Columns, Features, Music, Playlists, Weekly RoundupDecember 7, 2018<December 21, 2018 Atwood Magazine’s Weekly Roundup: December 7, 2018 by Staff
Features, Music, ReviewsDecember 5, 2018<January 16, 2019 Roundtable Discussion: A Review of The 1975’s ‘A Brief Inquiry into Online Relationships’ by Staff
Columns, Music, Today's SongOctober 9, 2018<December 5, 2018 The 1975 Revive Their Jazz Sound & Discuss Inevitable Feelings in “Sincerity Is Scary” by Caitlin Ison
Columns, Features, Music, Weekly RoundupAugust 31, 2018<September 13, 2018 Atwood Magazine’s Weekly Roundup: August 31, 2018 by Staff
Features, Music, Reviews, This Just InAugust 22, 2018<August 29, 2018 Pop, Frivolity, & Attitude: A Review of The 1975’s “TOOTIMETOOTIMETOOTIME” by Staff
Columns, Features, Music, Weekly RoundupAugust 17, 2018<August 31, 2018 Atwood Magazine’s Weekly Roundup: August 17, 2018 by Staff
Columns, Features, Music, Reviews, Today's SongJuly 25, 2018<October 15, 2018 Reeling in The 1975’s Impassioned Protest “Love It If We Made It” by Mitch Mosk
Features, Music, ReviewsJune 4, 2018<June 19, 2018 Feature: Our Writers Review The 1975’s “Give Yourself a Try” by Staff
Debut, Interviews, Music, PremieresApril 12, 2018<April 12, 2018 Discovering The Phantom Dance Department: A Conversation with FV by Nicole Almeida
Features, Interviews, MusicMarch 14, 2018<March 14, 2018 Groove and Emotion: A Conversation with Pale Waves by Maggie McHale
Features, MusicJanuary 2, 2018<January 19, 2018 The Sound of Somebody Else: How The 1975 Are Changing Music by Kelly Wynne
Columns, Music, Weekly RoundupNovember 17, 2017<December 11, 2017 Atwood Magazine’s Weekly Roundup: November 17, 2017 by Staff
Columns, Music, Today's SongMarch 15, 2017<March 15, 2017 Today’s Song: “By Your Side” Marks a Gentle Return for The 1975 by Sydney Sweeney
Features, Music, News, ReviewsJanuary 4, 2017<January 4, 2017 Atwood Magazine’s 2016 Albums of the Year by Staff
Features, Festival, Music, News, PreviewsJune 17, 2016<June 17, 2016 (Y)Our Music Guide to Shadow of the City 2016 by Mitch Mosk