Operas, Shakespeare, & Graceland: Spencer Sutherland on the Sparkling, Immersive World of ‘The Drama’

by Rachel Leong
Atwood Magazine's Weekly Roundup | October 21, 2024
Columns, Features, Music, Weekly RoundupOctober 21, 2024<October 23, 2024

Atwood Magazine’s Weekly Roundup: October 21, 2024

by Atwood Magazine Staff
Kemi Ade © Azu
Artist to Watch, Columns, Music, Today's SongOctober 21, 2024<October 23, 2024

Interview: South London’s Kemi Ade Goes from Victim, to Villain, to Artist-to-Watch in “Gaslight”

by Mitch Mosk
Caleb Landry Jones, as seen in his Jean-Stéphane Sauvaire-directed “Spiders in the Trees” music video, surrounded by his illustrations featured in “The Moonkey Light.” © Aidan Moyer
Features, Interviews, MusicOctober 21, 2024<October 21, 2024

“At Times It Seems You’ve Been Known to Tell”: An Interview With Caleb Landry Jones

by Aidan Moyer
Genevieve Stokes © Robin Glass
Debut, Features, Interviews, MusicOctober 21, 2024<October 21, 2024

“I just assumed the people around me knew more”: Genevieve Stokes on Finally Coming into Her Own on Debut Album ‘With a Lightning Strike’

by Alexandra Jhamb Burns
Suki Waterhouse ‘Memoir of a Sparklemuffin’ album art
Music, ReviewsOctober 21, 2024<October 21, 2024

Review: Slip into a Euphoric Reverie with Suki Waterhouse’s ‘Memoir of a Sparklemuffin’

by Brianna Corrine
Chaparelle © Michael Hernandez
Concerts, Music, ReviewsOctober 21, 2024<October 21, 2024

Live Review: Twang and Tension Intertwine for Chaparelle

by Marissa DeLeon
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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