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Amahla © Justina Stasiunaite
Columns, Music, Today's SongNovember 1, 2024<November 1, 2024

“Please don’t waste my time when rent is due”: Amahla’s Inner Light Shines on “Money”

by Mitch Mosk
BENJAMIN - Jake Isaac
Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 2, 2024

“Soul, Stories, & Sentiments”: Jake Isaac Shines a Light on ‘BENJAMIN,’ His Beautifully Intimate Fourth Album

by Mitch Mosk
Clearwater Swimmers © Preston Ossman
Debut, Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 1, 2024

“Earnest, Intimate, & Resigned”: The Clearwater Swimmers Find Catharsis & Connection on Their Achingly Raw Debut

by Mitch Mosk
Tangerine © Miró Justad
Debut, Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 1, 2024

“I’m still alive and I’m still hungry”: Tangerine’s Expansive, Ethereal, & Bittersweet Debut, ‘You’re Still the Only One’

by Mitch Mosk
Malcolm Todd © Joseph Morrison
Features, Interviews, MusicNovember 1, 2024<November 1, 2024

Interview: Malcolm Todd Talks Tackling Love, New Music, & His Twenties

by Mariam Bagdady
Atwood Magazine's Weekly Roundup | October 31, 2024
Columns, Features, Music, Weekly RoundupOctober 31, 2024<November 1, 2024

Atwood Magazine’s Weekly Roundup: November 1, 2024

by Atwood Magazine Staff
Soda Blonde are (L to R): Dylan Lynch, Faye O’Rourke, Donagh Seaver O’Leary, and Adam O’Regan © 2024
Columns, Music, Today's SongOctober 31, 2024<October 31, 2024

Today’s Song: Soda Blonde’s “Bully” Is an Irresistible Anthem of Angst, Brain Rot, & Inner Turmoil From Dublin’s Finest

by Mitch Mosk
Noise Cans © 2024
Interviews, MusicOctober 31, 2024<October 31, 2024

Interview: Meet Noise Cans, a Guy Rockin’ the Turntables and Donnin’ Gombey Masks

by Josh Weiner
Bermuda Search Party © Stephanie Larsen
Music, Music Videos, PremieresOctober 30, 2024<October 30, 2024

“It’s the fear of drowning that helps us swim”: Boston’s Bermuda Search Party “Shiver” Through Fear With Grace & Strength

by Mitch Mosk
Jake & Abe © Charlie Weinmann
Debut, Features, Interviews, Music, Track-by-TrackOctober 30, 2024<October 30, 2024

Track-by-Track: The Intoxicating Allure of Jake & Abe’s Funky, Sweaty, & Seductive Debut Album, ‘Finally!’

by Mitch Mosk
Fontaines D.C. © Theo Cottle
Features, Interviews, MusicOctober 30, 2024<October 30, 2024

Interview: Fontaines D.C. Drummer Tom Coll Talks Dracula, Dystopian Films, and Irish Trad Music

by Emma Rayder
KEN Mode © Brenna Faris
Music, ReviewsOctober 30, 2024<October 30, 2024

Live Review: KEN Mode Show That After 25 Years, They’re the Band for This Current Era

by Oliver Crook
Devarrow © Bells Larsen
Features, Interviews, Music, Track-by-TrackOctober 29, 2024<November 7, 2024

Track-by-Track: Finding Joy in Devarrow’s Fun, Carefree, & Cathartic Fourth Album, ‘Heart Shaped Rock’

by Mitch Mosk
Skinny Dyck © Heather Saitz
Features, Interviews, Music, Track-by-TrackOctober 29, 2024<October 29, 2024

“Country, but not country”: Inside Skinny Dyck’s Gentle, Dreamy, and ‘Easygoing’ Sophomore Album

by Mitch Mosk
Inhaler © Lewis Evans
Concerts, Music, ReviewsOctober 28, 2024<October 28, 2024

Live Review: Inhaler Celebrate the Old and Usher in the New at NYC’s Pier 17

by Noah Wade
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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