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Atwood Magazine's Weekly Roundup | October 7, 2024
Columns, Features, Music, Weekly RoundupOctober 7, 2024<October 26, 2024

Atwood Magazine’s Weekly Roundup: October 7, 2024

by Atwood Magazine Staff
Aquilo © Harvey Pearson
Features, Interviews, MusicOctober 7, 2024<November 2, 2024

“A letter to our younger selves”: Aquilo’s ‘A Quiet Invitation to a Hard Conversation’ Is a Breathtaking Triumph

by Mitch Mosk
Girl Scout © Christoffer Zetterlund & Emilia Jagerman
Columns, Music, Today's SongOctober 7, 2024<October 7, 2024

“It feels just like a hot rush”: Girl Scout’s Sweet N’ Spicy Anthem “Honey” Hits Hard & Goes Down Smooth

by Mitch Mosk
Orion Sun © Linus Johnson
Columns, Music, Today's SongOctober 6, 2024<October 4, 2024

“It’s a Miracle That Love Even Happens At All”: Orion Sun Sinks into the Warm Clutches of Romance on Stunning “Sick”

by Jake Fewx
The Beaches © Meg Moon
Columns, Music, Today's SongOctober 5, 2024<October 4, 2024

“What do you even see in me?”: The Beaches Speak to Fans Nearest & Dearest in Dynamic “Jocelyn”

by Rachel Leong
flipturn © Amanda Laferriere
Columns, Music, Today's SongOctober 4, 2024<October 4, 2024

“I’ve been feeling the weight of everything”: Basking in the Heat of flipturn’s Beachy Reverie, “Rodeo Clown”

by Mitch Mosk
Merce Lemon © Eric Stevens
Features, Interviews, MusicOctober 4, 2024<October 4, 2024

Soft Explosions: Merce Lemon on Making Her Restless & Raw Third Album, ‘Watch Me Drive Them Dogs Wild’

by Mitch Mosk
Ethansroom 'BIGGER LOVE' © Noah Tidmore
Features, Interviews, Music, Track-by-TrackOctober 4, 2024<October 4, 2024

“Explosive, Eternal, & Understanding”: Ethansroom Embraces a ‘BIGGER LOVE’ on His Breathtakingly Bold Third Album

by Mitch Mosk
thủy © Edgar Daniel
Features, Interviews, MusicOctober 4, 2024<October 4, 2024

“A bigger voice”: thủy Channels the Power of Intentionality, Redefines Cultural Identity, and Spreads her ‘wings’ on Latest Project

by Isabella Le
Orla Gartland © Nicole Ngai
Features, Interviews, Music, Track-by-TrackOctober 4, 2024<October 4, 2024

Feature: Orla Gartland Is Everybody’s Superhero in Her Sophomore Album ‘Everybody Needs a Hero’

by Minna Abdel-Gawad
RAT BOY © Gavin Watson
Music, ReviewsOctober 4, 2024<October 4, 2024

Suburbia Gets Loud: RAT BOY Serenade Essex in Classic Indie Punk Style on ‘SUBURBIA CALLING’

by Liv Goodbody
Crumb © Haoyan of America
MusicOctober 3, 2024<October 4, 2024

Live Review: Crumb Invited Montreal into Their Perfectly Curated Bubble for a Show That Enchanted & Bewildered

by Oliver Crook
daysormay © Brendan Meadows
Interviews, Music, Track-by-TrackOctober 3, 2024<October 3, 2024

Track-by-Track: daysormay Embrace ‘MODERATION’ in Their Minimalist Masterpiece

by Joe Beer
Mon Rovîa “crooked the road.” © Caity Krone
Columns, Music, Today's SongOctober 3, 2024<October 3, 2024

Mon Rovîa’s “crooked the road.” Is a Dreamy Blanket of Musical & Emotional Warmth

by Mitch Mosk
Christian Lee Hutson © Michael Delaney
Features, Interviews, MusicOctober 3, 2024<October 3, 2024

“A Play Within a Play”: Christian Lee Hutson Brings Fictional Characters to Life on ‘Paradise Pop. 10’

by Aaron Childree
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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