Columns, Music, Today's SongJuly 29, 2020<July 29, 2020 Today’s Song: A Cohesive Explosion of Sound Makes Cxpital’s “San Francisco” by Kelly McCafferty Dorogy
Columns, Editor's Picks, MusicJuly 28, 2020<July 28, 2020 Editor’s Picks 37: Ric Wilson, Loviet, Zaia, Aquilo, Erez Zobary & theMIND by Mitch Mosk
Features, Music, Reviews, RoundtableJuly 28, 2020<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘folklore’ by Atwood Magazine Staff
Features, Music, Reviews, Track-by-TrackJuly 28, 2020<July 28, 2020 Fracture & Fragility: Inside Haux’s Breathtaking Debut Album ‘Violence in a Quiet Mind’ by Mitch Mosk
Debut, Music, ReviewsJuly 28, 2020<July 28, 2020 Feature: Dad Bod’s ‘Precursor’ EP Is a Raw, Intimate, & Exciting Prelude by Mitch Mosk
Features, Music, Reviews, Track-by-TrackJuly 27, 2020<July 27, 2020 Album Review: Inside the Forlorn Human Depths of Eliot Bronson’s ‘Empty Spaces’ by Mitch Mosk
Music, Music Videos, PremieresJuly 27, 2020<July 27, 2020 Premiere: The Mommyheads’ Aching Open Letter “Out From Under The Glass” by Mitch Mosk
Columns, Debut, Music, Today's SongJuly 27, 2020<July 25, 2020 Today’s Song: Dinner Party’s “Freeze Tag” Is a Multi-Faceted Debut Offering by Nick Matthopoulos
Debut, Features, Interviews, MusicJuly 24, 2020<July 29, 2020 Duality, Horror, and Creative Solitude: An Interview with Skullcrusher by Frankie Rose
Debut, Music, Music Videos, PremieresJuly 24, 2020<July 24, 2020 Premiere: Leah Capelle Concludes Her ‘triptych’ Storyline with Pensive, Evocative “friends” Video by Mitch Mosk
Features, Interviews, MusicJuly 24, 2020<August 23, 2020 Interview with Cub Sport: Ascending from Trauma to Achieve ‘LIKE NIRVANA’ by Harper Beattie
Debut, Music, Music Videos, PremieresJuly 24, 2020<July 24, 2020 Premiere: “Backseat Swinging” Proves to Be a Stellar Debut for Coolhand Jax by Adrian Vargas
Music, ReviewsJuly 24, 2020<July 24, 2020 Review: MisterWives Deliver with Soul Replenishing, Funk-Filled Third Album ‘SUPERBLOOM’ by Kelly McCafferty Dorogy
Music, PremieresJuly 24, 2020<July 24, 2020 Premiere: Ryann’s Aching “One Minute” Is a Dazzling, Poignant Post-Breakup Hit by Mitch Mosk
Features, Interviews, MusicJuly 24, 2020<July 23, 2020 Interview: Amsterdam’s Nana Adjoa Embodies Inner Strength & Resolve in Stirring New Music by Mitch Mosk
For the Love of Music
For the Love of Music
