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I Just Needed You to Know - Girl Scout
Artist to Watch, Columns, Music, Today's SongJuly 1, 2024<July 1, 2024

Today’s Song: The Raw, Exhilarating Rush of Girl Scout’s Angsty & Feverish “I Just Needed You to Know”

by Mitch Mosk
Noah Henderson © courtesy of the artist
Interviews, MusicJuly 1, 2024<July 1, 2024

Interview: Noah Henderson Is Learning to Find Comfort in His Musical Time Capsules

by Noah Wade
Submarine - The Marías
Features, Music, Reviews, RoundtableJuly 1, 2024<July 1, 2024

Roundtable Discussion: A Review of The Marías’ ‘Submarine’

by Atwood Magazine Staff
Milky Chance "Naked and Alive" © Anthony Molina
Columns, Music, Today's SongJune 30, 2024<June 30, 2024

Today’s Song: Milky Chance Pen a ‘Paean to Joyful Solitude’ With “Naked and Alive”

by Beau Hayhoe
Zach Bryan © Trevor Pavlov
Columns, Music, Today's SongJune 29, 2024<June 29, 2024

Welcome, Grief, I’ll Take You for All That You Are: Zach Bryan Bares It All in Emotional Single, “Pink Skies”

by Mariam Bagdady
Country - Medium Build © Tyler Krippaehne
Features, Interviews, MusicJune 28, 2024<June 29, 2024

“The goal was to make something sweet, raw, and direct”: Medium Build Discusses His Achingly Beautiful Album, ‘Country’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 28, 2024
Columns, Features, Music, Weekly RoundupJune 28, 2024<July 1, 2024

Atwood Magazine’s Weekly Roundup: June 28, 2024

by Atwood Magazine Staff
Radiosoul - Alfie Templeman
Features, Interviews, Music, Track-by-TrackJune 28, 2024<June 28, 2024

Track-by-Track: Alfie Templeman’s ‘Radiosoul’ Is a Soaring, Spirited Coming-of-Age Triumph

by Mitch Mosk
Scott Guild © Anna Powell Denton
Columns, Editorials, Music, Pride MonthJune 28, 2024<June 28, 2024

“Queering the Genres”: A Pride Month Essay by Scott Guild

by Guest Writer
Taylor Swift brings The Eras Tour to London's Wembley Stadium © Kevin Mazur (Instagram)
Concerts, Music, ReviewsJune 28, 2024<June 28, 2024

Live Review: Taylor Swift’s The Eras Tour Basks in All Its Grandeur at London’s Wembley Stadium

by Rachel Leong
The Warning 'Keep Me Fed' © Danielle Ernst
Features, Interviews, MusicJune 28, 2024<June 29, 2024

Interview: The Warning Discuss New Album ‘Keep Me Fed’ and Its Themes of Excess & Overindulgence

by Kendall Graham
Queen of Jeans © Brooke Marsh
Music, ReviewsJune 28, 2024<June 28, 2024

Review: Queen of Jeans Journey Through Love & Heartache on ‘All Again’

by James Crowley
cehryl 'willow tree' © Gemma Harrad
Features, Interviews, Music, Track-by-TrackJune 27, 2024<June 27, 2024

“Transient, Introspective, & Cinematic”: cehryl Delves into the Intimate World of ‘willow tree,’ Her Soul-Stirring Third Album

by Mitch Mosk
Lake Street Dive © Shervin Lainez
Features, Interviews, MusicJune 27, 2024<June 29, 2024

Interview: Lake Street Dive Discuss the Joyful Rebellion of ‘Good Together,’ Their Spirited & Spontaneous Eighth Album

by Nasim Elyasi
Stephen Sanchez 'Angel Face' © Luke Rogers
Features, Interviews, MusicJune 27, 2024<June 27, 2024

Interview: Stephen Sanchez Talks Fame, Fortune, & His New Songs Off ‘Angel Face (Club Deluxe)’

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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