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Sofia Wolfson 'Imposing on a Hometown'
Concerts, Debut, Music, ReviewsJuly 30, 2024<July 30, 2024

Live Review: Sofia Wolfson Brings Her Intimate & Stirring Debut LP ‘Imposing on a Hometown’ to Life in New York City

by Hannah Burns
TAVE "No More Maybes" © 2024
Columns, Debut, Music, Today's SongJuly 29, 2024<July 29, 2024

Today’s Song: TAVE Emerges With “No More Maybes,” a Dynamic Debut Single ft. India Shawn & Bibi Bourelly

by Grace Holtzclaw
Atwood Magazine's Weekly Roundup | July 29, 2024
Columns, Features, Music, Weekly RoundupJuly 29, 2024<July 29, 2024

Atwood Magazine’s Weekly Roundup: July 29, 2024

by Atwood Magazine Staff
Joshua Bassett ‘The Golden Years’ © Harry Toohey
Debut, Features, Interviews, MusicJuly 29, 2024<August 1, 2024

Interview: Joshua Bassett Welcomes All to ‘The Golden Years’ As He Talks Artistry, Raw Emotion, and Finding Solace in His Past

by Mariam Bagdady
Wild Pink © 2024
Columns, Music, Today's SongJuly 28, 2024<July 26, 2024

Today’s Song: Wild Pink Turn Up the Volume on Immense New Single “The Fences of Stonehenge”

by Beau Hayhoe
Rose Paradise "Tangerine" © Sofia Ziman
Columns, Interviews, Music, Today's SongJuly 27, 2024<July 26, 2024

Today’s Song: Rose Paradise Goes Back to Her Roots With “Tangerine” & Her Upcoming Debut Album

by Noah Berghammer
Blood © Morgan Kelley
Editorials, Music, PlaylistsJuly 26, 2024<July 26, 2024

Playlist: Get to Know the Real Blood

by Guest Writer
Beau "Talk to Me" © Chad Moore
Columns, Interviews, Music, Today's SongJuly 26, 2024<July 26, 2024

“Sometimes people say a lot without saying a thing”: NYC Indie Pop Duo Beau Embark on a New Era With Dreamy Song “Talk to Me” & Sophomore LP ‘Girl Cried Wolf’

by Mitch Mosk
Rachael Lawson © 2024
Columns, Music, Today's SongJuly 25, 2024<July 25, 2024

You’re “Pure Honey,” Baby: The Universal Sweetness of Rachael Lawson

by Emily Clemente
Atwood Magazine's Best Songs of 2024 (So Far)
Features, Lists, MusicJuly 25, 2024<July 31, 2024

The Best Songs of 2024 (So Far)

by Atwood Magazine Staff
Ginger Winn 'Stop-Motion' © Brooklyn Zeh
Debut, Features, Interviews, Music, Track-by-TrackJuly 24, 2024<July 24, 2024

Track-by-Track: Ginger Winn Shines Bright on Her Warm, Wondrous, & Sun-Kissed Debut Album ‘Stop-Motion’

by Mitch Mosk
Acts of Faith - Sault
Music, ReviewsJuly 24, 2024<July 24, 2024

Review: Enigmatic Neo-Soul Collective Sault Peel Back Layers of Anonymity on Charming & Lush Surprise Album, ‘Acts of Faith’

by Jake Fewx
eundohee "Sleep On It" © 박현 Hyun Park
Columns, Music, Today's SongJuly 24, 2024<July 24, 2024

Today’s Song: Seoul’s eundohee Basks in a Dreamy, Manic Light on “Sleep On It” Off Upcoming LP ‘Blue Comedy’

by Mitch Mosk
Mistine © Dimitris Tzoytzoyrakos
Features, Interviews, MusicJuly 24, 2024<July 24, 2024

Interview: Mistine’s ‘Lonely’ EP Is a Breezy Collection That Conjures a Multitude of Emotions

by Chloe Robinson
Good Cop Bad Cop © 2024
Interviews, MusicJuly 24, 2024<July 24, 2024

Interview: Sheffield’s Joe Carnall Jnr Dials Up the Arctic Monkeys for Good Cop Bad Cop’s Sophomore LP ‘Welcome to the Marble Zone’

by Josh Weiner
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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