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Wild Pink © 2024
Columns, Music, Today's SongJuly 28, 2024<July 26, 2024

Today’s Song: Wild Pink Turn Up the Volume on Immense New Single “The Fences of Stonehenge”

by Beau Hayhoe
Rose Paradise "Tangerine" © Sofia Ziman
Columns, Interviews, Music, Today's SongJuly 27, 2024<July 26, 2024

Today’s Song: Rose Paradise Goes Back to Her Roots With “Tangerine” & Her Upcoming Debut Album

by Noah Berghammer
Blood © Morgan Kelley
Editorials, Music, PlaylistsJuly 26, 2024<July 26, 2024

Playlist: Get to Know the Real Blood

by Guest Writer
Beau "Talk to Me" © Chad Moore
Columns, Interviews, Music, Today's SongJuly 26, 2024<July 26, 2024

“Sometimes people say a lot without saying a thing”: NYC Indie Pop Duo Beau Embark on a New Era With Dreamy Song “Talk to Me” & Sophomore LP ‘Girl Cried Wolf’

by Mitch Mosk
Rachael Lawson © 2024
Columns, Music, Today's SongJuly 25, 2024<July 25, 2024

You’re “Pure Honey,” Baby: The Universal Sweetness of Rachael Lawson

by Emily Clemente
Atwood Magazine's Best Songs of 2024 (So Far)
Features, Lists, MusicJuly 25, 2024<July 31, 2024

The Best Songs of 2024 (So Far)

by Atwood Magazine Staff
Ginger Winn 'Stop-Motion' © Brooklyn Zeh
Debut, Features, Interviews, Music, Track-by-TrackJuly 24, 2024<July 24, 2024

Track-by-Track: Ginger Winn Shines Bright on Her Warm, Wondrous, & Sun-Kissed Debut Album ‘Stop-Motion’

by Mitch Mosk
Acts of Faith - Sault
Music, ReviewsJuly 24, 2024<July 24, 2024

Review: Enigmatic Neo-Soul Collective Sault Peel Back Layers of Anonymity on Charming & Lush Surprise Album, ‘Acts of Faith’

by Jake Fewx
eundohee "Sleep On It" © 박현 Hyun Park
Columns, Music, Today's SongJuly 24, 2024<July 24, 2024

Today’s Song: Seoul’s eundohee Basks in a Dreamy, Manic Light on “Sleep On It” Off Upcoming LP ‘Blue Comedy’

by Mitch Mosk
Mistine © Dimitris Tzoytzoyrakos
Features, Interviews, MusicJuly 24, 2024<July 24, 2024

Interview: Mistine’s ‘Lonely’ EP Is a Breezy Collection That Conjures a Multitude of Emotions

by Chloe Robinson
Good Cop Bad Cop © 2024
Interviews, MusicJuly 24, 2024<July 24, 2024

Interview: Sheffield’s Joe Carnall Jnr Dials Up the Arctic Monkeys for Good Cop Bad Cop’s Sophomore LP ‘Welcome to the Marble Zone’

by Josh Weiner
Cereus Bright 'Anything' © Ross Bustin
Features, Interviews, MusicJuly 23, 2024<July 23, 2024

Interview: Cereus Bright’s Tyler Anthony on Uprooting His Life and the Expansive New Album He Created in the Process

by Aaron Childree
Dua Lipa at Mad Cool 2024 © Michael Greco
Concerts, Festival, Music, ReviewsJuly 23, 2024<July 23, 2024

Review: Recapping 2024’s Mad Cool Festival in All Its Splendor

by Michael Greco
Johnny Hunter "Frustration" © Roman Jody
Artist to Watch, Columns, Music, Today's SongJuly 23, 2024<July 24, 2024

“Shut down, baby”: Johnny Hunter Return With an Epic Post-Punk Fever Dream of “Frustration”

by Mitch Mosk
Charm - Clairo
Music, Reviews, Track-by-TrackJuly 23, 2024<July 30, 2024

Track-by-Track: Clairo Holds Her Heart Out on Third Album ‘Charm’

by Marc Maleri
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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