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Sam Fender © Sarah Louise Bennett
Features, Music, Reviews, RoundtableApril 2, 2025<April 2, 2025

Roundtable Discussion: A Review of Sam Fender’s ‘People Watching’

by Atwood Magazine Staff
Alicia Clara © Taryn Fleischmann
Interviews, MusicApril 2, 2025<April 2, 2025

Interview: Sinking into Alicia Clara’s Dreamy Soundscapes

by Marissa DeLeon
Levi Foster © Annelise Loughead
Columns, Music, Today's SongApril 2, 2025<April 2, 2025

Today’s Song: Levi Foster Delivers a Tear-Jerking Tale with “Walter”

by Chloe Robinson
My Morning Jacket © Silvia Grav
Features, Interviews, MusicApril 2, 2025<April 2, 2025

“A Recording Is a Relic; a Show Is Alive”: My Morning Jacket’s Carl Broemel on Music as a Way of Life, the Spirit of Performance, & the Making of ‘is’

by Mitch Mosk
Chloe Moriondo © Madeline Kate Kann
Features, Interviews, MusicApril 2, 2025<April 2, 2025

Interview: Chloe Moriondo Doesn’t Regret a Single Word of ‘oyster’

by Juls Patterson
Lunar Vacation © Brandon McClain / Eat Humans
Columns, Music, Today's SongApril 1, 2025<April 1, 2025

Today’s Song: Lunar Vacation Embody Vulnerability and Raw Emotion in “Lights Off”

by Miranda Urbanczyk
Music to Burnout To
Essays, MusicApril 1, 2025<April 1, 2025

Music to Burnout To

by Danny Vagnoni
Maya Delilah © Abeiku Arthur
Debut, Features, Interviews, MusicApril 1, 2025<April 1, 2025

Interview: Maya Delilah Embraces Nostalgia & Creative Freedom in Her Genre-Warping Debut Album, ‘The Long Way Round’

by Brianna Corrine
Yoko Ono and John Lennon prep for the One to One charity concerts in NYC circa 1971
Film, Music, ReviewsMarch 31, 2025<March 31, 2025

One to One: Yoko Ono Shines in New Doc on Ono-Lennons in NYC

by Aidan Moyer
Ariana Grande © Katia Temkin
Music, ReviewsMarch 31, 2025<March 31, 2025

Review: Ariana Grande Journeys Through Heartbreak and Healing in ‘Eternal Sunshine (Deluxe)’ & Short Film

by Danielle Holian
XIE © courtesy of the artist
Essays, Music, Playlists, Women's History MonthMarch 31, 2025<March 31, 2025

“Her Sound, Her Power”: A Women’s History Month Playlist by XIE

by Guest Writer
EMEL © Amber Grey
Essays, Music, Women's History MonthMarch 31, 2025<March 31, 2025

“Creating ‘MRA’ as a Fully Female Made Album”: An Essay by EMEL for Women’s History Month

by Guest Writer
Atwood Magazine's 2025 Women's History Month playlist!
Features, Music, Playlists, Women's History MonthMarch 31, 2025<March 31, 2025

She’s Got the Music in Her: Our 2025 Women’s History Month Soundtrack!

by Atwood Magazine Staff
MARINA © Bethany Vargas
Columns, Music, Today's SongMarch 30, 2025<March 30, 2025

“Don’t panic when it hits”: MARINA Gets Playful with Love’s Sharpest Arrows in “Cupid’s Girl”

by Danielle Holian
Brie Stoner "Topanga" © 2025
Music, PremieresMarch 28, 2025<April 1, 2025

Premiere: Brie Stoner’s Mythic & Cinematic “Topanga” Captures Canyon Dreams & Fleeting Flames

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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