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Casual Male's Tim Lappin © Kevin Condon
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024

“It’s always the red wine that seems to break me”: The Irresistible Cheer, Charm, & Churn of Casual Male’s Debut Album

by Mitch Mosk
Nikka Costa © Kayleigh Schweiker
Concerts, Music, ReviewsDecember 11, 2024<October 7, 2025

Live Review: Nikka Costa Delivers a Perfectly Seasoned Party at Sony Hall

by Kayleigh Schweiker
Celine Wanyi © Taryn Wan
Features, Interviews, MusicDecember 11, 2024<December 11, 2024

Interview: Celine Wanyi on Breaking New Bounds, Agency, & Creative Vulnerability in “shadow of you”

by Rachel Leong
Water - Fie Eike
Debut, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024

Track-by-Track: Take a Deep Dive into Fie Eike’s Debut Album, ‘Water’

by Joe Beer
A-Go-Go © 2024
Columns, Music, Today's SongDecember 11, 2024<December 10, 2024

Columbus- and Chicago-Based Band A-Go-Go Spin Everyday Mishaps into Garage Rock Gold on Spirited “Hardly Saving”

by Guest Writer
Portraits of Pirates © Bobby Rivero
Interviews, MusicDecember 10, 2024<December 10, 2024

Interview: Vince Cuneo Channels His Inner Buccaneer for New Solo Project, Portraits of Pirates

by Josh Weiner
Will Swinton © Bryce Glenn
Columns, Music, Today's SongDecember 10, 2024<December 10, 2024

“I’ve been lost since you let me go”: Will Swinton Bares His Soul on “Walls,” an Angsty & Aching Breakup Song

by Mitch Mosk
Mary Eliza © Katie Oscar
Columns, Music, Today's SongDecember 9, 2024<December 9, 2024

“No matter the occasion, I’ll bring a boxing ring”: Mary Eliza’s “Porcelain” Is a Feverish, Achingly Raw Indie Rock Reckoning

by Mitch Mosk
GNX - Kendrick Lamar 8.6
Music, ReviewsDecember 9, 2024<December 9, 2024

Our Take: Kendrick Lamar Reclaims the Rap Throne on the Dazzling ‘GNX’

by Josh Weiner
Lauren Mayberry 'Vicious Creature' album art © Charlotte Patmore
Debut, Music, ReviewsDecember 9, 2024<December 9, 2024

CHVRCHES Frontwoman Lauren Mayberry Looks to Break Away from the Boys on Her Solo Debut, ‘Vicious Creature’

by Josh Bloom
Atwood Magazine's Weekly Roundup | December 6, 2024
Columns, Features, Music, Weekly RoundupDecember 6, 2024<December 10, 2024

Atwood Magazine’s Weekly Roundup: December 6, 2024

by Atwood Magazine Staff
Sonic Incense - Azekel
Features, Interviews, Music, Track-by-TrackDecember 5, 2024<December 9, 2024

Feature: The Deep Heat of Azekel’s Sensual, Provocative, & Spiritual ‘Sonic Incense’

by Mitch Mosk
Eden Rain © Anita McAndrew
Features, Interviews, Music, Track-by-TrackDecember 5, 2024<December 5, 2024

“Mess and Love”: Eden Rain Captures Intimacy’s Raw Intensity on Third EP ‘Anyway, how are you?’

by Mitch Mosk
Laura Marling © Tamsin Topolski
Music, ReviewsDecember 5, 2024<December 5, 2024

Review: Laura Marling’s ‘Patterns in Repeat’ Offers an Intimate Look into Motherhood, Artistry, & Being

by Rachel Leong
Impulsive Hearts © Jovan Landry
Music, Music Videos, PremieresDecember 5, 2024<December 5, 2024

Premiere: Impulsive Hearts’ Irresistible Anthem “Fit 4 the Apocalypse” Is a Fitting Soundtrack for the End of the World

by Mitch Mosk
Posts pagination
1 … 76 77 78 79 80 … 726

Brand New

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song

:: discover something new ::

Recent Posts

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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