Features, Music, Reviews, RoundtableJuly 16, 2024<August 5, 2024 Roundtable Discussion: A Review of Camila Cabello’s ‘C,XOXO’ by Atwood Magazine Staff
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Columns, Music, Today's SongJuly 14, 2024<July 10, 2024 Traversing the Labyrinth of Animal Collective’s “Defeat,” and Seeing How Much Has Changed By the End by Frederick Bloy
Columns, Music, Today's SongJuly 13, 2024<July 13, 2024 Today’s Song: NYC’s Cults Strip Back to Simplicity With “Crybaby” Off New Album ‘To the Ghosts’ by Marc Maleri
Columns, Music, Today's SongJuly 12, 2024<July 10, 2024 Today’s Song: Caitlyn Smith Lays Bare Her Fears in “Mother of Three” by Emily Frances Algar
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Features, Interviews, MusicJuly 10, 2024<July 10, 2024 “You always wanted me to write one”: Karley Scott Collins Discusses Her Heavy Metal Influenced EP, ‘Write One’ by Emily Frances Algar
8.9 Music, Our Take, ReviewsJuly 9, 2024<July 9, 2024 A Heartfelt Heartbreakers Homage: ‘Petty Country (A Country Music Celebration of Tom Petty)’ Hits Home by Christine Buckley
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Columns, Debut, Music, Today's SongJuly 9, 2024<July 9, 2024 Today’s Song: The Sweet Seduction of Billy Sharp’s Dreamy Debut Single “Kitchen Disco Queen” by Mitch Mosk
Interviews, Music, ReviewsJuly 9, 2024<July 9, 2024 Interview: Maia Kamil’s Second Album ‘You’re Not Here You’re Everywhere’ Unravels Layers of Love & Loss by Guest Writer