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Atwood Magazine's Weekly Roundup | October 7, 2024
Columns, Features, Music, Weekly RoundupOctober 7, 2024<October 26, 2024

Atwood Magazine’s Weekly Roundup: October 7, 2024

by Atwood Magazine Staff
Aquilo © Harvey Pearson
Features, Interviews, MusicOctober 7, 2024<November 2, 2024

“A letter to our younger selves”: Aquilo’s ‘A Quiet Invitation to a Hard Conversation’ Is a Breathtaking Triumph

by Mitch Mosk
Girl Scout © Christoffer Zetterlund & Emilia Jagerman
Columns, Music, Today's SongOctober 7, 2024<October 7, 2024

“It feels just like a hot rush”: Girl Scout’s Sweet N’ Spicy Anthem “Honey” Hits Hard & Goes Down Smooth

by Mitch Mosk
Orion Sun © Linus Johnson
Columns, Music, Today's SongOctober 6, 2024<October 4, 2024

“It’s a Miracle That Love Even Happens At All”: Orion Sun Sinks into the Warm Clutches of Romance on Stunning “Sick”

by Jake Fewx
The Beaches © Meg Moon
Columns, Music, Today's SongOctober 5, 2024<October 4, 2024

“What do you even see in me?”: The Beaches Speak to Fans Nearest & Dearest in Dynamic “Jocelyn”

by Rachel Leong
flipturn © Amanda Laferriere
Columns, Music, Today's SongOctober 4, 2024<October 4, 2024

“I’ve been feeling the weight of everything”: Basking in the Heat of flipturn’s Beachy Reverie, “Rodeo Clown”

by Mitch Mosk
Merce Lemon © Eric Stevens
Features, Interviews, MusicOctober 4, 2024<October 4, 2024

Soft Explosions: Merce Lemon on Making Her Restless & Raw Third Album, ‘Watch Me Drive Them Dogs Wild’

by Mitch Mosk
Ethansroom 'BIGGER LOVE' © Noah Tidmore
Features, Interviews, Music, Track-by-TrackOctober 4, 2024<October 4, 2024

“Explosive, Eternal, & Understanding”: Ethansroom Embraces a ‘BIGGER LOVE’ on His Breathtakingly Bold Third Album

by Mitch Mosk
thủy © Edgar Daniel
Features, Interviews, MusicOctober 4, 2024<October 4, 2024

“A bigger voice”: thủy Channels the Power of Intentionality, Redefines Cultural Identity, and Spreads her ‘wings’ on Latest Project

by Isabella Le
Orla Gartland © Nicole Ngai
Features, Interviews, Music, Track-by-TrackOctober 4, 2024<October 4, 2024

Feature: Orla Gartland Is Everybody’s Superhero in Her Sophomore Album ‘Everybody Needs a Hero’

by Minna Abdel-Gawad
RAT BOY © Gavin Watson
Music, ReviewsOctober 4, 2024<October 4, 2024

Suburbia Gets Loud: RAT BOY Serenade Essex in Classic Indie Punk Style on ‘SUBURBIA CALLING’

by Liv Goodbody
Crumb © Haoyan of America
MusicOctober 3, 2024<October 4, 2024

Live Review: Crumb Invited Montreal into Their Perfectly Curated Bubble for a Show That Enchanted & Bewildered

by Oliver Crook
daysormay © Brendan Meadows
Interviews, Music, Track-by-TrackOctober 3, 2024<October 3, 2024

Track-by-Track: daysormay Embrace ‘MODERATION’ in Their Minimalist Masterpiece

by Joe Beer
Mon Rovîa “crooked the road.” © Caity Krone
Columns, Music, Today's SongOctober 3, 2024<October 3, 2024

Mon Rovîa’s “crooked the road.” Is a Dreamy Blanket of Musical & Emotional Warmth

by Mitch Mosk
Christian Lee Hutson © Michael Delaney
Features, Interviews, MusicOctober 3, 2024<October 3, 2024

“A Play Within a Play”: Christian Lee Hutson Brings Fictional Characters to Life on ‘Paradise Pop. 10’

by Aaron Childree
Posts pagination
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Brand New

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song

:: discover something new ::

Recent Posts

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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