Music, ReviewsJune 29, 2018<June 29, 2018 Review: The Bait Is Live, Join the Curse League in Their Latest Album by Connor Bush
Music, ReviewsJune 27, 2018<June 27, 2018 Review: Accepting Loss & Bittersweet Memories in Luca Brasi’s ‘Stay’ by James Meadows
7.1 Music, Our Take, ReviewsJune 26, 2018<January 19, 2022 Our Take: Nas’ NASIR Proves a Palatable Rough Draft by Josh Weiner
Features, Music, PremieresJune 26, 2018<June 26, 2018 Album Premiere: Jae Jin’s Beautiful ‘Letters and Drinks’ Balances Love & Suffering by Mitch Mosk
Debut, Music, Our Take, ReviewsJune 25, 2018<June 25, 2018 Our Take: Intimate Storytelling with The Saxophones’ Ethereal Debut ‘Songs of The Saxophones’ by Adrian Vargas
Features, Music, Premieres, ReviewsJune 25, 2018<June 25, 2018 Album Premiere: Nik Freitas’ ‘Day & Dark’ Explores Life in These Turbulent Times by Mitch Mosk
Features, Music, Our Take, ReviewsJune 22, 2018<June 22, 2018 Our Take: Neko Case’s Fiery New Record, ‘Hell-On’ by Mariel Fechik
Features, Music, ReviewsJune 21, 2018<August 5, 2021 Review: Kanye West & Kid Cudi Fly High Above Their Demons on ‘Kids See Ghosts’ by Atwood Magazine Staff
Music, Music You Should Know, ReviewsJune 20, 2018<June 20, 2018 Music You Should Know: The Unending Emotional Intrigue of ‘The Neighbourhood’ by The Neighbourhood by Maggie McHale
Columns, Music, Music You Should Know, ReviewsJune 19, 2018<June 19, 2018 Current Joys’ A Different Age: A Track-by-Track Review by Urooj Ali Rizvi
Debut, Features, Music, ReviewsJune 19, 2018<June 19, 2018 Review: ‘Lush’ is Snail Mail’s Cinematic, Romantic Coming-of-Age Story by Nicole Almeida
Columns, Music, Music You Should KnowJune 14, 2018<June 14, 2018 Music You Should Know: Viva Brother Bring Brit-Pop to the Forefront in ‘Famous First Words’ by Sara Santora
Debut, Features, Music, PremieresJune 14, 2018<June 14, 2018 Album Premiere: ‘Concentrate’ on The Happy Fits’ Energetic, Euphoric Debut by Mitch Mosk
Columns, Features, Music, Music You Should Know, ReviewsJune 13, 2018<June 13, 2018 Review: Breathing the Inner Light of Dhruv Visvanath’s Immersive ‘The Lost Cause’ by Mitch Mosk
Features, Music, Reviews, RoundtableJune 6, 2018<June 29, 2024 Roundtable Discussion: A Review of Father John Misty’s ‘God’s Favorite Customer’ by Atwood Magazine Staff
For the Love of Music
For the Love of Music
