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Annika Bennett © Joe Gagliano
Debut, Features, Interviews, MusicOctober 18, 2024<October 18, 2024

“Full of Life”: Annika Bennett Talks Artistic Freedom, John Mayer, & Her Debut Album ‘Live From Mother Earth’

by Kelly McCafferty Dorogy
BLK ODYSSY © Bethany Reed
Features, Interviews, Music, Track-by-TrackOctober 17, 2024<October 24, 2024

Liberating, Cinematic, & Seductive: BLK ODYSSY Breaks the Mold on Third Album, ‘1-800 FANTASY’

by Mitch Mosk
allie © Rachel Bennett
Columns, Music, Today's SongOctober 17, 2024<October 17, 2024

“Skyscrapers in the back seat”: allie’s Indigo Indie Rock Anthem “Tiny Colored Pills” Aches With an Intimate Inner Yearning

by Mitch Mosk
Caroline Kingsbury © Lissyelle Laricchia
Features, Interviews, Music, Premieres, Track-by-TrackOctober 17, 2024<October 17, 2024

EP Premiere: Caroline Kingsbury’s ‘I Really Don’t Care!’ Is an Irresistible, Cinematic Celebration of Caring Too Much

by Mitch Mosk
NikoCorlin © Phie Beckett Stenbæk
Features, Interviews, MusicOctober 17, 2024<October 17, 2024

Dreams and Defiance: NikoCorlin on Chasing Ambition and Challenging the Status Quo

by Danielle Holian
Nothing But Thieves © Mariah Senecal Reilly
Concerts, Music, ReviewsOctober 17, 2024<October 17, 2024

Live Review: Nothing But Thieves Astound New York at The Rooftop at Pier 17

by Christine Buckley
Casii Stephan © 2024
Interviews, MusicOctober 17, 2024<October 17, 2024

Interview: Casii Stephan Explores a Future That Is Out of Our Hands in “Without a Box”

by Chloe Robinson
Jo Hill © Phoebe Fox
Columns, Music, Today's SongOctober 16, 2024<October 16, 2024

Today’s Song: Jo Hill Soars on “ALL MY GIRLS ARE TOMBOYS,” a Spirited, Sun-Kissed Sisterhood Anthem

by Mitch Mosk
King Ibis © Robin Bottrell
Music, PremieresOctober 16, 2024<October 16, 2024

“Build me up to make me small”: Perth’s King Ibis Are Unleashed in Seductive Scorcher “Did You Dim the Lights”

by Mitch Mosk
paris_monster © Elizabeth Lauren West
Music, PremieresOctober 16, 2024<October 16, 2024

“Presently Dissolved”: Brooklyn’s paris_monster Add “Water to the Well” in an Electro-Funk Fury

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 15, 2024
Columns, Features, Music, Weekly RoundupOctober 15, 2024<October 17, 2024

Atwood Magazine’s Weekly Roundup: October 15, 2024

by Atwood Magazine Staff
High. © Aleko Syntelis
Columns, Music, Today's SongOctober 15, 2024<October 15, 2024

Today’s Song: High.’s “In a Hole” Is a Fever Dream of Gauzy, Glistening Grunge

by Mitch Mosk
Caroline Strickland © Aaron Champagne
Music, Music Videos, PremieresOctober 15, 2024<October 15, 2024

Premiere: Our Inner Voice Comes to Life in Caroline Strickland’s “Martha’s Calling,” a Song of Angst & Ache

by Mitch Mosk
The Scarlet Opera © Carianne Older
Features, Interviews, MusicOctober 15, 2024<October 15, 2024

“We can make anything a great moment live”: The Scarlet Opera on “Heaven Is a Place on Earth” and Their Evolving Sound

by Christine Buckley
William Hinson © 2024
Features, Interviews, MusicOctober 15, 2024<October 15, 2024

Interview: William Hinson, an Ascending Beatles Historian & Prolific Musician, Unveils “Give It a Day (It’s Alright)” and Teases Upcoming Full-Length LP

by Noah Wade
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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