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Sebastian Schub © Emelia Staugaard
Artist to Watch, Columns, Interviews, Music, Today's SongNovember 14, 2024<November 14, 2024

Interview: Singer/Songwriter Sebastian Schub Debuts With “Sing Like Madonna,” a Defining & Impassioned Mission Statement

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 13, 2024
Columns, Features, Music, Weekly RoundupNovember 14, 2024<November 14, 2024

Atwood Magazine’s Weekly Roundup: November 14, 2024

by Atwood Magazine Staff
The Brook & The Bluff © Bryant Bural & Noah Tidmore
Features, Interviews, Music, Track-by-TrackNovember 14, 2024<November 14, 2024

Feature: Basking in The Brook & The Bluff’s Big Happy Accident, ‘This Could All Go Nowhere’

by Mitch Mosk
She's in Parties © Polocho
Features, Interviews, Music, Track-by-TrackNovember 13, 2024<November 13, 2024

“Smile for me”: Essex’s She’s in Parties Shine a Light on Our Broken World in Theatrical ‘Puppet Show’ EP

by Mitch Mosk
Holly Lovell © Eric Yochim
Music, PremieresNovember 13, 2024<November 15, 2024

Premiere: Denver’s Holly Lovell Embraces Grief, Heartache, & Longing in “When Did I Lose You”

by Mitch Mosk
Mood Bored © Michèle Margot
Artist to Watch, Music, Music Videos, PremieresNovember 13, 2024<November 15, 2024

“Don’t you wanna break?”: Mood Bored Premiere Their Grungy Angst-Fueled Fever Dream, “All the Time”

by Mitch Mosk
Nerina Pallot © Tommy Reynolds
Features, Interviews, MusicNovember 13, 2024<November 15, 2024

“It Hurts a Lot Until It Hurts a Little”: Nerina Pallot Discusses Her Eighth Album, ‘A Psalm for Emily Salvi’

by Emily Frances Algar
Elizma © 2024
Columns, Music, Today's SongNovember 13, 2024<November 15, 2024

Today’s Song: Elizma Unpacks Emotion & Explores Heartache on “What’s in My Head”

by Danielle Holian
Izzy Outerspace © Troy Conrad
Music, Music Videos, PremieresNovember 12, 2024<November 12, 2024

Premiere: Floating Through Izzy Outerspace’s Dreamy, Aching “Beautiful Blur”

by Mitch Mosk
Songs Of A Lost World - The Cure
Music, ReviewsNovember 12, 2024<November 12, 2024

On the Precipice of Existence: Reviewing The Cure’s ‘Songs of a Lost World’

by David Buyze
Hippo Campus © Brit O'Brien
Features, Interviews, MusicNovember 12, 2024<November 12, 2024

“Serenity Prayer Type Shit”: A Conversation With Hippo Campus

by Kate Millar
Peter Elkas "SWEET SPOT" © Atiya May Elkas
Columns, Music, Today's SongNovember 12, 2024<November 12, 2024

Basking in the “SWEET SPOT” With Peter Elkas’ Dreamy, Sun-Kissed Yacht Rock Reverie

by Mitch Mosk
George Harrison © Aidan Moyer
Features, Music, ReviewsNovember 10, 2024<November 11, 2024

“Don’t Let Me Wait Too Long”: An Advance Look at George Harrison’s ‘Living in the Material World’ Remastered

by Aidan Moyer
FKA twigs "Eusexua" © Jordan Hemingway
Columns, Music, Today's SongNovember 10, 2024<November 10, 2024

“Eusexua”: Beyond Love, a Transcending Hymn to Life by FKA twigs

by Dimitra Gurduiala
Somebody's Child © Jim Fuller
Columns, Music, Today's SongNovember 9, 2024<November 9, 2024

Today’s Song: Somebody’s Child Steps into a New Era with Reflective “Time of My Life”

by Danielle Holian
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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