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The Cure's Robert Smith © Sam Rockman
Columns, Music, Today's SongOctober 2, 2024<October 2, 2024

“This is this end of every song we sing”: The Cure Dabble in Miracles & Meaning With New Single “Alone”

by Emma Rayder
Atwood Magazine's Weekly Roundup | October 1, 2024
Columns, Features, Music, Weekly RoundupOctober 1, 2024<October 4, 2024

Atwood Magazine’s Weekly Roundup: October 1, 2024

by Atwood Magazine Staff
Nina Nesbitt 'Mountain Music' © Wolf James
Features, Interviews, MusicOctober 1, 2024<October 2, 2024

“There’s something really beautiful about four simple chords and a story”: Nina Nesbitt on Reconnecting With Her Roots & Making ‘Mountain Music’

by Mitch Mosk
Maya Ixta 'Diary Entries' © Devin Dygert
Debut, Music, ReviewsOctober 1, 2024<October 1, 2024

Review: Maya Ixta’s Debut EP ‘Diary Entries’ Takes Us on a Vulnerable Musical Journey

by Mitch Mosk
Conner Youngblood © Julia Mayorova
Features, Interviews, Music, Track-by-TrackOctober 1, 2024<October 1, 2024

“Surrealism, Expressionism, & Tranquility”: Conner Youngblood on His Spellbinding Sophomore LP ‘Cascades, Cascading, Cascadingly’

by Mitch Mosk
Reneé Rapp at All Things Go Music Festival 2024 © RespectiveCollective
Festival, Music, ReviewsOctober 1, 2024<October 1, 2024

Review: Life’s So Fun at Forest Hills Stadium’s First-Ever All Things Go Music Festival

by Julia Dzurillay
Rowan Drake © Jimmy Fontaine
Interviews, MusicOctober 1, 2024<October 1, 2024

Interview: With ‘For all my eyes have seen,’ Rowan Drake Is Compensated for His Grief

by Noah Wade
Infinity Song © John N. Adams III
Columns, Music, Today's SongOctober 1, 2024<October 1, 2024

“I love the way it feels to be a hater”: Infinity Song Serve Up the Perfect Singalong for Your Inner Critic in “Hater’s Anthem”

by Stephanie Bento
The Mysterines © Steve Gullick
Features, Interviews, MusicSeptember 30, 2024<September 30, 2024

“It’s the moments of silence and stillness that have the heaviest weight”: The Mysterines Shine a Light on the Dark Depths of ‘Afraid of Tomorrows’

by Mitch Mosk
Atwood Magazine's Best Albums of 2024 (So Far)
Features, Lists, MusicSeptember 30, 2024<December 4, 2025

The Best Albums of 2024 (So Far)

by Atwood Magazine Staff
Xiu Xiu's Jamie Stewart (R) and Angela Seo (L) © Eva Luise Hoppe
Features, Interviews, MusicSeptember 30, 2024<September 30, 2024

“Music is essentially an infinite puzzle”: Jamie Stewart Discusses the Inimitable Sounds of Xiu Xiu

by Frederick Bloy
Zero Sun © Sophia Wrzesinski
Columns, Music, Today's SongSeptember 29, 2024<September 29, 2024

Today’s Song: Zero Sun Drift in and Out of Wistful Romance & Regret on “If I’m Ever Gonna Change Your Mind”

by David Diame
Ciaran Short
Columns, Meet Our WritersSeptember 28, 2024<September 28, 2024

Meet Our Writers: New York’s Ciaran Short

by Ciaran Short
Pa Sheehy © Cillian Garvey
Columns, Music, Today's SongSeptember 28, 2024<September 28, 2024

Today’s Song: Pa Sheehy’s “Under the Orange Sky” Reflects on Love & Loss With Evocative Melodies and Poignant Lyricism

by Danielle Holian
Peace Ritual © Tahmid Nurullah
Columns, Music, Today's SongSeptember 27, 2024<September 27, 2024

Today’s Song: Peace Ritual Channel Angst & Ecstasy into Impassioned DIY Anthem “Seconds”

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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