8.3 Music, Our Take, ReviewsJanuary 4, 2021<January 4, 2021 Our Take: Bruce Springsteen’s ‘Letter to You’ Is a Neat Parcel of Mortality, Youth, and The Boss by Bethan Harper
Music, ReviewsDecember 29, 2020<December 28, 2020 Review: Seeking Guidance with Sufjan Stevens’ ‘The Ascension’ by Frankie Rose
Interviews, MusicDecember 22, 2020<December 22, 2020 Interview: Songhoy Blues’ ‘Optimisme’ Provides the Hope & Groove We Need Right Now by Oliver Crook
Columns, Music, Today's SongDecember 22, 2020<December 22, 2020 Today’s Song: How Keesh Immortalizes Love in “Ode to Fred” by Dimitra Gurduiala
8 Music, Our Take, ReviewsDecember 22, 2020<December 21, 2020 Our Take: Lera Lynn Settles into Herself in ‘On My Own’ & Finds Forgiveness In-Between the Bars by Emily Frances Algar
MusicDecember 22, 2020<December 21, 2020 Interview: Conor Mason on How He & Nothing But Thieves Wrote One of the Most Prescient Albums of 2020 by Adam Davidson
9 Music, Our Take, ReviewsDecember 21, 2020<December 21, 2020 Our Take: The Avalanches Start a New Chapter with ‘We Will Always Love You’ by Leo Culp
Features, Music, Reviews, RoundtableDecember 21, 2020<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘evermore’ by Atwood Magazine Staff
Debut, Music, ReviewsDecember 18, 2020<December 18, 2020 Review: B.Miles Navigates Nostalgia on Debut ‘In Order of Appearance’ by Maggie McHale
Interviews, MusicDecember 18, 2020<December 18, 2020 Interview: Osees’ John Dwyer on ‘Metamorphosed’ and Life without Touring in 2020 by Adam Davidson
8.6 Debut, Interviews, Music, Our Take, Reviews, Track-by-TrackDecember 17, 2020<December 17, 2020 “Warm Traveled Forgiveness”: Mimi Gilbert Lights a Visceral Folk Fire in Debut ‘Grew Inside the Water’ by Mitch Mosk
7.9 Music, Our Take, ReviewsDecember 17, 2020<December 17, 2020 Our Take: Kid Cudi Crafts a Fitting Final Chapter to His Trilogy with ‘Man on the Moon III: The Chosen’ by Josh Weiner
Debut, Features, Interviews, MusicDecember 17, 2020<December 17, 2020 Interview: Folk Rock Up-And-Comer Samia on Her Stunning & Intimate Debut ‘The Baby’ & ‘The Baby Reimagined’ by Lowndes Commander
9.4 Features, Interviews, Music, Our Take, Reviews, Track-by-TrackDecember 17, 2020<December 16, 2020 “Hopeful, Liberated, & Futile”: London’s Seafarers on Their Stirring, Standout Debut ‘Orlando’ by Mitch Mosk
7.7 Debut, Music, Our Take, ReviewsDecember 16, 2020<December 16, 2020 Our Take: Megan Thee Stallion Swiftly Claims Dominance in the Rap World on Debut LP, “Good News.” by Josh Weiner
For the Love of Music
For the Love of Music
