Columns, Editor's Picks, Features, MusicFebruary 21, 2025<February 21, 2025 Editor’s Picks 111: Merpire, Bad Suns, Soft Loft, milk., Housewife, & Ruby Gill! by Mitch Mosk
Columns, Music, This Just In, Today's SongFebruary 21, 2025<February 21, 2025 Today’s Song: Fontaines D.C. Confirm “It’s Amazing to Be Young” With an Uplifting, Nostalgia-Soaked Indie Rock Reverie by Brianna Corrine
Columns, Features, Music, Weekly RoundupFebruary 21, 2025<February 21, 2025 Atwood Magazine’s Weekly Roundup: February 21, 2025 by Atwood Magazine Staff
9 Music, Our Take, ReviewsFebruary 21, 2025<February 21, 2025 Our Take: Sabrina Carpenter Transcends Genre & Performance on ‘Short n’ Sweet (Deluxe)’ by Annaliese Baker
Music, Our Take, ReviewsFebruary 21, 2025<February 21, 2025 Our Take: Youth Lagoon Embraces Childlike Wonder in ‘Rarely Do I Dream’ by Noa Jamir
Debut, Features, InterviewsFebruary 21, 2025<February 21, 2025 “The light still breaks through each morning”: jasmine.4.t on the Hope, Healing, & Community Behind ‘You Are the Morning’ by Rachel Leong
Black History Month, Essays, MusicFebruary 20, 2025<February 27, 2025 “Charlie’s Grandbaby” Sug Daniels Shares the Albums That Shaped Her Career by Guest Writer
Black History Month, Essays, MusicFebruary 20, 2025<February 20, 2025 “A Miracle in Legacy – The Transformative Power of Black Artistry”: An Essay by Joshua Conyers for Black History Month by Guest Writer
Features, Music, Reviews, RoundtableFebruary 20, 2025<February 20, 2025 Roundtable Discussion: A Review of The Weeknd’s ‘Hurry Up Tomorrow’ by Atwood Magazine Staff
Columns, Music, Today's SongFebruary 20, 2025<February 20, 2025 Today’s Song: “Hope Is a Scary Thing” Offers a Run Through the Back of Carol Ades’ Mind by Bárbara Martínez Campuzano
Music, Reviews, This Just InFebruary 20, 2025<February 20, 2025 This Just In: On “High Fashion,” Addison Rae Chooses Hermes Over Hedonism by Brian Denney
Music, PremieresFebruary 19, 2025<February 19, 2025 Premiere: Discus Ache for the ‘Good Ol’ Days’ That Never Came in “O My Stars,” a Haunting Reflection on Fleeting Youth & Fading Futures by Mitch Mosk
Essays, MusicFebruary 19, 2025<February 19, 2025 The Hidden Cost of Streaming: How Spotify Suppresses New Artists by Guest Writer
Black History Month, Essays, MusicFebruary 19, 2025<February 19, 2025 “Learning from Legends”: An Essay by SAVNT for Black History Month by Guest Writer
Columns, Music, Today's SongFebruary 19, 2025<February 19, 2025 “Light me up, I’m wasted in the dark”: Mumford & Sons Embrace Their Restless Hearts in “Rushmere,” a Folk Rock Fever Dream by Mitch Mosk
For the Love of Music
For the Love of Music
