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C,XOXO - Camila Cabello
Features, Music, Reviews, RoundtableJuly 16, 2024<August 5, 2024

Roundtable Discussion: A Review of Camila Cabello’s ‘C,XOXO’

by Atwood Magazine Staff
Liang Lawrence "Eulogy" © Mila Austin
Columns, Music, Today's SongJuly 16, 2024<July 10, 2024

“Would you do it over again?”: Liang Lawrence Delivers a Breathtaking “Eulogy” for a Past Relationship

by Aaron Childree
WeirdOs - O.
Music, ReviewsJuly 16, 2024<July 15, 2024

Review: Instrumental Duo O. Forge a Raw, Visceral, & Enthralling Sound on Epic Debut ‘WeirdOs’

by Jake Fewx
Caleb Hearn © Tyler Krippaehne
Debut, Features, Interviews, MusicJuly 15, 2024<March 2, 2025

Interview: Caleb Hearn Discusses Finding His Sound, Navigating TikTok, & Debut Album ‘Left on McKinney’

by Aaron Childree
Soccer Mommy © Anna Pollack
Columns, Music, Today's SongJuly 15, 2024<July 10, 2024

Today’s Song: Soccer Mommy Contemplates the Intricacies of Identity on the Beautifully Somber “Lost”

by Jake Fewx
Animal Collective "Defeat" © Hisham Akira Bharoocha
Columns, Music, Today's SongJuly 14, 2024<July 10, 2024

Traversing the Labyrinth of Animal Collective’s “Defeat,” and Seeing How Much Has Changed By the End

by Frederick Bloy
Cults © Shervin Lainez
Columns, Music, Today's SongJuly 13, 2024<July 13, 2024

Today’s Song: NYC’s Cults Strip Back to Simplicity With “Crybaby” Off New Album ‘To the Ghosts’

by Marc Maleri
Caitlyn Smith © Rob Morgan
Columns, Music, Today's SongJuly 12, 2024<July 10, 2024

Today’s Song: Caitlyn Smith Lays Bare Her Fears in “Mother of Three”

by Emily Frances Algar
mercury's Maddie Kerr © Josef Lloyd
Artist to Watch, Features, Interviews, MusicJuly 11, 2024<July 11, 2024

“A voyage of grief, pain, and loss”: mercury’s Maddie Kerr Talks Songwriting, Raw Emotion, & ‘Together We Are One, You and I’

by Mitch Mosk
Orion Sun "Already Gone" © Linus Johnson
Columns, Music, Today's SongJuly 10, 2024<July 10, 2024

“It’s a mile to the front door”: Orion Sun Dwells in Love’s Wreckage on “Already Gone,” a Song of Heartache, Grief, & Acceptance

by Mitch Mosk
Karley Scott Collins © Matthew Berinato
Features, Interviews, MusicJuly 10, 2024<July 10, 2024

“You always wanted me to write one”: Karley Scott Collins Discusses Her Heavy Metal Influenced EP, ‘Write One’

by Emily Frances Algar
Petty Country: A Country Music Celebration of Tom Petty 8.9
Music, Our Take, ReviewsJuly 9, 2024<July 9, 2024

A Heartfelt Heartbreakers Homage: ‘Petty Country (A Country Music Celebration of Tom Petty)’ Hits Home

by Christine Buckley
Running Out of Time - Ashe
Features, Interviews, MusicJuly 9, 2024<July 24, 2024

“I’m not sure if I’m in love, but it feels like freedom”: Ashe Talks Independence, Empowerment, & Her Own Liberation With “Running Out of Time”

by Mitch Mosk
Billy Sharp © 2024
Columns, Debut, Music, Today's SongJuly 9, 2024<July 9, 2024

Today’s Song: The Sweet Seduction of Billy Sharp’s Dreamy Debut Single “Kitchen Disco Queen”

by Mitch Mosk
Maia Kamil © courtesy of the artist
Interviews, Music, ReviewsJuly 9, 2024<July 9, 2024

Interview: Maia Kamil’s Second Album ‘You’re Not Here You’re Everywhere’ Unravels Layers of Love & Loss

by Guest Writer
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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