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Music, ReviewsNovember 21, 2024<November 22, 2024 Review: Michael Kiwanuka’s ‘Small Changes’ Is a Quiet Departure From His Big Sound by Liv Goodbody
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Debut, Features, Interviews, Music, Track-by-TrackNovember 19, 2024<November 19, 2024 Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’ by Mitch Mosk
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MusicNovember 16, 2024<November 16, 2024 Today’s Song: Contemplations on Life’s Demands With Cornelia Murr’s “Meantime” & “How Do You Get By” by Marc Maleri
Columns, Music, Today's SongNovember 15, 2024<November 15, 2024 Today’s Song: Belfast Trio Chalk Unleash a Combustible Post-Punk Storm in “Tell Me” by Mitch Mosk
Concerts, Music, ReviewsNovember 15, 2024<November 15, 2024 Live Review: Celebrating Love, Attitude, & Tenderness with Duff McKagan in Los Angeles by Emma Schoors
Debut, Features, Interviews, Music, Track-by-TrackNovember 15, 2024<November 15, 2024 Feature: Becky and the Birds Embodies Creative Freedom on Her Breathtaking Debut Album ‘Only Music Makes Me Cry Now’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackNovember 14, 2024<November 14, 2024 Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’ by Mitch Mosk
For the Love of Music
For the Love of Music
