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Forever Is a Feeling - Lucy Dacus
Music, ReviewsMarch 28, 2025<March 28, 2025

Review: Lucy Dacus Is Learning ‘Forever Is a Feeling’ and Writing a Beautiful Tale As She Goes

by Brianna Corrine
girlpuppy © Tonje Thilesen
Features, Interviews, MusicMarch 28, 2025<March 28, 2025

Interview: How girlpuppy Transformed Heartbreak into Catharsis on Sophomore LP ‘Sweetness’

by Noa Jamir
Maria Solena © 2025
Essays, Music, Women's History MonthMarch 28, 2025<March 28, 2025

“The Power of Music: A Story of Dreams, Dedication, & Discovery”: An Essay by Maria Solena for Women’s History Month

by Guest Writer
St. Catherine's Child © 2025
Music, PremieresMarch 27, 2025<March 27, 2025

Premiere: St. Catherine’s Child Transforms Grief into Gold on Soul-Baring “Negative Space”

by Mitch Mosk
Pillowprince © Alexia Abarca
Music, PremieresMarch 27, 2025<March 27, 2025

Premiere: Pillowprince Channel Grief, Rage, & Resistance in Their Devastating Anthem “Care About”

by Mitch Mosk
Medium Build © Silken Weinberg
Features, Interviews, Music, Track-by-TrackMarch 27, 2025<March 27, 2025

“Therapy Trauma Tunes”: Medium Build’s Nick Carpenter Talks Returning Home, Unpacking His Past, & Turning Scars into Songs with ‘Marietta’

by Mitch Mosk
Maya Elizabeth © Kent Edwards
Essays, Music, Women's History MonthMarch 27, 2025<March 27, 2025

“A Woman’s History with Worthiness”: An Essay by Maya Elizabeth for Women’s History Month

by Guest Writer
ANDIE © Emiko Coffey
Essays, Music, Women's History MonthMarch 27, 2025<March 27, 2025

“A Step-by-Step Guide to Being a Girl’s Girl in the Music Industry (No Matter Your Gender!)”: An Essay by ANDIE for Women’s History Month

by Guest Writer
Tunnel's Natasha Janfaza © Frank Mojica
Interviews, MusicMarch 27, 2025<March 28, 2025

Interview: Navigating Tunnel’s Indie Rock Noise

by Marissa DeLeon
Pretoria © Brady Olson
Columns, Music, Today's SongMarch 27, 2025<March 27, 2025

Today’s Song: Pretoria Ride a Rollercoaster of Emotions in “Don’t Fade”

by Miranda Urbanczyk
80Purppp © Quinn Duranda
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025

“I’m not trying to fit in anymore”: 80purppp Peels Back the Layers on ‘Suite 96 (Side A),’ a Record of Inner Reckoning, Surrealism, and Self-Discovery

by Mitch Mosk
Sarah and the Sundays © Miles Ellisor
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025

“It’s us making songs we needed to make”: Sarah and the Sundays Embrace Raw Emotion & Life’s Beautiful Mess on ‘Like a Damn Dog’

by Mitch Mosk
Empara Mi © courtesy of the artist
Essays, Music, Women's History MonthMarch 26, 2025<March 26, 2025

“My Shift Towards Autonomy and the Power in Starting Again”: An Essay by Empara Mi for Women’s History Month

by Guest Writer
Christine Bauer
Essays, Music, Women's History MonthMarch 26, 2025<March 26, 2025

“The ‘Safe’ Route Almost Broke Me; Music Put Me Back Together”: An Essay by Christine Bauer for Women’s History Month

by Guest Writer
Xanthe Alexis © Dennis Netjek
Essays, Music, Women's History MonthMarch 26, 2025<March 26, 2025

“A Woman’s Place Is on the Road”: An Essay by Xanthe Alexis for Women’s History Month

by Guest Writer
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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