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Fleetwood Mac © Norman Seeff, 1978
Columns, Music, Nostalgia TracksJune 13, 2024<June 13, 2024

A Short Story of Beginnings, Ends, & Understanding Why Fleetwood Mac’s “Save Me a Place” Is the Foundation That Holds True No Matter What

by Kevin Cost
Primavera Sound 2024 Created in Barcelona © Christian Bertrand
Festival, Music, ReviewsJune 13, 2024<June 13, 2024

Review: Vibrant Spanish Culture Meets Musical Diversity at Primavera Sound Barcelona 2024

by Michael Greco
Under The Rug © 2024
Music, Music Videos, PremieresJune 13, 2024<June 13, 2024

Video Premiere: Austin’s Under the Rug Channel Sylvia Plath’s Spirit in “mad girl’s love song”

by Mitch Mosk
Sunnsetter © Jules Mancuso
Music, PremieresJune 12, 2024<June 12, 2024

“Never wanna go back”: Sunnsetter’s “Try Again” Is an Aching Alt-Rock Anthem of Perseverance, Guts, & Pursuing Your Dreams

by Mitch Mosk
Dex Green © Hannah Hall
Music, PremieresJune 12, 2024<June 12, 2024

“Here she comes, there she goes”: Dwelling in Dex Green’s Dreamy, Soul-Soaked Meditation on Love

by Mitch Mosk
Axel Flóvent © Magnus Andersen
Features, Interviews, Music, Track-by-TrackJune 12, 2024<June 12, 2024

Track-by-Track: Axel Flóvent Discusses His Creative Process & Masterful, Introspective New Album ‘Away From This Dream’

by Aaron Childree
A Human Home - Lucy Kruger & The Lost Boys
Music, ReviewsJune 12, 2024<June 12, 2024

Review: Lucy Kruger & The Lost Boys Bring Intimacy into Isolation on ‘A Human Home’

by Marissa DeLeon
Azu Yeché © Bo Morgan
Music, Music Videos, PremieresJune 12, 2024<June 12, 2024

“All our plans up in flames”: Azu Yeché’s Heavy Heart Aches in “Leave Me Now,” a Beautiful Ballad of Raw Soul & Unrequited Love

by Mitch Mosk
Lawrence Matthews © Ahmad George
Columns, Music, This Just In, Today's SongJune 11, 2024<June 12, 2024

“These here is dark times”: Lawrence Matthews Honors & Unpacks the Black Experience in “Once More & Again (Our Mourning)” ft. Idi X Teco

by Mitch Mosk
Jontavious Willis © The Jontavious Willis Team
Music, PremieresJune 11, 2024<June 11, 2024

Premiere: Jontavious Willis Invites You to Embrace the Blues & “Keep Your Worries On the Dance Floor”

by Mitch Mosk
dog eat dog food world - Niko B
Debut, Music, ReviewsJune 11, 2024<June 11, 2024

‘dog eat dog food world’: Niko B’s Vibrant Debut Album Playfully Chronicles Small-Town Antics

by Liv Goodbody
Train's Pat Monahan © Aidan Moyer
Features, Interviews, MusicJune 11, 2024<June 11, 2024

Something ‘Bout it Feels like Home: An Interview with Pat Monahan of Train

by Aidan Moyer
Chappell Roan © N Bradley
Concerts, Festival, Music, ReviewsJune 10, 2024<June 11, 2024

Review: Chappell Roan Dons Statue of Liberty Drag at NYC’s Governors Ball Music Festival

by Julia Dzurillay
Bea and her Business 'Me vs. Me' © Lewis Vorn
Features, Interviews, Music, Track-by-TrackJune 10, 2024<January 15, 2025

Track-by-Track: London’s Bea and Her Business Unpacks Her Unapologetic & Self-Deprecating ‘Me vs. Me’ EP

by Mitch Mosk
HIT ME HARD AND SOFT - Billie Eilish
Features, Music, Reviews, RoundtableJune 10, 2024<June 29, 2024

Roundtable Discussion: A Review of Billie Eilish’s ‘HIT ME HARD AND SOFT’

by Atwood Magazine Staff
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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