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Eden Rain © Anita McAndrew
Features, Interviews, Music, Track-by-TrackDecember 5, 2024<December 5, 2024

“Mess and Love”: Eden Rain Captures Intimacy’s Raw Intensity on Third EP ‘Anyway, how are you?’

by Mitch Mosk
Laura Marling © Tamsin Topolski
Music, ReviewsDecember 5, 2024<December 5, 2024

Review: Laura Marling’s ‘Patterns in Repeat’ Offers an Intimate Look into Motherhood, Artistry, & Being

by Rachel Leong
Impulsive Hearts © Jovan Landry
Music, Music Videos, PremieresDecember 5, 2024<December 5, 2024

Premiere: Impulsive Hearts’ Irresistible Anthem “Fit 4 the Apocalypse” Is a Fitting Soundtrack for the End of the World

by Mitch Mosk
Products Band © Juliet Farmer
Music, Music Videos, PremieresDecember 5, 2024<December 5, 2024

“Attach and Separate”: Basking in the Raw, Feverish Energy of Products Band’s “Steady/Sugarless”

by Mitch Mosk
Saint Blonde "Prowl" © 2024
Columns, Music, Today's SongDecember 4, 2024<December 4, 2024

“I heard it goin’ ‘round”: Saint Blonde Catch Feelings & Lean in on “Prowl,” Their Seductive Singalong

by Mitch Mosk
The Morning Herald © Jane Mok
Music, Music Videos, PremieresDecember 4, 2024<December 4, 2024

“The rumbles out on the town, and it’s alright”: Brooklyn’s The Morning Herald Premiere “Twenty Somethings,” an Anthemic Indie Rock Ode to Friendship and Good Times

by Mitch Mosk
Vlad Holiday © Nicole Mago
Debut, Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024

Feature: Vlad Holiday Chases ‘My Favorite Drug’ on His Darkly Romantic Debut Album

by Mitch Mosk
Hank Heaven 'Loaded Dice' album art
Debut, Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024

“Cheeky, Vulnerable, & Gritty”: Hank Heaven Debuts With Angst and Twang on Soul-Stirring LP ‘Loaded Dice’

by Mitch Mosk
Igmar Thomas © Dennis Manuel
Interviews, MusicDecember 4, 2024<December 5, 2024

Interview: Meet Igmar Thomas, Proud Music Director of the Revive Big Band & Many Major Acts As Well

by Josh Weiner
Aisha Badru © Jeffery Trapani
Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024

Feature: Aisha Badru Hones Her Message of Hope, Healing, & Wellness on ‘The Sun Still Rises,’ a Therapeutic Folk-Pop Journey

by Mitch Mosk
Jo Hill 'girlhood' © Phoebe Fox
Debut, Features, Interviews, Music, Track-by-TrackDecember 3, 2024<December 3, 2024

“I want it to feel like you’re opening my diary”: Jo Hill Embraces & Exudes ‘girlhood.’ on Her Raw, Liberating, Coming-of-Age Debut Album

by Mitch Mosk
Pom Pom Squad © Eliza Jouin
Features, Interviews, MusicDecember 3, 2024<December 3, 2024

Interview: Pom Pom Squad’s ‘Mirror Starts Moving Without Me’ Is an Explosive Reckoning in Female Authenticity, Intersectional Identity, and the Modern Music Scene

by Rachel Leong
Sea Lemon © Rachel Bennett
Columns, Music, Today's SongDecember 3, 2024<December 3, 2024

“The One from the Start”: Sea Lemon’s “Sweet Anecdote” Is a Dreamy Dive into Nostalgia

by Haley Mitchell
Jacob Cummings © 2024
Features, Interviews, MusicDecember 2, 2024<December 2, 2024

Interview: Jacob Cummings Bids a Beautiful Farewell to His Childhood in Sparkling New Record ‘Southern & Enlightened’

by Rachel Leong
Tiana Major9 © Remy Bourdeau
Columns, Music, Today's SongDecember 2, 2024<December 3, 2024

Today’s Song: The Gut-Wrenching Heartache of Tiana Major9’s Soul-Baring Seduction, “alone”

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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